Bankura Christian College TENDER NOTICE No: NIT/15 16/039
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Bankura Christian College TENDER NOTICE No: NIT/15-16/039 Date: 04-02-2016 Quotations under sealed cover are invited by the undersigned from bonafide publisher / distributors / their authorized representatives for the supply of books as per lists. • • • • • • The rate quoted by the bidders should be inclusive of carriage and all taxes, otherwise quotation will not be considered; Payment will be made as per Government Rules and Regulations; Last date of submission of tender quotation at the college office is upto 02.00 PM on February 12, 2016 and tender will be opened in the same day at 03.00 PM in presence of the bidders, if any; Quotations may be submitted through e-mail: [email protected] The goods supplied should be in exactitude of the specifications mentioned in the tender notice. Any deviation/departure/difference with the specifications mentioned will not be accepted and the payment will not be made; The authority reserves the right to accept or to reject any or all quotations without assigning any reasons thereto; Jt Convenors, CPE-BSR Bankura Christian College Teacher-in-Charge Bankura Christian College English Department Sl. Title No. 1. The Cambridge Companion to Creative Writing Author/Editor Morley 2. The Cambridge Companion to Feminist Literary Theory Rooney 3. The Cambridge Companion to Old English Literarture Godden 4. The Cambridge Companion to W.B.Yeats Howes 5. The Cambridge History of English Romantic Literature Chandler 6. The Cambridge Introduction to Short Story in English Hunter 7. The Cambridge Shakespeare Guide 8. The Concise Cambridge History of English Literature Sampson 9. Hawley 13. Contemporary Indian Writers in English:Amitava Ghosh Contemporary Indian Writers in English:Mahesh Dattani Contemporary Indian Writers in English: Raja Rao:An Introduction Contemporary Indian Writers in English: Rohinton Mistri :An Introduction Indian Women in the House of Fiction(ZUBAAN) 14. Studying English Literature:A Practical Guide Young 15. Themes and Conventions of Elizabethan Tragedy Bradbrook 16. Touch and Intimacy in First World War Literature Das 17. 18. Antony and Cleopatra(The New Cambridge Shakespeare) As You Like It(The New Cambridge Shakespeare) 19 The Cambridge History of Literary Criticism 20. The Cambridge Companion to John Donne 21. Hamlet,Prince of Denmark(The New Cambridge Shakespeare) Macbeth(The New Cambridge Shakespeare) 10. 11. 12. 22. 23. 24. Measure for Measure(The New Cambridge Shakespeare) Midsummer Night’s Dream(The New Cambridge Chaudhuri Alterno Chanda Alastai Minnis Ian Johnson Achsah Guibbory Publisher Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge 25. Shakespeare) New Cambridge Shakespeare Set(20 Books) 26. Othello(The New Cambridge Shakespeare) 27. The Poems(The New Cambridge Shakespeare) 28. Romeo and Juliet(The New Cambridge Shakespeare) 29. The Sonnets(The New Cambridge Shakespeare) 30. The Sonnets(The New Cambridge Shakespeare) 31. 32. The Tragedy of King Lear(The New Cambridge Shakespeare) Troilus and Cressida(The New Cambridge Shakespeare) 33. Twelfth Night(The New Cambridge Shakespeare) 35. Paradise Lost and Cosmological Revolution 36. The Cambridge Introduction to Milton 37. Constructing the Canons of Early Modern Drama 38. The Cambridge Introduction to Chaucer 39. Shakespeare on the University Stage 40. Restoration Plays and Players 41. The Cambridge Companion to Paradise Lost 42. The Invention of English Crticism 43. Reading John Keats 44. Reading William Blake 45. The Cambridge Introduction to Jane Austen 46. William Wordswoth in Context 47. Beckett,Modernism and the Material Imagination 48. The Cambridge Companion to The Wasteland 49. The Cambridge Companion to Joseph Conrad 50. Postmodern Literature and Race University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Dennis Danielson Cambridge University Press Stephen B. Dobranski Cambridge University Press Jeremy Lopez Cambridge University Press Alaster Minnis Cambridge University Press Andrew James Hartley Cambridge University Press David Robert Cambridge University Press Lous Schwartz Cambridge University Press Michael Gavin Cambridge University Press Susan J.Wolfson Cambridge University Press Saree Makdisi Cambridge University Press Janet Todd Cambridge University Press Andrew Bennett Cambridge University Press Steven Connor Cambridge University Press Gariette Meintire Cambridge University Press J.H.Stape Cambridge University Press Lenn Platt Cambridge University Press 51. The Cambridge History of American Poetry Alfred Bendixen 52. A History of Indian Novel in English Ulka Anjaria 53. Literary Criticism from Plato to Postmodernism James Seaton 54. The Cambridge Introduction to Literature and Psychoanlysis The Cambridge Companion to English Short Story Michael Rabet 55. 56. 57. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. Ann Marie Einhaus Ross Marfin Malcom Andrew Gail Ashton Kierman Ryan Andrew Hiscock Julian Wolfreys Tim Milnus Philip Mallett Michael Thurston Arvind Mehtra Julian Walfreys Robert Knoft 68. Harold Pinter: Plays 4 Vols. Harold Pinter: Faber Critical Guide The Bedford Glossary of Critical & Literary Terms The Palgrave Literary Dictionary of Chaucer Teaching Chaucer Shakespeare’s Comedies Teaching Shakespeare and Early Modern Dramatists Dickens to Hardy (1837-1884) The Palgrave LiteraryDictionary of Tennyson Palgrave Advances in Thomas Hardy Studies The Underworld in Twentieth Century Poetry A Concise History of Indian Literature in English Critical Keywords in Literary Cultural Theory Theatre of the Avant-Garde(1890-1950:) ACritical Anthology A Little History of Literartue 69. Theory of Literature Paul H. Fry 70. Jonathan Swift: His Life and His Work Leo Damrosch 71. Franz Kafka: The Poet of the Shame and Guilt Saul Friedlander 72. John Keats: A New Life Nicholas Roe 73. Wilfred Owen Guy Cuthbertson 74. The Milton Encyclopedia Thomas N. Corns 75. 76. 77. 78. 79. 80. 81. 82. 83. 84. 85. The Norton Anthology of American Literature The Norton Anthology of Theory and Criticism Antony and Cleopatra As You Like It Ben Jonson and Cavalier Poets Ben Jonson’s Plays and Masques Beowulf:A Prose Translation Beowulf:A Verse Translation Blake’s Poetry and Design Byron’s Poetry and Prose The Canterbury Tale : Fifteen Tales and the General Franklin,Gura Cain,Finke Bill Naismith John Sutherland Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Cambridge University Press Faber and Faber Faber and Faber Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Palgrave Macmillan Yale University Press Yale University Press Yale University Press Yale University Press Yale University Press Yale University Press Yale University Press Yale University Press Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher 86. 87. 88. 89. 90. Prologue Coleridge’s Poetry and Prose David Copperfield Doctor Faustus The Duchess of Malfi Edmund Spencer’s Poetry Norton Publisher Norton Publisher Norton Publisher Norton Publisher Norton Publisher Bengali PG 1. íXCRáPUQ @üáUóýEýýEýÞá — KÙýÐ]@åüXá[ XGåXPá[, íaáRá[ Ný[ã 2. âýEý¼á — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã 3. aQUá[ *@üáP^ã — Ný[ëM XåïíAáSáQóáZ, @ü[ëMá 4. GRá (âBâ[^ íCá_) — Reference 5. RUUáUå âU]áa — WýUáRãýEý[M UïímPóáSáQóáZ, U§ÿãZ aáâbNýó 6. {ïíNýáX SÜóáýEýá[ R@àüaá — @üá]ãS÷al… âaÛb, U§ÿãZ aáâbNýó 7. Qá¼ãïíPUNýá — Nýá[á^¥ý[ UïímPóáSáQóáZ, íU§ÿ] 8. âUâUQ S÷Ul„ý — WýUáRã aáRóá], XKýáRÞ Uå@ü 9. S÷Ul„ý aÛ@ü]R — Uåk„ýïíPU Uaå, íP'G 10.S÷Ul„ý aÛ@ü]R — #[ëM íCá_, UQÞXáR âUr‡âUPóá]Z 11. ýEýYÞáBãâNý — U§ÿãZ aáâbNýó Sâ[_P 12. Ê@çüz×@üãNýÞR — U§ÿãZ aáâbNýó Sâ[_P 13. aâ°×Nýá — RG[ë] bÙÿa]áX, D.M. Library 14.íBá[á — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã B÷wƒÿR 15. báGá[ ýEåý[áâ^[ Xá — Xbáïír‡Nýá íPUã, @ü[ëMá S÷@üá^Rã 16. âUPóáSâNý[ SPáU]ã — âUXáRâUbá[ã XGåXPá[, Uå@ü]óá~ü (UáÛ]á Wýá_á) 17.XRaáâUGZ : SåRâUÞýEýá[ — âXâb[ íýEýðQå[ã @üáâX]óá, XKýáRÞ Uå@ü 18. GRá — WýUáRã aáRóá], XKýáRÞ Uå@ü 19. @üábáïí@ü — y‡MÞ@åüXá[ã íCá_, íP'G 20. [áGá — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã B÷wƒÿR 21. Nýáïía[ íP^ — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã B÷wƒÿR 22. â]âS@üá — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã B÷wƒÿR 23. âýFýl…S¼ — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã B÷wƒÿR 24. ýEýú|ü — âk‡ïíGú]á] [áZ 25. R[Rá[áZM — â¤üïí[áPS÷aáP âUPóáâUïíRáP, Såy‚ÿ@ü âUSâM 26. RUál… — âUGR WýµýáýEýáYÞ, íP'G 27. ¬áRPáïía[ SPáU]ã — bïí[@çüz× XåïíAáSáQóáZ 28. QXÞX§ÿ] @üáUó — XáâR@ü [áZ 29. *@üPá — íBáSá] bá]Pá[ 30. #aXZ — âUX] @ü[ 31. [Uãú [ýEýRá[ #RåUáP — @ü) Song Offerings, A) The Post Office 32. [ýEýRá aXB÷ — Xbáïïír‡Nýá íPUã, íP'G 33. aáâbNýóNýïíºýš [UãúRáO — aïíNýóúRáO [áZ, íP'G 34. aáâbNýó aXáïí]áýEýRá[ [ìS[ãâNý — KÙýÐ]@åüXá[ XGåXPá[, íP'G 35. S÷Ul„ý aÛ@ü]R — âUzå× íP, íP'G 36. y‡âRUÞáâýEýNý a[a Bq† — SáOÞ ýEýïíµýáSáQóáZ, íP'G 37. Nýá[á^¥ý[ : âR[ÿw‚ÿ[ íP^ — íPïíU^ [áZ, íP'G 38. Xbáïír‡Nýá íPUã[ í^÷ÌýBq† — Xbáïír‡Nýá íPUã, íP'G 39. GãURáRmP — XQåaæPR |üb, S÷Wýá S÷@üá^Rã 40. íXCRáPUQ @üáUó — Ký. GãïíUmPå [áZ, â^]áâ]âS 41. îXXRâaÛb BãâNý@üá — Ký. aåâU@üá^ GáRá, â^]áâ]âS 42. bÙÿÛïí[âG aáâbïíNýó[ @üïíZ@üGR — Ký. íPU@åüXá[ íCá_, â^]áâ]âS 43. @üâU RG[ë] < aâ°×Nýá — Ký. íPU@åüXá[ íCá_, â^]áâ]âS 44. S÷Ul„ý a§ÿã aáâbNýó aÛy€çýâNý — Ký. í¤ü¼|ü < íPU@åüXá[ íCá_, â^]áâ]âS 45. UáÛ]á S÷Ul„ý SáïíJý[ WæýâX@üá — Ký. Ný[ëM XåïíAáSáQóáZ, â^]áâ]âS 46. [ýEýRá aÛ@ü]R — y‡MÞ@åüXá[ã íPUã, íP'G 47. aáxS÷âNý@ü UáÛ]á BãâNý@üáïíUó[ âU_ZUyŸ < Wýá_á[ãâNý — Rã][NýR íaR 48. Ê@çüz×@üãNýÞR aXB÷ — #âX¼aæPR WýµýáýEýáYÞ, íP'G 49. RG[ë] < aâ°×Nýá : íUáïíQ < XRïíR — ^ãNý] íýEýðQå[ã, a³ãU S÷@üá^R 50. XRaáX§ÿ] — #âýEýÿw‚ÿó âUr‡áa, [i…áU]ã 51. UçmPáURPáïía[ `îýEýNýRóWýáBUNý' — #ïí^á@ü WýµýáýEýáYÞ, bÙÿKÙýRábÙÿïíýIýKý Uå@ü 52. [áXáZM @çüâºýUáa âU[âýEýNý — X]Z S÷áXáâM@ü, B÷wƒÿâU@üá^ 53. âUaGÞR — [UãúRáO Jýá@åü[, âUr‡Wýá[Nýã 54. Sq‰ãaXáG : #âWýRZ < #RåWýïíU — NýSR X~ü], U§ÿãZ aáâbNýó 55. @üâUNýá[ #ÿw‚ÿ[§ÿ SáJý — aåâXNýá ýEý¼ôUNýãÞ, íP'G 56. GãURáRmP : @üâUNýá[ XåïíAáXåâA — Rá[áZM bá]Pá[, Såy‚ÿ@ü âUSâM 57. Nýá[á^¥ýïí[[ âRWçýNý WåýUR *UÛ Qá¼ãïíPUNýá — ^âXÞ]á UáBýEýã, U§ÿãZ aáâbNýó 58. âU_Uç§ÿ — Uâ¥ýXýEýú ýEýïíµýáÚ 59. aáâbïíNýó[ bÙÿâNýbáa — aå@åüXá[ íaR, #âaNý @åüXá[ UïímPóáSáQóáZ 60. aÛUNýÞRã, a³RRã Wýá_áâU¬áR — KÙýPZ @åüXá[ ýEý¼ôUNýãÞ 61. íBá[á — [UãúRáO Jýá@åü[ 62. SïíO[ SÜáýEýá]ã — âUWæýâNýWæý_M UïímPóáÚ 63. #[ïíMó[ #âQ@üá[ — Xbáïír‡Nýá íPUã 64. SåNåý] RáïíýEý[ bÙÿâNý@üOá — XáâR@ü UïímPóáÚ 65. âUaGÞR, [ºýô@ü[Uã — [UãúRáO Jýá@åü[ 66. âýIýïíR[ Nýïí]áZá[ — KÙýÖS] Pºý 67. ýEÜýáP UâMïí@ü[ Sá]á — ^Çåü âX¼ 68. âUPóáSâNý[ SPáU]ã — âUXáRâUbá[ã XGåXPá[ axSáâPNý 69. [áXáZM — aåAXZ XåïíAáÚ axSáâPNý 70. â@üRå íBáZá]á[ Bâ] — aïíÿw‚ÿá_@åüXá[ íCá_ 71. S÷OX S÷âNý^÷ëâNý — #á^áSæMÞá íPUã 72. íS÷ïíXú âXïí¼[ í^÷Ìý Bq† 73. îýEýNýRóWýáBUNý — UçmPáUR Páa (aå@åüXá[ íaR axSáâPNý) 74. S¾áUNýã — îaZP #á]á<] 75. ¬áRPáïía[ SPáU]ã — bïí[@çüz× XåïíAáÚ axSáâPNý 76. í]á[ýEýúáRã — íPð]Ný @üáGã (íPURáO UïímPóáSáQóáZ axSáâPNý) 77. XZXRâaÛb BãâNý@üá — PãïíR^ýEýú íaR axSáâPNý 78. BKòý ÊA~ü/[áGRB[ — #âXZWæý_M XGåXPá[ 79. #aXZ/SæMÞ #SæMÞ — âUX] @ü[ 80. QXÞX§ÿ] — XáâR@ü[áX — âUâGNý@åüXá[ Pºý/aåRmPá Pºý axSáâPNý âRïíx…áºýô Bq†|üâ] aÛâr‰tËý íY [ýEýRáU]ãïíNý #áïíýFý ía|üâ] S÷ïíZáGR (íýFýáýIýBq†) i. ^â¥ýNýá #WýZá — GBPã^ |ü ii. UåQRã — URTåü] iii. S[}ü[áïíX[ @åüJýá[ — aåïíUáQ íCá_ iv. aXåÿPù — íGóáâNýâ[ú RmPã v. aáâBRá XábáïíNýá — íBð[â@üïí^á[ íCá_ vi. Wýá[NýU_Þ — [XáSP íýEýðQå[ã vii. íbKý Xáu ýá[ — Rïí[úRáO âX¼ viii. ^UáBá[ — XâNý RmPã ix. B[X WýáNý #OUá âRýFý@ü WæýïíNý[ Bq† — aåRã] Bïí§ÿáSáQóáZ x. #áiŠGá < *@üâýIý @ü[Uã BáýFý — báXáR #áâGGå] b@ü xi. aåQáXZ — âUX] @ü[ xii. PåSå[ — íPïíU^ [áZ 81. UáÛ]á Wýá_á âýEýÿw‚ÿá — [UãúRáO Jýá@åü[, b[S÷aáP ^áyžÿã, aåRãâNý@åüXá[ ýEýïíµýáÚ 82. Sâ¾Rã KÙýSRóáa — [§ÿ]á] UïímPóáSáQóáZ 83. #áXá[ GãUR — [áaaåmP[ã íPUã 84. @çüz×ýEýâ[¼ — Uâ¥ýXýEýú ýEýïíµýáÚ 85. Xbá[átËøý GãUR S÷WýáNý — [ïíX^ýEýú Pºý 86. y‡MÞ]Nýá — Nýá[@üRáO Bïí§ÿáSáQóáZ 87. âUq‡X§ÿ] Jýá@åü[ — âBâ[^ýEýú íCá_ 88. #áQåâR@ü UáÛ]á @üâUNýá — Uåk„ýïíPU Uaå axSáâPNý 89. í@ü[ã aáïíbïíU[ XåÁã — S÷XORáO âUâ^ 90. ýEÜýáPïíUïíR — #âXZWæý_M XGåXPá[ 91. Nåý§ÿWýÿPùá[ Nýãïí[ — ^[âPmPå UïímPóáSáQóáZ 92. 93. âýIýïíR[ Nýïí]áZá[ — KÙýÖS] Pºý Origin and Development of Bengali Language (O.D.B.L.) — aåRãâNý@åüXá[ ýEýóáýIýáGãÞ UG 1. ýEýYÞáBãâNý Sâ[¼ôXá — âRXÞ]Páa, íP'G SáUâ]^áaÞ 2. ýEýYÞáBãâNý S°×â^¤üá — aåX§ÿ] [ýEýRá, Farma KLM Pvt. 3. ýEýYÞáBãâNý SPáU]ã — aå@åüXá[ íaR, aáâbNýó í^áWýá 4. Ê@çüz×@üãNýÞR — Nýá[áSP XåïíAáSáQóáZ, âX¼ < íCá_ 5. Ê@çüz×@üãNýÞR (Ug.èý ýEý~üãPáa âU[âýEýNý) — âXâb[ íýEýðQå[ã @üáâX]óá, â^]áâ]âS 6. QXÞX§ÿ] @üáUó — Nýá[áSP Uaå, aáâbNýó aÛy€çýâNý BïíU_Má í@üú 7. X§ÿ]@üáïíUó âRx…UïíMÞ[ #UyƒÿáR — [ëXá UïímPóáÚ, U§ÿãZ aáâbNýó aÛaP 8. Wýá[NýýEýïíú[ #l…PáX§ÿ] : @üâU < @üáUó, íPïíU^@åüXá[, aáâbNýó a§ÿã 9. Wýá[NýýEýïíú[ #l…PáX§ÿ] aXã¤üá — Ê@üáÿw‚ÿ Uaå, S÷ïíB÷âaWý 10. XZXRâaÛb BãâNý@üá — aåAXZ XåïíAáSáQóáZ, Wýá[Nýã 11. UáKÙý]Tüâ@ü[ @üOá — aåQã[ ýEý¼ôUNýãÞ, #áRmP 12. [áGaWýá[ @üâU < @üáUó — íPURáO UïímPóá, U§ÿãZ aáâbNýó 13. aXB÷ UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — GBÖ ]ábá < âP]ãS [áZ 14. #áâP XQó UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — NýSR @åüXá[ ýEýïíµýáÚ 15. bÙÿâNýbáïía[ SïíýIý UáÛ]á aáâbNýó — NýáSa Uaå, Såy‚ÿ@ü âUSâM 16. [áXáZM — X]Z S÷áXáâM@ü, B÷wƒÿ âU@üá^ 17. XbáWýá[Ný — [áGïí^A[ Uaå, M.C. Sarkar & Sons. 18. ýFýmP XZå[ã — #âR]ýEýú Uaå, aÛy€çýNý Uå@ü âKýïíSá 19. #]Û@üá[ ýEýâú@üá — ^óáXáSP ýEý¼ôUNýãÞ, @çüNýá³]ã 20. UáÛ]á ýFýmP #]Û@üá[ — aåQáÛ}üïí^A[ X~ü] 21. îUz×U SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM 22. îUz×U SPáU]ã Sâ[ýEýZ — ýEýmPR AÜá, aáâbNýó a§ÿã 23. ^áºýô SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM 24. [áXáZM (]¥ýá@üá~ü) — aåAXZ XåïíAáSáQóáZ, #áRmP 25. UáÛ]á aáâbïíNýó[ axSæMÞ Sâ[ýEýZ — âP]ãS âX¼, âP^áâ[ 26. UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — íPïíU^ #áýEýáYÞ, bÙÿKÙýRábÙÿïíýIýKý Uå@ü 27. í]á[ýEýúáMã < aNýãXZRá — íPð]Ný @üáGã, aáâbNýó aÛaP 28. Wýá_áNýºýš — UáÛ]á Wýá_á[ bÙÿâNýbáa — âXâb[ íýEýðQå[ã @üáâX]óá, XKýáRÞ Uå@ü 29. UáÛ]á aáâbïíNýó[ axSæMÞ bÙÿâNýbáa — #âaNý@åüXá[ UïímPóáÚ 30. Wýá_áNýºýš — [áïíXr‡[ ^, Såy‚ÿ@ü âUSâM 31. Wýá_áNýºýš — NýSR@åüXá[ ýEýïíµýáSáQóáZ 32. Uã[á§ÿRá @üáUóýEýýEýÞá — KÙýÐ]@åüXá[ XGåXPá[, íaáRá[ Ný[ã 33. Uã[á§ÿRá @üáUó — îUPóRáO XåïíAáSáQóáZ 34. Uã[á§ÿRá @üáUó — ýEýmPR AÜá 35. UáÛ]á @üáïíUó[ [ìS < [ãâNý — ¤åüâP[áX Páa — íP'G 36. #l…PáX§ÿ] — Ný[ëM@åüXá[ XåïíAáSáQóáZ axSáâPNý, íP'G 37. [Uãú KÙýSRóáïía[ âRXÞáM â^q† — íBáSã@üáRáO íýEýðQå[ã, íP'G 38. [Uãú íýFýáýIýBïíq†[ â^q†[ìS — NýïíSáUõNý íCá_, íP'G 39. @üOáâ^q†ã [UãúRáO : Nýá[ Bq† — íGóáâNýXÞZ íCá_, íP'G 40. [Uãú KÙýSRóáa : bÙÿâNýbáïía[ íS÷â¤üïíNý — WæýïíPU íýEýðQå[ã, íP'G 41. #áQåâR@ü UáÛ]á @üâUNýá[ âRâUKòý SáJý — ^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z 42. @üâUNýá[ #á]áSR —^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z 43. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — WýUáRãïíBáSá] aáRóá] — XKýáRÞ Uå@ü 44. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — Báâ]UKÙýâ½R X~ü] — XKýáRÞ Uå@ü 45. BMïíPUNýá — Nýá[á^¥ý[ UïímPóá, âX¼ < íCá_ 46. Nýá[á^¥ýïí[[ BMïíPUNýá — ýEýmPR WýµýáýEýáYÞ 47. BçbPáa — [NýR@åüXá[ RmPã — U§ÿãZ aáâbNýó 48. ^[ÖýEýïíú[ BçbPáb — âUr‡Ul„åý WýµýáýEýáYÞ 49. #áQåâR@ü UáÛ]á @üâUNýá a°×ZR — UQÞXáR âUr‡âUPóá]Z 50. [UãúRáïíO[ a°×âZNýá — NýSR@åüXá[ ýEýïíµýáSáQóáZ 51. y…áNý@ü UáÛ]á â^¤ü@ü — NýSR@åüXá[ ýEýïíµýáSáQóáZ 52. íýEýáïíA[ Uáâ] — [UãúRáO Jýá@åü[ 53. Rã]PSÞM — PãRUl„åý âX¼ 54. S÷Tåüq‰ — âBâ[^ýEýú íCá_ 55. ^á[ïíPáÖaU — [UãúRáO Jýá@åü[ 56. íPUãBGÞR — âUGR WýµýáýEýáYÞ 57. Bq†|üfFý — [UãúRáO Jýá@åü[ 58. *@üáïí][ Bq† — UQÞXáR âUr‡âUPóá]Z S÷@üáâ^Ný 59. UáÛ]á S÷Ul„ý — (UáÛ]á #RáïíaÞ[ SáJýó UbÙÿ — UQÞXáR âUr‡âUPóá]Z) 60. @üáUóâG¬áaá — #Nåý]ýEýú |ü 61. aÛy€çýNý aáâbïíNýó[ bÙÿâNýbáa — 62. bÙÿÛ[áGã aáâbïíNýó[ bÙÿâNýbáa 63. aáGábáR — âk‡ïíGú]á] [áZ 64. bÙÿâmP[á — Uâ¥ýXýEýú ýEýïíµýáSáQóáZ 1. ýEýYÞáBãâNý Sâ[¼ôXá — âRXÞ]Páa, íP'G SáUâ]^áaÞ 2. ýEýYÞáBãâNý S°×â^¤üá — aåX§ÿ] [ýEýRá, Farma KLM Pvt. 3. ýEýYÞáBãâNý SPáU]ã — aå@åüXá[ íaR, aáâbNýó í^áWýá 4. Ê@çüz×@üãNýÞR — Nýá[áSP XåïíAáSáQóáZ, âX¼ < íCá_ 5. Ê@çüz×@üãNýÞR (Ug.èý ýEý~üãPáa âU[âýEýNý) — âXâb[ íýEýðQå[ã @üáâX]óá, â^]áâ]âS 6. QXÞX§ÿ] @üáUó — Nýá[áSP Uaå, aáâbNýó aÛy€çýâNý BïíU_Má í@üú 7. X§ÿ]@üáïíUó âRx…UïíMÞ[ #UyƒÿáR — [ëXá UïímPóáÚ, U§ÿãZ aáâbNýó aÛaP 8. Wýá[NýýEýïíú[ #l…PáX§ÿ] : @üâU < @üáUó, íPïíU^@åüXá[, aáâbNýó a§ÿã 9. Wýá[NýýEýïíú[ #l…PáX§ÿ] aXã¤üá — Ê@üáÿw‚ÿ Uaå, S÷ïíB÷âaWý 10. XZXRâaÛb BãâNý@üá — aåAXZ XåïíAáSáQóáZ, Wýá[Nýã 11. UáKÙý]Tüâ@ü[ @üOá — aåQã[ ýEý¼ôUNýãÞ, #áRmP 12. [áGaWýá[ @üâU < @üáUó — íPURáO UïímPóá, U§ÿãZ aáâbNýó 13. aXB÷ UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — GBÖ ]ábá < âP]ãS [áZ 14. #áâP XQó UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — NýSR @åüXá[ ýEýïíµýáÚ 15. bÙÿâNýbáïía[ SïíýIý UáÛ]á aáâbNýó — NýáSa Uaå, Såy‚ÿ@ü âUSâM 16. [áXáZM — X]Z S÷áXáâM@ü, B÷wƒÿ âU@üá^ 17. XbáWýá[Ný — [áGïí^A[ Uaå, M.C. Sarkar & Sons. 18. ýFýmP XZå[ã — #âR]ýEýú Uaå, aÛy€çýNý Uå@ü âKýïíSá 19. #]Û@üá[ ýEýâú@üá — ^óáXáSP ýEý¼ôUNýãÞ, @çüNýá³]ã 20. UáÛ]á ýFýmP #]Û@üá[ — aåQáÛ}üïí^A[ X~ü] 21. îUz×U SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM 22. îUz×U SPáU]ã Sâ[ýEýZ — ýEýmPR AÜá, aáâbNýó a§ÿã 23. ^áºýô SPáU]ã — #[ëM@åüXá[ Uaå, Såy‚ÿ@ü âUSâM 24. [áXáZM (]¥ýá@üá~ü) — aåAXZ XåïíAáSáQóáZ, #áRmP 25. UáÛ]á aáâbïíNýó[ axSæMÞ Sâ[ýEýZ — âP]ãS âX¼, âP^áâ[ 26. UáÛ]á aáâbïíNýó[ bÙÿâNýbáa — íPïíU^ #áýEýáYÞ, bÙÿKÙýRábÙÿïíýIýKý Uå@ü 27. í]á[ýEýúáMã < aNýãXZRá — íPð]Ný @üáGã, aáâbNýó aÛaP 28. Wýá_áNýºýš — UáÛ]á Wýá_á[ bÙÿâNýbáa — âXâb[ íýEýðQå[ã @üáâX]óá, XKýáRÞ Uå@ü 29. UáÛ]á aáâbïíNýó[ axSæMÞ bÙÿâNýbáa — #âaNý@åüXá[ UïímPóáÚ 30. Wýá_áNýºýš — [áïíXr‡[ ^, Såy‚ÿ@ü âUSâM 31. Wýá_áNýºýš — NýSR@åüXá[ ýEýïíµýáSáQóáZ 32. Uã[á§ÿRá @üáUóýEýýEýÞá — KÙýÐ]@åüXá[ XGåXPá[, íaáRá[ Ný[ã 33. Uã[á§ÿRá @üáUó — îUPóRáO XåïíAáSáQóáZ 34. Uã[á§ÿRá @üáUó — ýEýmPR AÜá 35. UáÛ]á @üáïíUó[ [ìS < [ãâNý — ¤åüâP[áX Páa — íP'G 36. #l…PáX§ÿ] — Ný[ëM@åüXá[ XåïíAáSáQóáZ axSáâPNý, íP'G 37. [Uãú KÙýSRóáïía[ âRXÞáM â^q† — íBáSã@üáRáO íýEýðQå[ã, íP'G 38. [Uãú íýFýáýIýBïíq†[ â^q†[ìS — NýïíSáUõNý íCá_, íP'G 39. @üOáâ^q†ã [UãúRáO : Nýá[ Bq† — íGóáâNýXÞZ íCá_, íP'G 40. [Uãú KÙýSRóáa : bÙÿâNýbáïía[ íS÷â¤üïíNý — WæýïíPU íýEýðQå[ã, íP'G 41. #áQåâR@ü UáÛ]á @üâUNýá[ âRâUKòý SáJý — ^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z 42. @üâUNýá[ #á]áSR —^ãNý] íýEýðQå[ã, UáXá Såy‚ÿ@üá]Z 43. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — WýUáRãïíBáSá] aáRóá] — XKýáRÞ Uå@ü 44. Uâ¥ýXýEýïíú[ ýEýúïí^A[ — Báâ]UKÙýâ½R X~ü] — XKýáRÞ Uå@ü 45. BMïíPUNýá — Nýá[á^¥ý[ UïímPóá, âX¼ < íCá_ 46. Nýá[á^¥ýïí[[ BMïíPUNýá — ýEýmPR WýµýáýEýáYÞ 47. BçbPáa — [NýR@åüXá[ RmPã — U§ÿãZ aáâbNýó 48. ^[ÖýEýïíú[ BçbPáb — âUr‡Ul„åý WýµýáýEýáYÞ 49. #áQåâR@ü UáÛ]á @üâUNýá a°×ZR — UQÞXáR âUr‡âUPóá]Z 50. [UãúRáïíO[ a°×âZNýá — NýSR@åüXá[ ýEýïíµýáSáQóáZ 51. y…áNý@ü UáÛ]á â^¤ü@ü — NýSR@åüXá[ ýEýïíµýáSáQóáZ 52. íýEýáïíA[ Uáâ] — [UãúRáO Jýá@åü[ 53. Rã]PSÞM — PãRUl„åý âX¼ 54. S÷Tåüq‰ — âBâ[^ýEýú íCá_ 55. ^á[ïíPáÖaU — [UãúRáO Jýá@åü[ 56. íPUãBGÞR — âUGR WýµýáýEýáYÞ 57. Bq†|üfFý — [UãúRáO Jýá@åü[ 58. *@üáïí][ Bq† — UQÞXáR âUr‡âUPóá]Z S÷@üáâ^Ný 59. UáÛ]á S÷Ul„ý — (UáÛ]á #RáïíaÞ[ SáJýó UbÙÿ — UQÞXáR âUr‡âUPóá]Z) 60. @üáUóâG¬áaá — #Nåý]ýEýú |ü 61. aÛy€çýNý aáâbïíNýó[ bÙÿâNýbáa — 62. bÙÿÛ[áGã aáâbïíNýó[ bÙÿâNýbáa 63. aáGábáR — âk‡ïíGú]á] [áZ 64. bÙÿâmP[á — Uâ¥ýXýEýú ýEýïíµýáSáQóáZ
