Министерство науки и высшего образования Российской Федерации Федеральное государственное бюджетное образовательное учреждение высшего образования «Московский педагогический государственный университет» ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Учебное пособие МПГУ Москва • 2019 УДК 378(075.8):811.111 ББК 81.432.1я73 П691 Рецензенты: Иконникова В. А., доктор филологических наук, доцент, декан факультета лингвистики и межкультурной коммуникации Одинцовского филиала МГИМО МИД России Кваскова Л. В., кандидат филологических наук, доцент, профессор кафедры грамматики английского языка Института иностранных языков МПГУ Авторы: Пешехонова Елена Станиславовна, Курбакова Юлия Владимировна, Киселева Мария Александровна, Зиновьева Ирина Николаевна, Попова Антонина Владимировна, Силина Ольга Андреевна, Соколова Марина Анатольевна, Никулина Елена Александровна Практика речи: All Eyes on the Screen! Topical Issues of Modern П691 Life : учебное пособие / Е. С. Пешехонова и др. – Москва : МПГУ, 2019. – 104 с. : илл. ISBN 978-5-4263-0777-3 Настоящее учебное пособие представляет собой сборник комплексных заданий к аутентичным кино- и видеоматериалам на английском языке, предназначенных для достижения всестороннего понимания языковой и внеязыковой составляющей кинематографического произведения и реализации этого понимания в речевой деятельности. Пособие состоит из пяти разделов по темам «Образование в Великобритании», «Проблемы воспитания в современном мире», «Британское искусство», «Защита окружающей среды», «Современный кинематограф». Каждый раздел включает в себя систему заданий к двум кинематографическим произведениям по теме: документальному и художественному. Пособие адресовано студентам старших курсов бакалавриата языковых факультетов вузов и всем, изучающим английский язык и интересующимся современным кинематографом. УДК 378(075.8):811.111 ББК 81.432.1я73 ISBN 978-5-4263-0777-3 © МПГУ, 2019 © Коллектив авторов, 2019 CONTENTS EDUCATION IN GREAT BRITAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 FILM 1. THE WORLD OF ETON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 FILM 2. TO SIR, WITH LOVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 FILM 1. EDUCATE THE HEART . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 FILM 2. MARTIAN CHILD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 BRITISH ART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 FILM 1. BRITISH PAINTING (1700–1850) . . . . . . . . . . . . . . . . . . . . . 39 FILM 2. MR. TURNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 ENVIRONMENTAL PROTECTION . . . . . . . . . . . . . . . . . . . . . . . . . 56 FILM 1. BEFORE THE FLOOD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 FILM 2. ERIN BROCKOVICH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 MODERN CINEMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 FILM 1. THE WORLD OF FILMMAKING . . . . . . . . . . . . . . . . . . . . . 84 FILM 2. THEIR FINEST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 ПРЕДИСЛОВИЕ Настоящее учебное пособие представляет собой сборник комплексных заданий к аутентичным кино- и видеоматериалам на английском языке, предназначенных для студентов старших курсов бакалавриата языковых факультетов вузов и всех, изучающих английский язык и интересующихся современным кинематографом. Авторы рассматривают кино- и видеоматериалы как эффективное средство обучения иностранным языкам, поскольку они наглядно демонстрируют процесс иноязычной коммуникации, способствуют расширению объема усваиваемого учебного материала, помогают создать необходимые условия для общения, формируют положительную мотивацию к изучению иностранного языка и, наконец, делают процесс обучения более живым и эмоциональным. Назначение пособия – обеспечить последовательное руководство аудиторной и внеаудиторной деятельностью студентов, направленной на изучение аутентичных фильмов и других видеоматериалов и их обсуждение. Цель пособия – активизация и расширение лексического запаса, достижение всестороннего понимания языковой и внеязыковой составляющей кинофильмов и других видеоматериалов, обеспечение реализации этого понимания в речевой деятельности. Пособие состоит из пяти разделов по темам «Образование в Великобритании», «Проблемы воспитания в современном мире», «Британское искусство», «Защита окружающей среды», «Современный кинематограф». Каждый раздел включает в себя систему заданий к двум кинематографическим произведениям по теме: документальному и художественному. Выбор фильмов и иных видеоматериалов обусловлен актуальностью их проблематики, соответствием языкового материала заявленной цели, их художественными достоинствами. Система заданий к каждому отдельно взятому материалу состоит из трех частей: допросмотровой, просмотровой и послепросмотровой. На допросмотровом этапе работы снимаются возможные трудности восприятия текста, устраняются социокультурные проблемы усвоения информации. Просмотровый этап обеспечивает дальнейшее развитие языковых, речевых и социокультурных компетенций обучающихся. На послепросмотровом этапе исходный текст используется в качестве основы и опоры для развития продуктивных умений в устной и письменной речи, при этом основное внимание уделяется развитию умений неподготовленной речи, что является одной из главных методических целей данного пособия. В заключение авторы хотели бы отметить, что регулярное использование аутентичных фильмов в процессе обучения иностранному языку значительно повышает эффективность учебно-познавательного процесса, делает его увлекательным и интересным. Авторы 4 ('8&$7,21,1*5($7%5,7$,1 ),/07+(:25/'2)(721 7KH GRFXPHQWDU\ The World of Eton OHQJWK ± ZDV VKRW LQ ,QDSOHDVDQWDQGFRQFLVHPDQQHULWJLYHVDQRXWOLQHRI(WRQ¶VKLVWRU\SUHVHQWGD\OLIH DQG WUDGLWLRQV 7KH ILOP LV GLYLGHG LQWR WHQ VHFWLRQV ,QWURGXFWLRQ 7UDGLWLRQV %HFRPLQJ D 6WXGHQW /DQJXDJH )DVKLRQ 3XQLVKPHQWV /LIHVW\OH :KDW LV (WRQ 5XVVLDQLQ(WRQ7REH(WRQLDQ 35(:$7&+,1* 1. Find information about the following: QDPHV +HQU\ 9, *HRUJH 2UZHOO 3HUVH\ 6KHOOH\ *HRUJH ,,, VW 'XNH RI :HOOLQJWRQ+RUDWLR1HOVRQ-RKDQQHV*XWHQEHUJ,DQ)OHPLQJ SODFHV:LQGVRU&DVWOH OLWHUDU\DOOXVLRQV%LJ%URWKHU 2. Basic words and word combinations to the topic “English Schooling” (in order of appearance): ERDUGLQJVFKRRO±ɤɨɥɥɟɞɠɩɚɧɫɢɨɧɲɤɨɥɚɢɧɬɟɪɧɚɬ KRXVH±ɩɚɧɫɢɨɧɫɬɭɞɟɧɱɟɫɤɨɟɨɛɳɟɠɢɬɢɟ KRXVHFDSWDLQ±ɫɬɚɪɨɫɬɚɩɨɨɛɳɟɠɢɬɢɸ ɩɨɩɚɧɫɢɨɧɭ KRXVHPDVWHU± ɫɬɚɪɲɢɣ ɜɨɫɩɢɬɚɬɟɥɶɡɚɜɟɞɭɸɳɢɣɩɚɧɫɢɨɧɨɦɩɪɢɲɤɨɥɟ IDJJLQJ±ɞɟɞɨɜɳɢɧɚ YHUEDOUHDVRQLQJ±ɜɟɪɛɚɥɶɧɨɟɦɵɲɥɟɧɢɟ QRQYHUEDOUHDVRQLQJ±ɧɟɜɟɪɛɚɥɶɧɨɟɦɵɲɥɟɧɢɟ H[WUDFXUULFXODU±ɜɧɟɤɥɚɫɫɧɵɣ &RPPRQ(QWUDQFH([DPLQDWLRQ±Ɉɛɳɢɣȼɫɬɭɩɢɬɟɥɶɧɵɣɗɤɡɚɦɟɧ .LQJ¶V6FKRODU±ɤɨɪɨɥɟɜɫɤɢɣɫɬɢɩɟɧɞɢɚɬ 0LFKDHOPDV±ɨɫɟɧɧɢɣɬɪɢɦɟɫɬɪ SUHIHFW±ɩɪɟɮɟɤɬɫɬɚɪɨɫɬɚɭɱɚɳɢɣɫɹɫɬɚɪɲɢɯɤɥɚɫɫɨɜɜɨɡɝɥɚɜɥɹɸɳɢɣ ɧɚɨɫɧɨɜɟɜɵɛɨɪɧɨɫɬɢɭɱɟɧɢɱɟɫɤɨɟɫɚɦɨɭɩɪɚɜɥɟɧɢɟ 5 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ULS±ɪɚɡɪɵɜ WDUG\ERRN±ɤɧɢɝɚɨɩɨɡɞɚɜɲɢɯ DFDGHPLFPLVEHKDYLRU±ɚɤɚɞɟɦɢɱɟɫɤɨɟɧɚɪɭɲɟɧɢɟ WKHELOO±ɜɵɡɨɜɤɞɢɪɟɤɬɨɪɭ FORVHJDWLQJ±ɡɚɤɪɵɬɵɟɜɨɪɨɬɚ VLJQLQWRVFKRRORIILFH±ɨɬɦɟɱɚɬɶɫɹɜɭɱɟɛɧɨɣɱɚɫɬɢ VLQJOHVH[VFKRRO±ɲɤɨɥɚɪɚɡɞɟɥɶɧɨɝɨɨɛɭɱɟɧɢɹ FRHGXFDWLRQDOVFKRRO±ɲɤɨɥɚɜɤɨɬɨɪɨɣɨɛɭɱɚɸɬɫɹɢɦɚɥɶɱɢɤɢɢɞɟɜɨɱɤɢ 3. 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Translate the following sentences using the words and word combinations from Point 2 above into English: Ɋɚɧɶɲɟ ɜ ɂɬɨɧɟ ɫɭɳɟɫɬɜɨɜɚɥɚ ɞɟɞɨɜɳɢɧɚ ɤɨɝɞɚ ɫɬɚɪɲɢɟ ɫɬɭɞɟɧɬɵ ɩɪɚɤɬɢɱɟɫɤɢɪɚɫɩɨɪɹɠɚɥɢɫɶɩɚɧɫɢɨɧɨɦɢɩɪɢɤɚɡɵɜɚɥɢɦɥɚɞɲɢɦɱɬɨɞɟɥɚɬɶ 6 EDUCATION IN GREAT BRITAIN ȼ ɥɟɬ ɲɤɨɥɶɧɢɤɢ ɫɞɚɸɬ Ɉɛɳɢɟ ȼɫɬɭɩɢɬɟɥɶɧɵɟ ɗɤɡɚɦɟɧɵ ɤɨɬɨɪɵɟ ɹɜɥɹɸɬɫɹ ɟɞɢɧɵɦɢ ɞɥɹ ɜɫɟɯ ɱɚɫɬɧɵɯ ɲɤɨɥ ɢ ɟɫɥɢ ɚɛɢɬɭɪɢɟɧɬɵ ɩɪɨɯɨɞɹɬ ɢɢɯɨɧɢɡɚɱɢɫɥɹɸɬɫɹɜɂɬɨɧ ɇɚɩɨɫɥɟɞɧɟɦɤɭɪɫɟɫɬɭɞɟɧɬɦɨɠɟɬɛɵɬɶɧɚɡɧɚɱɟɧɫɬɚɪɨɫɬɨɣɜɞɨɩɨɥɧɟɧɢɟ ɤɬɪɚɞɢɰɢɨɧɧɨɣɲɤɨɥɶɧɨɣɮɨɪɦɟɫɬɚɪɨɫɬɚɩɨɥɭɱɚɟɬɩɪɚɜɨɧɨɫɢɬɶɝɚɥɫɬɭɤ ɛɚɛɨɱɤɭ ȼ ɂɬɨɧɟ ɫɭɳɟɫɬɜɭɟɬ ɨɪɢɝɢɧɚɥɶɧɚɹ ɫɢɫɬɟɦɚ ɧɚɤɚɡɚɧɢɣ ©ɪɚɡɪɵɜª ɡɚ ɩɥɨɯɨ ɜɵɩɨɥɧɟɧɧɨɟɭɱɟɛɧɨɟɡɚɞɚɧɢɟ©ɤɧɢɝɚɨɩɨɡɞɚɜɲɢɯª©ɜɵɡɨɜɤɞɢɪɟɤɬɨɪɭª ©ɡɚɤɪɵɬɵɟɜɨɪɨɬɚªɡɚɧɟɚɤɚɞɟɦɢɱɟɫɤɢɟɧɚɪɭɲɟɧɢɹ ȼ ɛɨɥɶɲɟɣ ɱɚɫɬɢ ɤɨɥɥɟɞɠɟɣ ɜ ɝɨɫɭɞɚɪɫɬɜɟɧɧɨɦ ɢ ɱɚɫɬɧɨɦ ɫɟɤɬɨɪɚɯ ɨɛɭɱɚɸɬ ɢ ɦɚɥɶɱɢɤɨɜ ɢ ɞɟɜɨɱɟɤ ɫɨɜɦɟɫɬɧɨ ɬɚɤ ɱɬɨ ɲɤɨɥ ɪɚɡɞɟɥɶɧɨɝɨ ɨɛɭɱɟɧɢɹɨɫɬɚɥɨɫɶɫɨɜɫɟɦɧɟɦɧɨɝɨ 5. Study the following phrasal verbs and use them to paraphrase the underlined words in the sentences below, then translate the sentences into Russian: WRVHQVHRXW WRVKXWRXW WRPHVVXS WRWXUQRXW WRERRNLQ WRSLFNXS 7KH+HDG0DVWHURI(WRQ7RQ\/LWWOHLQVLVWVWKDW(WRQLVHOLWLVWLQWKHVHQVHWKDW WKH\ EHOLHYH LQ H[FHOOHQFH LQ HGXFDWLRQ GRLQJ WKH YHU\ EHVW WKH\ DUH QRW LQWHUHVWHG LQ WKH VHFRQGUDWH ZKHWKHU LW LV DFDGHPLF RU VSRUWV RU ZKDWHYHU ,Q WKDWVHQVHKHLVFRPIRUWDEOHZLWKWKHZRUGµHOLWLVW¶%XWZKDWWKH\VKRXOGQRWEH LV H[FOXVLYH LQ WKH VHQVH RI NHHSLQJ SHRSOH IURP EHLQJ DGPLWWHG DQG D ORW RI ZKDWWKH\KDYHGRQHRYHUWKHUHFHQW\HDUVLVWRPDNHWKHVFKRROPRUHDFFHVVLEOH WRDEURDGHUUDQJHRISHRSOH $QG WKH IXQQ\ WKLQJ LV LI \RX DUH D \RXQJ WHDFKHU DQG \RX GRQ¶W NQRZ WKHVH ZRUGV >VSHFLDO (WRQLDQ VODQJ@ ER\V YHU\ TXLFNO\ XQGHUVWDQG WKDW \RX¶UH DIUHVKPDQDQGLWFDQEHYHU\HPEDUUDVVLQJVRLW¶VYHU\LPSRUWDQW\RXGR\RXU KRPHZRUNEHIRUH\RXVWDUWWHDFKLQJ 7KH*RYHUQLQJ%RG\RI(WRQUHDOL]HGWKDWWKHV\VWHPZKHUHE\VFKRROSODFHVIRU FKLOGUHQ DUH UHVHUYHG IURP WKH PRPHQW WKH\ DUH ERUQ GR QRW WXUQ RXW WR EH 7 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE QHFHVVDULO\FOHYHUHQRXJKIRU(WRQEXWWKHLUSDUHQWVSXVKDQGSXVKWKHPDQGLW¶V DZDVWHRIWKHLUWLPH 3XQLVKPHQWVDW(WRQDUHTXLWHUHDVRQDEOHLIRQHVWXGHQWLVODWHDQGVRPHRQHHOVH LV ODWH LW LQWHUIHUHV ZLWK WKH WHDFKHUV¶ URXWLQH VR WHDFKHUV LQWHUIHUH ZLWK WKHVH VWXGHQWV¶URXWLQHE\VXEMHFWLQJWKHPWRWKHWDUG\ERRNSXQLVKPHQW 7KH+HDG0DVWHURI(WRQ7RQ\/LWWOHKXPRURXVO\UHPDUNVWKDWKHEHORQJVWR WKHJHQHUDWLRQZKHQ\RXZHUHWDNHQWRVFKRRODWWKHEHJLQQLQJRIWKHWHUPDQGLI \RXZHUHOXFN\HQRXJK\RXUSDUHQWVFROOHFWHG\RXIURPVFKRRODWWKHHQGRILW (WRQLDQ VWXGHQWV WKLQN WKDW WKHLU DGYDQWDJH LV QRW MXVW EHLQJ DQ (WRQLDQ WKH DGYDQWDJHLVFRPLQJWRDVFKRROWKDWKDVVRPXFKWRRIIHUDQGVRPDQ\IDFLOLWLHV ZKDWWKH\DOORZDSHUVRQWREHZKDWWKH\KDSSHQWREH Find photographs of Etonians and use these words to describe the Etonian uniform: JRZQ±ɦɚɧɬɢɹWDLOFRDW±ɮɪɚɤGHWDFKDEOHFROODU±ɫɴɟɦɧɵɣɜɨɪɨɬɧɢɤ VWUDZKDW±ɫɨɥɨɦɟɧɧɚɹɲɥɹɩɚERZWLH±ɝɚɥɫɬɭɤɛɚɛɨɱɤɚZDLVWFRDW±ɠɢɥɟɬ :$7&+,1* 1. While watching the film fill in the gaps: %XW(WRQRQO\VWD\VVXFFHVVIXOEHFDXVHXQGHUWKHVXUIDFHLW¶VFKDQJLQJ DOO WKH WLPH ,W¶V OLNH WKH LPDJH RI BBBBBBBBBBBB WKH WUDGLWLRQDO LPDJH RI WKH ELUG JOLGLQJ RQ WKH ZDWHU RQ WKH VXUIDFH LW ORRNV BBBBBBBBBBBB DQG WKH VDPH EXW XQGHUQHDWK WKH ZDWHU LW¶V SDGGOLQJ DOO WKH WLPH PRYLQJ DQG FKDQJLQJ DQG LW¶VSUHWW\PXFKZKDW¶VOLIHLVDW(WRQ 7KH SURFHVVLRQ RI ERDWV LV D WKURZEDFN WR WKH WK FHQWXU\ WKH ER\V GUHVVXSLQWKHFRVWXPHVRIDQGWKH\URZLQROGERDWVDORQJWKH7KDPHVDW WKHEDFNRIWKH&ROOHJHDQGDWWKHJLYHQSRLQWWKH\VWDQGXSLQWKHERDWWZRDW DWLPHZLWKWKHLUBBBBBBBBBBBBDQGSODFHWKHLURDUVLQIURQWRIWKHP:KHQDOO HLJKWRIWKHER\VDUHVWDQGLQJXSDQGWKHFRFNVZDLQDVZHOOWKHUH¶VQRWKLQJWR VXSSRUW WKH ERDW DQG LW¶V PRYLQJ VORZO\ DQG LW¶V TXLWH D IHDW RI EDODQFH XQGHU WKRXVDQGV RI SHRSOH ZDWFKLQJ $V 7RQ\ /LWWOH VD\V WKLV LV D BBBBBBBBBBBB DEVXUGWUDGLWLRQWKHUH¶VQRSRLQWWRLWDQGIRUWKDWUHDVRQKHOLNHVLW 8 EDUCATION IN GREAT BRITAIN :KHWKHURUQRW\RXDUHUHOLJLRXVDQGREYLRXVO\LW¶VDSODFHGHVLJQHG IRUUHOLJLRXVZRUVKLS\RXFDQKDYHDBBBBBBBBBBBBVHQVHRIWKDWJDWKHULQJRI SHRSOHVWUHWFKLQJRYHUPDQ\\HDUVDQGWKDW,GRQ¶WWKLQNLW¶VGDXQWLQJWR\RXQJ ER\VDQGLWGRHVJLYHDNLQGRIFRQILGHQFHDVHQVHWKDWZKDWDOOWKHVHSHRSOH KDYHGRQHEHIRUHPDNHVHYHU\WKLQJBBBBBBBBBBBB %XW DOVR LW >(WRQLDQ XQLIRUP@ LV YHU\ JRRG DW PDNLQJ SHRSOH BBBBBBBBBBBBLQWKHVWUHHWEHFDXVHRQFH\RXZHDUDXQLIRUPOLNHWKLVHYHU\RQH ORRNVWKHVDPHDQGLW¶VDYHU\JRRGGHIHQVHDJDLQVWWRXULVWV ,W >(WRQLDQ XQLIRUP@ LV YHU\ VPDUW DQG LW FUHDWHV D SDUWLFXODU IRUPDO DWPRVSKHUH LQ WKH FODVVURRP ZKLFK VKRZV BBBBBBBBBBBB UHVSHFW VR VWXGHQWV UHVSHFWWHDFKHUVDQGWHDFKHUVUHVSHFWVWXGHQWVLWFUHDWHVDQ(WRQLDQDWPRVSKHUH RIDFDGHPLFOHDUQLQJ (WRQLVQ¶WWKHFXWRIIUHPRYHGBBBBBBBBBBLQVWLWXWLRQDVVRPHWLPHV SHRSOHPLJKWEHOLHYHZKLFKLVUDWKHUPRUHWKHVWDIIRIOHJHQGWKDQUHDOLW\ :H KDYH PRUH VWXGHQWV VWXG\LQJ 5XVVLDQ DW WKH VHQLRU OHYHO DJHG ± WKLV \HDU WKDQ WKRVH VWXG\LQJ IRU H[DPSOH *HUPDQ DQG WKLV LV DBBBBBBBBBBBBFKDQJHIURP\HDUVDJR 2. Provide the original for the following sentences: ȼ ɫɬɚɪɵɟ ɜɪɟɦɟɧɚ ɜ ɂɬɨɧɟ ɛɵɥɚ ɫɢɫɬɟɦɚ ɩɪɢ ɤɨɬɨɪɨɣ ɜɚɲɢ ɪɨɞɢɬɟɥɢ ɡɚɩɢɫɵɜɚɥɢ ɜɚɫ ɞɥɹ ɨɛɭɱɟɧɢɹ ɜ ɲɤɨɥɟ ɤɚɤ ɬɨɥɶɤɨ ɜɵ ɪɨɞɢɥɢɫɶ ɂɹ ɧɟ ɲɭɱɭ ɱɟɪɟɡ ɱɚɫ ɞɜɚ ɩɨɫɥɟ ɪɨɠɞɟɧɢɹ ɉɨɬɨɦɭ ɱɬɨ ɛɵɥɨ ɬɚɤ ³ɉɟɪɜɵɦɩɪɢɲɟɥɩɟɪɜɵɦɨɛɫɥɭɠɟɧ´ ɗɬɨ ɧɟ ɹɡɵɤ ɤɨɬɨɪɵɣ ɧɟ ɞɚɟɬ ɞɪɭɝɢɦ ɥɸɞɹɦ ɩɨɧɹɬɶ ɱɬɨ ɩɪɨɢɫɯɨɞɢɬ ɗɬɨ ɩɪɨɫɬɨ ɫɥɨɠɢɜɲɟɟɫɹ ɩɨ ɬɪɚɞɢɰɢɢ ɢɫɩɨɥɶɡɨɜɚɧɢɟ ɫɬɚɪɵɯ ɫɥɨɜɤɨɬɨɪɵɟɛɨɥɶɲɟɧɟɢɫɩɨɥɶɡɭɸɬɫɹɜɫɨɜɪɟɦɟɧɧɨɦɚɧɝɥɢɣɫɤɨɦ ȿɫɥɢ ɬɵ ɩɥɨɯɨ ɫɩɪɚɜɢɥɫɹ ɫ ɫɚɦɨɫɬɨɹɬɟɥɶɧɨɣ ɪɚɛɨɬɨɣ ɬɨ ɬɵ ɩɨɥɭɱɚɟɲɶ ©ɪɢɩª ɪɚɡɪɵɜ ɱɬɨ ɫɢɦɜɨɥɢɡɢɪɭɟɬ ɩɥɨɯɭɸ ɨɬɦɟɬɤɭ ɩɪɟɩɨɞɚɜɚɬɟɥɶ ɧɚɞɪɵɜɚɟɬ ɜɟɪɯɧɢɣ ɤɪɚɣ ɬɜɨɟɣ ɪɚɛɨɬɵ ɷɬɨ ɧɚɡɵɜɚɟɬɫɹ ©ɪɚɡɪɵɜª 9 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ɂɹɛɟɫɟɞɨɜɚɥɫɦɚɥɶɱɢɤɚɦɢɤɨɬɨɪɵɟɭɱɢɥɢɫɶɜɂɬɨɧɟɢɫɩɪɚɲɢɜɚɥ ɢɯɱɬɨɨɧɢɩɨɦɧɹɬɨɫɜɨɟɦɩɪɟɛɵɜɚɧɢɢɜɂɬɨɧɟȻɵɥɚɥɢɷɬɨɩɪɢɜɢɥɟɝɢɹ ɧɨɫɢɬɶɬɚɤɭɸɮɨɪɦɭɢɥɢɡɚɧɹɬɢɹɫɩɨɪɬɨɦɢɥɢɬɨɱɬɨɨɧɢɯɨɪɨɲɨɭɱɢɥɢɫɶ ɢɩɨɩɚɥɢɜɯɨɪɨɲɢɣɭɧɢɜɟɪɫɢɬɟɬ"Ʉɨɧɟɱɧɨɞɚ«ɇɨɧɟɬɨɥɶɤɨɷɬɨɈɱɟɧɶ ɱɚɫɬɨ ɷɬɨ ɜɨɫɩɨɦɢɧɚɧɢɹ ɨɛ ɨɞɧɨɦ ɤɨɧɤɪɟɬɧɨɦ ɭɱɢɬɟɥɟ ɫɬɪɚɫɬɧɨ ɭɜɥɟɱɟɧɧɨɦɫɜɨɢɦɩɪɟɞɦɟɬɨɦ ə ɞɭɦɚɸ ɢɫɬɨɪɢɹ ɪɭɫɫɤɨɝɨ ɹɡɵɤɚ ɤɚɤ ɹ ɷɬɨ ɜɢɠɭ ɢɡɭɱɟɧɢɹ ɪɭɫɫɤɨɝɨ ɜ Ⱥɧɝɥɢɢ ɨɱɟɧɶ ɢɧɬɟɪɟɫɧɚ Ʉɨɝɞɚ ɹ ɛɵɥ ɫɬɭɞɟɧɬɨɦ ɜ ɯ ɢɯɜɞɧɢɡɚɝɚɞɨɱɧɨɝɨɋɨɜɟɬɫɤɨɝɨɋɨɸɡɚɷɬɨɝɨɨɩɥɨɬɚɬɶɦɵɢɬɚɣɧɵ ɢɡɭɱɟɧɢɟ ɪɭɫɫɤɨɝɨ ɞɟɥɚɥɨ ɬɟɛɹ ɩɪɢɜɥɟɤɚɬɟɥɶɧɵɦ ɞɥɹ ɞɟɜɭɲɟɤ ɷɬɨ ɛɵɥɨ ɤɪɭɬɨɩɨɱɬɢɬɚɤɠɟɤɚɤ0ɂɢȾɠɟɣɦɫȻɨɧɞɢɄȽȻȺɟɳɟɷɬɨɛɵɥɨɭɦɧɨ ɢ ɫɥɨɠɧɨ ɬɚɤ ɱɬɨ ɷɬɨ ɛɵɥ ɢɧɬɟɥɥɟɤɬɭɚɥɶɧɵɣ ɜɵɡɨɜ Ɉɧ ɧɟ ɛɵɥ ɲɢɪɨɤɨ ɪɚɫɩɪɨɫɬɪɚɧɟɧ ɧɨ ɧɚɯɨɞɢɥɢɫɶ ɢɧɬɟɪɟɫɧɵɟ ɢ ɡɚɢɧɬɟɪɟɫɨɜɚɧɧɵɟ ɸɧɨɲɢ ɤɨɬɨɪɵɟɯɨɬɟɥɢɭɱɢɬɶɪɭɫɫɤɢɣ 3. Say if the following statements are true or false. Correct the false ones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e ready to discuss the following questions: ([SODLQ KRZ WKH ZRUGV µHOLWLVW¶ DQG µDFFHVVLEOH¶ DUH XVHG LQ WKH FRQWH[W RI WKH LQWURGXFWLRQ" :KHQZDV(WRQ&ROOHJHIRXQGHG":KHUHLVLWORFDWHG":K\LVLWQRWDUDQGRP FKRLFHRISODFH" :KDWIDPRXVSHRSOHVWXGLHGDW(WRQ" :KDW DUH WKH UHDVRQV IRU (WRQ EHFRPLQJ RQH RI WKH ODUJHVW SXEOLF VFKRROV LQ (QJODQG" +RZ GRHV 7 /LWWOH H[SODLQ (WRQ¶V ORQJODVWLQJ VXFFHVV DV DQ HGXFDWLRQDOHVWDEOLVKPHQW" :KDW(WRQLDQWUDGLWLRQVDUHPHQWLRQHGLQWKHILOP" :KDWLVWKHSURFHGXUHIRUEHFRPLQJDVWXGHQWDW(WRQQRZ":K\GRHV7/LWWOHYLHZ WKHFKDQJHRISURFHGXUHDVSRVLWLYH"+RZKLJKLVWKHFRPSHWLWLRQIRUSODFHVWKHUH" :KDWLV³)L[WXUHV´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rovide Etonian slang for the following notions and explain the origin of these slang words: OHVVRQWHDFKHUEUHDN 11 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Think over the personalities of the adult interviewees: the Head Master of Eton College Tony Little and one of the teachers at Eton Petr Reznikov. What can you say about them as educators? 7. Comment on the filming techniques used in the film. What purpose do they serve? 3267:$7&+,1* 1. Think of the following aspects related to the film: :KDWGR\RXWKLQNDERXWWKHSULYDWHVHFWRULQHGXFDWLRQ"6KRXOGLWEHJLYHQDQ RSSRUWXQLW\WRH[LVW" 7RQ\/LWWOHLQVLVWVWKDW(WRQKDVEHFRPHOHVVHOLWLVWLQWKHVHQVHWKDWLWLVQRZ PRUHDFFHVVLEOHWRDEURDGHUUDQJHRISHRSOH'R\RXDJUHHZLWKKLPLQWKLVUHVSHFW" &RPPHQW RQ 0U /LWWOH¶V ZRUGV WKDW WKH DGYDQWDJHV RI VLQJOHVH[ VFKRROV RXWZHLJK WKHLU GLVDGYDQWDJHV 'R \RX FRQVLGHU VLQJOHVH[ VFKRROV PRUH HIIHFWLYHWKDQFRHGXFDWLRQDOVFKRROV":K\" (WRQLDQVKDYHDYHU\WRXJKVFKHGXOH&DQVWXG\LQJEHHIIHFWLYHZKHQDSHUVRQ LVFRQVWDQWO\RFFXSLHGE\GLIIHUHQWDFWLYLWLHVDQGH[SHULHQFHVODFNRIVOHHSDQG IUHHWLPH" $UHWKHUHDQ\DVSHFWVRIWHDFKLQJDQGOHDUQLQJDW(WRQWKDW\RXFRQVLGHUKLJKO\ DGYLVDEOHWRLPSOHPHQWLQ5XVVLDQVFKRROV" 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the film. 3. Write a 150-word summary of the film. Use words and word combinations from the exercises and glossary if possible. 4. Study Eton’s homepage. What image of the college does it create? What interesting facts about Eton did you come across? 5. Find memories of old Etonians about their schooldays. Comment on them. 6. Find information about the other Clarendon schools and present a short talk about one of them. 12 EDUCATION IN GREAT BRITAIN ),/0726,5:,7+/29( To Sir, with Love OHQJWK± LVD%ULWLVKGUDPDILOPWKDWGHDOVZLWK VRFLDO DQG UDFLDO LVVXHV LQ DQ LQQHU FLW\ VFKRRO ,W VWDUV 6LGQH\ 3RLWLHU D %DKDPLDQ $PHULFDQDFWRUILOPGLUHFWRUDXWKRUDQGODWHUGLSORPDW-DPHV&ODYHOOGLUHFWHGIURPKLV RZQVFUHHQSOD\ZKLFKZDVEDVHGRQ(5%UDLWKZDLWH VDXWRELRJUDSKLFDOQRYHORI WKHVDPHQDPH7KHILOP VWLWOHVRQJ7R6LU:LWK/RYHVXQJE\VLQJHU/XOXUHDFKHG QXPEHU RQH RQ WKH 86 SRS FKDUWV LQ 7KH PRYLH UDQNHG QXPEHU RQ (QWHUWDLQPHQW:HHNO\ VOLVWRIWKH%HVW+LJK6FKRRO0RYLHV Cast 6LGQH\3RLWLHUDVMark Thackeray /XOXDVBarbara "Babs" Pegg &KULVWLDQ5REHUWVDVBert Denham *HRIIUH\%D\OGRQDVTheo Weston -XG\*HHVRQDVPamela Dare (GZDUG%XUQKDPDVFlorian 6X]\.HQGDOODVGillian Blanchard $QWKRQ\9LOODURHODVSeales 35(:$7&+,1* 1. Find information about the following: QDPHV)UHG$VWDLU SODFHV %ULWLVK*XLDQD WKH 9LFWRULD DQG $OEHUW0XVHXP WKH 0XVHXP RI 1DWXUDO +LVWRU\:HPEOH\ SKHQRPHQRQSDWRLV 2. Basic words and word combinations to the topic “English Schooling” (in order of appearance): VWDIIURRP±ɭɱɢɬɟɥɶɫɤɚɹ GLYLVLRQDORIILFHU±ɪɭɤɨɜɨɞɢɬɟɥɶɪɚɣɨɧɧɨɝɨɭɩɪɚɜɥɟɧɢɹɩɨɞɟɥɚɦɨɛɪɚɡɨɜɚɧɢɹ 'HSXW\+HDG±ɡɚɦɟɫɬɢɬɟɥɶɞɢɪɟɤɬɨɪɚ GRPHVWLFVFLHQFH±ɞɨɦɨɜɨɞɫɬɜɨ PDMRULQ±ɫɩɟɰɢɚɥɢɡɢɪɨɜɚɬɶɫɹɜ FRUSRUDOSXQLVKPHQW±ɬɟɥɟɫɧɨɟɧɚɤɚɡɚɧɢɟ SULQFLSDO±ɞɢɪɟɤɬɨɪɲɤɨɥɵ 13 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE UHMHFWVIURPRWKHUVFKRROV±ɞɟɬɢɢɫɤɥɸɱɟɧɧɵɟɢɡɞɪɭɝɢɯɲɤɨɥ /RFDO(GXFDWLRQ$XWKRULWLHV±ɦɟɫɬɧɵɟɨɪɝɚɧɵɨɛɪɚɡɨɜɚɧɢɹ VORZOHDUQHU±ɭɱɟɧɢɤɦɟɞɥɟɧɧɨɭɫɜɚɢɜɚɸɳɢɣɦɚɬɟɪɢɚɥ VXSHUYLVH±ɤɨɧɬɪɨɥɢɪɨɜɚɬɶ FRXQVHOORU±ɲɤɨɥɶɧɵɣɫɨɜɟɬɧɢɤ VWDIIFRQWUROOHU±ɨɬɜɟɬɫɬɜɟɧɧɵɣɡɚɩɟɪɫɨɧɚɥ SOD\WUXDQW±ɩɪɨɝɭɥɢɜɚɬɶ UHSODFHPHQW±ɡɚɦɟɧɚ EXɫN±ɤɨɡɟɥ ɝɢɦɧɚɫɬɢɱɟɫɤɢɣɫɧɚɪɹɞ SDVVLQJRXWFODVV±ɜɵɩɭɫɤɧɨɣɤɥɚɫɫ QLJKWVFKRRO±ɜɟɱɟɪɧɹɹɲɤɨɥɚ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian: +H¶V GHSDUWHG *RG UHVW KLV VRXO +H V SUREDEO\ SRXULQJ RXW KLV ZRHV WR WKH GLYLVLRQDORIILFHUE\QRZ 7KHUH¶VVRPHWKLQJIULJKWHQLQJEXWDWWKHVDPHWLPHFKDOOHQJLQJDERXWWKLVVFKRRO 'R\RXNQRZWKHUH¶VQRIRUPRIFRUSRUDOSXQLVKPHQWRUDQ\SXQLVKPHQWIRUWKDW PDWWHU" 0RVWRIRXUFKLOGUHQDUHUHMHFWVIURPRWKHUVFKRROV:HKDYHWRKHOSWKHPDVEHVW ZHFDQDQGWHDFKWKHPZKDWZHFDQDQGDVPXFKZHFDQ7KHORFDODXWKRULWLHVDUH QRW WRWDOO\ RQ RXU VLGH $QG IURP WKH PRPHQW \RX DFFHSW WKLV SRVLWLRQ \RX¶OO EH HQWLUHO\RQ\RXURZQ :HOO LI \RX FRXOG SHUVXDGH DQRWKHU PHPEHU RI WKH VWDII WR JR ZLWK \RX ,¶OO DSSURDFKWKH&RXQVHOORUIRUDSSURYDO <RX UH XQGHU D VXSHUYLVLRQ RUGHU WRR" ± $URXQG KHUH WKDW V QRWKLQJ 0RVW RI XV KDYHEHHQLQIURQWRIWKHODZ%UHDNLQJZLQGRZVSOD\LQJWUXDQWUDLVLQJKHOODQG FXVVLQJWKHFRSSHUV 4. Translate the following sentences using the words and word combinations from Point 2 above into English: Ʉɚɤɨɣɩɪɟɞɦɟɬȼɵɢɡɭɱɚɥɢ"ȼɱɟɦȼɵɫɩɟɰɢɚɥɢɡɢɪɨɜɚɥɢɫɶ" 14 EDUCATION IN GREAT BRITAIN Ⱦɚɠɟ ɥɭɱɲɢɟ ɭɱɟɧɢɤɢ ɫɤɥɨɧɧɵ ɜɵɫɬɚɜɥɹɬɶ ɫɟɛɹ ɧɚɩɨɤɚɡ ɧɚ ɥɸɞɹɯ ɚ ȼɚɲ ɤɥɚɫɫ«ȼɵɧɟɫɦɨɠɟɬɟɢɯɤɨɧɬɪɨɥɢɪɨɜɚɬɶ ȼɵ ɛɭɞɟɬɟ ɡɚɧɢɦɚɬɶɫɹ ɫ ɦɚɥɶɱɢɤɚɦɢ ɢɡ ȼɚɲɟɝɨ ɤɥɚɫɫɚ ɮɢɡɤɭɥɶɬɭɪɨɣ ɩɨɤɚ ɹɧɟɧɚɣɞɭɡɚɦɟɧɭ ɇɚɫɤɨɥɶɤɨɹɩɨɧɢɦɚɸɜɵɩɭɫɤɧɨɣɤɥɚɫɫɨɪɝɚɧɢɡɭɟɬɤɚɤɨɟɬɨɬɨɪɠɟɫɬɜɟɧɧɨɟ ɦɟɪɨɩɪɢɹɬɢɟɜɤɨɧɰɟɱɟɬɜɟɪɬɢ" ə ɧɟ ɯɨɱɭ ɜɫɸ ɠɢɡɧɶ ɛɵɬɶ ɩɨɫɵɥɶɧɵɦ ɜ ɝɨɫɬɢɧɢɰɟ ȼɵ ɩɨɦɨɠɟɬɟ ɦɧɟ ɩɨɫɬɭɩɢɬɶɜɜɟɱɟɪɧɸɸɲɤɨɥɭ" 5. Study these idioms and use them to paraphrase the underlined words in the sentences below, then translate the sentences into Russian: JLYHVEDKDUGWLPH VWDUWIURPVFUDWFK EHLQWKHZD\ EHRQRQH¶VRZQ DODPEIRUVODXJKWHU DZKLSSLQJER\ EODFNVKHHS KDYHDFUXVKRQ 6R\RXDUHWKHQHZLQQRFHQWYLFWLPZKDWVKRXOG,VD\WKHIXWXUHIDLOXUH ,GRQ¶WNQRZKRZPXFK\RXNQRZVRZH¶OOVWDUWIURPWKHYHU\EHJLQQLQJ 3DPHODLVYHU\DWWUDFWHGWR\RX ,XQGHUVWDQGWKDW%DUNOH\LVWKHRQHZKR\RXZRUNRII\RXUDQJHURQ" 6KH GRHVQ¶W OLNH PH 0\ H[LVWHQFH SUHYHQWV KHU IURP OLYLQJ WKH ZD\ VKH ZDQWV 6KH¶V \RXQJ DQG SUHWW\ LVQ¶W VKH" 6KH¶G EH JODG ZKHQ , OHDYH VFKRRO DQG EH E\ P\VHOI +HZDVQ¶WFDXVLQJ\RXDQ\GLIILFXOW\ZDVKH"±2QWKHFRQWUDU\ 6. Read the first lines of the lyrics to the film “To Sir, With Love” and comment on the possible contents and atmosphere of the film: 7KRVHVFKRROJLUOGD\VRIWHOOLQJWDOHVDQGELWLQJQDLOVDUHJRQH %XWLQP\PLQG,NQRZWKH\ZLOOVWLOOOLYHRQDQGRQ %XWKRZGR\RXWKDQNVRPHRQHZKRKDVWDNHQ\RXIURPFUD\RQVWRSHUIXPH" ,WLVQ WHDV\EXW, OOWU\ ,I\RXZDQWHGWKHVN\,ZRXOGZULWHDFURVVWKHVN\LQOHWWHUV 7KDWZRXOGVRDUDWKRXVDQGIHHWKLJK 7R6LU:LWK/RYH 7KHWLPHKDVFRPHIRUFORVLQJERRNVDQGORQJODVWORRNVPXVWHQG $QGDV,OHDYH,NQRZWKDW,DPOHDYLQJP\EHVWIULHQG $IULHQGZKRWDXJKWPHULJKWIURPZURQJDQGZHDNIURPVWURQJ« 15 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE :$7&+,1* 1. While watching the film fill in the gaps: (SLVRGH Mr Thackeray offers a variety of topics for his class to discuss. Fill in the gaps in the following sentences related to these discussions. Be ready to discuss his choice of topics later :KDWDUHZHJRLQJWRWDONDERXW"±$ERXWOLIHBBBBBBBBBBBBORYHGHDWKVH[ PDUULDJHBBBBBBBBBBBBDQ\WKLQJ\RXZDQW 'RQ¶WWKH\HYHUGUHVVSURSHU"±:KDW¶VSURSHUYDULHVDURXQGWKHZRUOGGHSHQGLQJ RQRXUBBBBBBBBBBBBDQGBBBBBBBBBBBB :KDWGLG\RXPHDQWKHRWKHUGD\DERXWUHEHOOLRQVLU"BBBBBBBBBBBB7DNH\RXU BBBBBBBBBBBB7KDW¶VDIRUPRIUHEHOOLRQLVQ¶WLW" 'R\RXWKLQNLW¶VZURQJWREHGLIIHUHQWWRFKDQJHWRBBBBBBBBBBBBVLU"±,WLV \RXU GXW\ WR FKDQJH WKH ZRUOG LI \RX FDQ 1RW E\ BBBBBBBBBBBB SHDFHIXOO\ BBBBBBBBBBBBQRWDVDPRE 2K PDUULDJH )LUVW OHW XV PDNH VRPH BBBBBBBBBBBB UXOHV ,¶YH QHYHU EHHQ PDUULHGVRZKDW,VD\LVDVDQBBBBBBBBBBBB :H ZHUH GLVFXVVLQJ PDUULDJH 7R P\ PLQG PDUULDJH LV QR ZD\ RI OLIH IRU WKH ZHDNWKHBBBBBBBBBBBBRUWKHBBBBBBBBBBBB (SLVRGH Watch the scene in the school gym and the ones following it and fill in the gaps in the sentences below. Later, be ready to discuss Mr Thackeray’s way of treating this problematic situation: %DUNOH\FRPHRQER\±,¶PQRWDER\,¶PDBBBBBBBBBBBBDQG,GRQ¶WZDQWWR GRLW,W¶VWRRKLJK ,Q D IHZ ZHHNV \RX¶OO EH JRLQJ RXW LQWR WKH ZRUOG $UH \RX JRLQJ WR XVH D BBBBBBBBBBBB HYHU\ WLPH VRPHRQH PDNHV \RX DQJU\" <RX¶UH VXSSRVHG WR EH OHDUQLQJBBBBBBBBBBBBKHUH ,I\RXDSRORJL]HEHFDXVH\RX¶UHDIUDLGWKHQ\RX¶UHDBBBBBBBBBQRWDBBBBBBBBB 16 EDUCATION IN GREAT BRITAIN 2. Provide the original for the following sentences: (SLVRGH Watch the teachers discuss their work in the staffroom: Ɇ-ɪ ȼɟɫɬɨɧ ɑɬɨ ɩɪɨɢɫɯɨɞɢɬ ɜ ȼɚɲɟɦ ɤɥɚɫɫɟ ɫɬɚɪɢɧɚ" Ɇɟɳɚɧɫɤɚɹ ɭɱɬɢɜɨɫɬɶ" ȼ ɧɚɲɢɯ ɤɪɚɹɯ ɷɬɨ ɪɟɞɤɨɫɬɶ ɧɟ ɬɚɤ ɥɢ" ɑɬɨɬɨ ɜɪɨɞɟɷɤɫɩɟɪɢɦɟɧɬɚɫɤɭɥɶɬɭɪɨɣɜɦɚɫɫɵ" Ɇ-ɪ Ɍɟɤɤɟɪɟɣɉɪɨɫɬɨɩɪɢɜɢɜɚɸɩɪɚɜɢɥɚɜɟɠɥɢɜɨɫɬɢ Ɇ-ɪ ȼɟɫɬɨɧ ɂɦɵɧɟɜɟɠɟɫɬɜɟɧɧɵɟɬɜɚɪɢɞɨɥɠɧɵɫɥɟɞɨɜɚɬɶȼɚɲɟɦɭ ɩɪɢɦɟɪɭ" Ɇ-ɪ ɌɟɤɤɟɪɟɣȾɟɥɚɣɬɟɱɬɨɯɨɬɢɬɟ Ɇ-ɪ ȼɟɫɬɨɧ ɂɧɚɷɬɨɦɫɩɚɫɢɛɨ Ɇɢɫɫɢɫ Ⱦɨɭɫ ɇɟɯɨɬɢɬɟɱɬɨɛɵɦɚɧɟɪɚɦȼɚɫɭɱɢɥɨɞɢɧɢɡɦɚɥɶɱɢɤɨɜ ɦɢɫɬɟɪȼɟɫɬɨɧ" Ɇ-ɪ ȼɟɫɬɨɧ ɇɟɞɭɦɚɸɱɬɨɷɬɢɛɨɥɜɚɧɵɦɨɝɭɬɧɚɭɱɢɬɶɦɟɧɹɯɨɪɨɲɢɦ ɦɚɧɟɪɚɦ Ɇɢɫɫɢɫ Ⱦɨɭɫ Ƚɥɚɜɧɨɟ±ɭɱɢɬɶɫɹɚɤɬɨɭɱɢɬɭɠɟɧɟɜɚɠɧɨɜɟɪɧɨ" (SLVRGH Watch the scene showing Mr Thackeray’s class collecting money for the funeral of Seales’mother: Ɇ-ɪ ɌɟɤɤɟɪɟɣɑɬɨɬɵɞɟɥɚɟɲɶȾɠɟɤɫɨɧ" Ɍɢɲ ȾɠɟɤɫɨɧȾɥɹɋɢɥɫɚɧɚɰɜɟɬɵɢɜɟɧɨɤ Ɇ-ɪ ɌɟɤɤɟɪɟɣɗɬɨɡɚɦɟɱɚɬɟɥɶɧɨɫɜɚɲɟɣɫɬɨɪɨɧɵɆɨɠɧɨɦɧɟɩɨɭɱɚɫɬɜɨɜɚɬɶ" Ȼɟɪɬ Ⱦɟɧɟɦ ɇɟɬɫɩɚɫɢɛɨɦɢɫɬɟɪɌɟɤɤɟɪɟɣȾɟɪɠɢɉɷɦɦɢɥɨɱɤɚ ɤɭɩɢɲɶɜɟɧɨɤ ɉɚɦɟɥɚ Ⱦɷɪ əȾɷɪɦɢɫɫȾɷɪ Ȼɟɪɬ Ⱦɟɧɟɦ Ⱦɚɢɬɵɩɨɤɭɩɚɟɲɶɜɟɧɨɤɋɦɨɬɪɢɱɬɨɛɵɟɝɨɞɨɫɬɚɜɢɥɢɜɨɜɪɟɦɹ Ɇ-ɪ ɌɟɤɤɟɪɟɣȾɨɫɬɚɜɢɥɢ"Ɋɚɡɜɟɜɵɧɟɫɨɛɢɪɚɟɬɟɫɶɫɚɦɢɨɬɧɟɫɬɢɟɝɨ" Ȼɟɪɬ Ⱦɟɧɟɦ ɍɠɧɟɞɭɦɚɟɬɟɥɢȼɵɱɬɨɟɝɨɦɨɝɭɬɨɬɧɟɫɬɢɞɟɜɨɱɤɢɚ" Ɇ-ɪ ɌɟɤɤɟɪɟɣȾɚɚɩɨɱɟɦɭɛɵɢɧɟɬ" Ɇɨɣɪɚ Ⱦɠɨɡɟɮ ɇɭ« ɚ ɱɬɨ ɫɤɚɠɭɬ ɥɸɞɢ" ɑɬɨ ɫɤɚɠɭɬ ɪɨɞɧɵɟ ɟɫɥɢ ɨɧɢ ɭɜɢɞɹɬɱɬɨɦɵɢɞɟɦɜɞɨɦɤɰɜɟɬɧɨɦɭɫɷɪ 17 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Ȼɚɪɛɚɪɚ ɉɟɝɝɆɵɧɢɱɟɝɨɩɪɨɬɢɜȼɚɫɧɟɢɦɟɟɦɫɷɪɱɟɫɬɧɨɟɫɥɨɜɨɧɨɟɫɥɢ ɨɞɧɚɢɡɧɚɫ«ȼɵɧɟɩɪɟɞɫɬɚɜɥɹɟɬɟɱɬɨɥɸɞɢɫɤɚɠɭɬ Ɇ-ɪ ɌɟɤɤɟɪɟɣɋɩɚɫɢɛɨɦɢɫɫɉɟɝɝɱɬɨɩɪɨɫɜɟɬɢɥɢɦɟɧɹȺɤɦɭɠɱɢɧɚɦɷɬɨ ɬɨɠɟɨɬɧɨɫɢɬɫɹ" Ȼɟɪɬ Ⱦɟɧɟɦ ȿɳɟɤɚɤɨɬɧɨɫɢɬɫɹ 3. Say if the following statements are true or false. Correct the false ones: *LOOLDQ%ODQFKDUGFDPHWR1RUWK4XD\6HFRQGDU\6FKRRODPRQWKEHIRUH0DUN 7KDFNHUH\ 7HDFKHUV LQ 1RUWK 4XD\ 6HFRQGDU\ 6FKRRO XVHG WR MRLQ ROGHU NLGV LQ PLGGD\ GDQFHVHVVLRQ 0U7KDFNHUH\KDGH[FHOOHQWTXDOLILFDWLRQVDVDVHFRQGDU\VFKRROWHDFKHU 0U:HVWRQZDVKDSS\IRUKLVSXSLOVWKDWLQIXWXUHWKH\HYHQEHLQJKDOIOLWHUDWH ZRXOGEHHDUQLQJWZLFHDVPXFKDVWKHLUWHDFKHUV 0U 7KDFNHUH\¶V EUHDNWKURXJK LQ KLV UHODWLRQV ZLWK WKH FODVV ZDV ZKHQ KH UHDOL]HGWKDWKHVKRXOGWUHDWWKHPQRWDVNLGVEXWDVUHVSRQVLEOHDGXOWV %R\VLQ0U7KDFNHUH\¶VFODVVVDLGWKDWJLUOVGLGQRWGHVHUYHWREHDGGUHVVHGDV 0LVV :KHQ0U7KDFNHUH\ZDV\RXQJKLVVSHHFKZDVIDUIURPWKDWRIDQHGXFDWHG SHUVRQKHVSRNHSDWRLVDNLQGRI6LPSOH(QJOLVK 0U7KDFNHUH\DWHRQO\DQRUDQJHIRUOXQFKDVKHZDVRQDGLHW 0U7KDFNHUH\RIIHUHG3RWWHUDMREDVD37LQVWUXFWRUWHDFKLQJ\RXQJVWHUVKRZ WRER[ 0U7KDFNHUH\FKDQJHGKLVPLQGDERXWOHDYLQJWKHVFKRRODWWKHODVWPRPHQW 4. Be ready to discuss the following questions: 'HVFULEH WKH 1RUWK 4XD\ 6HFRQGDU\ 6FKRRO 7KLQN RYHU WKH SXSLOV DQG WKHLU EDFNJURXQG:KDWLV\RXURSLQLRQRI0U)ORULDQDQGRWKHUWHDFKHUV" 6WXG\ WKH LOOLWHUDWH VSHHFK RI 0U 7KDFNHUD\¶V SXSLOV :ULWH GRZQ VRPH H[DPSOHV RI IDPLOLDU FROORTXLDO ZRUGV VODQJ REVFHQH ZRUGV LQFRUUHFW JUDPPDUXVDJH 18 EDUCATION IN GREAT BRITAIN &RQVLGHU WKH SHUVRQDOLW\ RI WKH PDLQ FKDUDFWHU 0U 7KDFNHUD\ 'LG KH KDYH HQRXJKTXDOLILFDWLRQWRWHDFK" 7KLQNDERXW0U7KDFNHUD\¶VFODVV:KDWSUREOHPVGLGKHIDFHZLWKKLVFODVV" :K\"+RZGLGWKH\WHVWKLVSDWLHQFH" 0U7KDFNHUD\DQQRXQFHVDQHZVHWRIUXOHVIRUKLVFODVV:ULWHWKHPGRZQDQG EHUHDG\WRGLVFXVVWKHLUHIIHFWLYHQHVVODWHU 1RWHZKDW0U7KDFNHUD\WHOOVKLVFODVVDERXWKLVEDFNJURXQG:KDWZRUNGLG KHGREHIRUHJHWWLQJKLVGHJUHH" :KDWFRQWH[WLVWKHSURYHUE³$ZRPDQ¶VZRUNLVQHYHUGRQH´XVHGLQ" :KDW FRQYHUVDWLRQ GLG 0U 7KDFNHUD\ KDYH ZLWK 0UV 'DUH DQG ODWHU ZLWK 3DPHOD'DUH" &RPPHQW RQ 0U 7KDFNHUD\¶V FKDQJH RI YLHZLQJ KLV VWXGHQWV DV FUXGH DQG EHOOLJHUHQW WR UHDOL]LQJ WKDW WKH\ DUH XQLTXH LQGLYLGXDOV GHVHUYLQJ UHVSHFW DQG FRPSDVVLRQ &RPPHQW RQ WKH ZD\ 0U 7KDFNHUD\ ZRQ KLV SXSLOV UHVSHFW DQG ORYH +RZ GLGKHPDQDJHWRDFKLHYHLW" 5. The schoolkids use rhyming slang, or Cockney slang. How do they explain the essence of this phenomenon to Mr Thackeray? What examples of rhyming slang do they provide? 6. Comment on the peculiarities of the English system of secondary education as revealed in the film. 7. Comment on the filming techniques used in the film. What purpose do they serve? 3267:$7&+,1* 1. Think of the following aspects related to the film: 7KHKXPDQFRQQHFWLRQEHWZHHQWHDFKHUDQGVWXGHQWKRZWREXLOGLW" :KDW DUH WKH SHFXOLDULWLHV DQG SUREOHPV RI WHDFKLQJ VWXGHQWV IURP GLVDGYDQWDJHGDQGXQGHUSULYLOHJHGEDFNJURXQGV" ,V LW SRVVLEOH WR OHDUQ WR ORYH DQG UHVSHFW \RXU VWXGHQWV GHVSLWH WKHLU VKRUWFRPLQJV" 19 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ,VWKHUHDQ\VLJQLILFDQFHLQWKHHTXDOSDUWQHUVKLSEHWZHHQWHDFKHUDQGVWXGHQWV" :KDWSUREOHPDWLFLVVXHVRWKHUWKDQWKRVHFRQQHFWHGZLWKHGXFDWLRQDUHUDLVHG LQWKHILOP" 7KLVILOPKDGHQRUPRXVVXFFHVVLQ'RHVLWVWLOOUHPDLQLQWHUHVWLQJIRUD PRGHUQYLHZHU":K\":K\QRW" 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the film. 3. Write a review of the film for other viewers. 4. This film is a variation on the theme of a new teacher winning the hearts of his unruly students. Compare this film to later films related to this topic.'RPRGHUQ WLPHVLQWURGXFHGLIIHUHQWZD\VRIJHWWLQJVWXGHQWV¶UHVSHFW",I\RXDUHLQWHUHVWHG ZDWFK³7R6LUZLWK/RYH,,´ ZKLFKDOVRVWDUV6LGQH\3RLWLHUUHSULVLQJWKH UROHRI0DUN7KDFNHUD\ 5. Think of any Russian films related to this topic.<RXPD\KDYHVHHQVXFKILOPV DV ©Ⱦɨɠɢɜɟɦ ɞɨ ɩɨɧɟɞɟɥɶɧɢɤɚª ©Ȼɨɥɶɲɚɹ ɩɟɪɟɦɟɧɚª ©Ɋɨɡɵɝɪɵɲª ©ɍɱɢɥɤɚª :KDW VLPLODULWLHV DQG GLIIHUHQFHV LQ WUHDWLQJWKLVWRSLFFDQ\RXVHH" 6. Watch the advice video “How to become a teacher in Britain” (https://www.youtube.com/watch?v=h5iLA5UXK_s). a. While watching the film complete the sentences: $PRQJ RWKHU UHDVRQV WR EHFRPH D WHDFKHU BBBBBBBBBBBB DWWUDFWV VR PDQ\ SHRSOH 7HDFKLQJ LV GLYLGHG LQWR BBBBBBBBBBBB ZKLFK FRUUHVSRQG WR WKH DJHV RI D FKLOG¶VGHYHORSPHQW (DFKWHDFKHULQBBBBBBBBBBBBLVTXDOLILHGLQDWOHDVWBBBBBBBBBBBBRIWKHP ,I \RX ZDQW WR EH D 3ULPDU\ VFKRRO WHDFKHU \RX¶OO KDYH WR KDYH D GHJUHH LQ BBBBBBBBBBBBRULQDQRWKHUVXEMHFWSOXVBBBBBBBBBBBB <RX¶OODOVREHH[SHFWHGWRWHDFKWKHHQWLUHBBBBBBBBBBBBIRUWKHFKLOGUHQ $IWHU\RXJHW\RXUBBBBBBBBBBBB\RX¶OOEHUHTXLUHGWRGRSURIHVVLRQDOWUDLQLQJ LQBBBBBBBBBBBB 20 EDUCATION IN GREAT BRITAIN (YHQKDYLQJDTXDOLILHGWHDFKHUVWDWXV\RX¶OOKDYHVRPHRQHZKRZLOOBBBBBBBBB\RX <RX JR LQWR VFKRROV LQ BBBBBBBBBBBB WKDW PHHW ZLWK \RXU DQG (GXFDWLRQDO $XWKRULWLHV¶BBBBBBBBBBBB b. Answer the following questions: :KDWDUHWKHUHDVRQVWREHFRPHDWHDFKHU" :KDW GRHV WKH ³3URIHVVLRQDO WUDLQLQJ´ WHUP PHDQ" :KHUH GRHV RQH GR WKHLU SURIHVVLRQDOWUDLQLQJ" :K\LVWHDFKLQJDIDVWFKDQJLQJSURIHVVLRQ" c. Write an argumentative essay XS WR ZRUGV LQ ZKLFK \RX ZLOO KDYH WR SURYH WKDW WHDFKLQJ ,6 RU ,6 127 D UHZDUGLQJ SURIHVVLRQ RU ZKDW PDNHV D VXFFHVVIXO WHDFKHU 8VH LGHDV DQG LQIRUPDWLRQ SURYLGHG LQ WKH IHDWXUH ILOP³7R 6LU:LWK /RYH´ DQG LQWKH DGYLFH YLGHR ³+RZ WR EHFRPH D WHDFKHU LQ (QJODQG´ 21 352%/(0$7,&,668(62)83%5,1*,1*,17+(02'(51:25/' ),/0('8&$7(7+(+($57 Educate the Heart (OHQJWK±2:08) LVDVWXQQLQJDQLPDWHGSRHPQDUUDWHGE\ WKH VSRNHQ ZRUG SRHW 6KDQH .R\]FDQ ZKLFK H[DPLQHV WKH UROH RI FRPSDVVLRQ NLQGQHVV DQG IDLUQHVV LQ RXU VFKRROV DQG HGXFDWLRQDO V\VWHPV 6KDQH / .R\F]DQ ERUQ 0D\ LV D &DQDGLDQ VSRNHQ ZRUG SRHW ZULWHU DQG PHPEHU RI WKH JURXS7RQVRI)XQ8QLYHUVLW\+HLVNQRZQIRUZULWLQJDERXWLVVXHVOLNHEXOO\LQJ FDQFHUGHDWKDQGHDWLQJGLVRUGHUV+HLVPRVWIDPRXVIRUWKHDQWLEXOO\LQJSRHP To This Day ZKLFK KDV RYHU PLOOLRQ YLHZV RQ YouTube KWWSVZZZ\RXWXEHFRPZDWFK"Y (SF\Q8R3GF 35(:$7&+,1* 1. Find information about the following QDPHV6KDQH.R\]FDQ SKHQRPHQDVSRNHQZRUG SRHWSRHWU\ HPRWLRQDOLQWHOOLJHQFH (4 2. Basic words and word combinations to the topic “Upbringing and Education” (in order of appearance): QXUWXUH±ɜɨɫɩɢɬɵɜɚɬɶ IUDJLOH±ɯɪɭɩɤɢɣɧɟɠɧɵɣɱɭɜɫɬɜɢɬɟɥɶɧɵɣ ILOOVPE¶VPLQGZLWK±ɧɚɩɨɥɧɢɬɶɱɟɣɬɨɦɨɡɝɱɟɦɥ JLYHWRROV±ɞɚɬɶɢɧɫɬɪɭɦɟɧɬɵ JHWDWDVWHRI±ɩɨɱɭɜɫɬɜɨɜɚɬɶɜɤɭɫ EXOO\LQJ ± ©ɛɭɥɥɢɧɝª ɬɪɚɜɥɹ ɢɡɞɟɜɚɬɟɥɶɫɬɜɚ ɠɟɫɬɨɤɨɟ ɨɬɧɨɲɟɧɢɟ ɫɜɟɪɫɬɧɢɤɨɜ FRPSDVVLRQ±ɫɨɫɬɪɚɞɚɧɢɟɫɨɱɭɜɫɬɜɢɟ DFFHSWDQFH±ɩɪɢɧɹɬɢɟ WROHUDQFH±ɬɟɪɩɢɦɨɫɬɶɫɧɢɫɯɨɞɢɬɟɥɶɧɨɫɬɶ JURZLQWRVPE±ɩɪɟɜɪɚɬɢɬɶɫɹɜɤɨɝɨɥɜɵɪɚɫɬɢɢɫɬɚɬɶɤɟɦɬɨ FDSDEOH±ɨɞɚɪɺɧɧɵɣɭɦɟɥɵɣɫɩɨɫɨɛɧɵɣ 22 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD EDODQFHGHGXFDWLRQ±ɝɚɪɦɨɧɢɱɧɨɟɨɛɪɚɡɨɜɚɧɢɟɜɨɫɩɢɬɚɧɢɟ SXWLPSRUWDQFHRQ±ɩɪɢɞɚɜɚɬɶɡɧɚɱɟɧɢɟɱɟɦɭɥ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian: :KHQDFKLOGLVERUQZHGRHYHU\WKLQJZHFDQWRSURWHFWWKHPQXUWXUHWKHP ORYHWKHP $FKLOG¶VKHDUWDQGPLQGDUHIUDJLOH $WVFKRROWKH\JHWDWDVWHRIZKDWWKLQJVDUHOLNHLQWKHZRUOGRXWVLGHWKHUH¶V IULHQGVKLS URPDQFH GLVDSSRLQWPHQW HPEDUUDVVPHQW GLVFULPLQDWLRQ DQG EXOO\LQJ ,I ZH ZDQW RXU FKLOGUHQ WR JURZ LQWR VRFLDOO\ DQG HPRWLRQDOO\ FDSDEOH \RXQJ SHRSOHZHPXVWDVNIRUDEDODQFHGHGXFDWLRQ :KHQZHEULQJXSRXUFKLOGUHQZHZDQWWRSURWHFWWKHPIURPGLVDSSRLQWPHQW DQGEXOO\LQJ 4. Translate the following sentences using the words and word combinations from Point 2 above into English: Ɇɵɯɨɬɢɦɞɚɬɶɧɚɲɢɦɞɟɬɹɦɢɧɫɬɪɭɦɟɧɬɵɤɨɬɨɪɵɟɢɦɧɭɠɧɵɞɥɹɠɢɡɧɢ Ɇɵɞɨɥɠɧɵɧɚɭɱɢɬɶɢɯɫɨɱɭɜɫɬɜɢɸɩɪɢɧɹɬɢɸɢɫɧɢɫɯɨɞɢɬɟɥɶɧɨɫɬɢ Ɇɵɯɨɬɢɦɱɬɨɛɵɧɚɲɢɞɟɬɢɩɪɟɜɪɚɬɢɥɢɫɶɜɫɩɨɫɨɛɧɵɯɦɨɥɨɞɵɯɥɸɞɟɣ Ɇɵɞɨɥɠɧɵɬɪɟɛɨɜɚɬɶɞɥɹɧɢɯɝɚɪɦɨɧɢɱɧɨɝɨɨɛɪɚɡɨɜɚɧɢɹ Ɇɵɞɨɥɠɧɵɫɚɦɢɩɨɤɚɡɵɜɚɬɶɞɟɬɹɦɩɪɢɦɟɪɤɚɤɩɪɨɬɢɜɨɫɬɨɹɬɶɬɪɚɜɥɟɢ ɞɢɫɤɪɢɦɢɧɚɰɢɢ 5. Look at the wordle created from the words of a quotation by Aristotle. The words “educating” and “the” are larger than the other words because they are repeated in the sentence. In pairs create a sentence from the wordle.Read out your sentences and then compare them with the correct quotation. 23 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 6. Look at the wordle created from the words from the transcript of a video you are going to watch later. In pairs use a dictionary to look up words you don’t know and put the words into categories, however, you have to decide the categories yourselves. The categories could be based on the type of word (verbs, nouns, and adjectives), short words, long words, stress patterns, positive words, negative words etc. :$7&+,1* 1. Watch the video with the sound OFF and put down in a column the names of the objects/symbols that are shown. How do you think they are connected with the text of the video? 2. Watch the video again with the sound ON. What ideas are mentioned that match the images? Put them down next to the words you wrote in 1 above. 3. Fill in the gaps while watching one more time: $V WKH\ >RXU FKLOGUHQ@ JURZ ZH ZDQW WR BBBBBBBBBBBB WKHP HYHU\WKLQJ WKDW ZHNQRZ :HVHQGWKHPWRVFKRROWRILOOWKHLUBBBBBBBBBBBBZLWKZRQGHUIXONQRZOHGJH WRJLYHWKHPWKHWRROVWKH\QHHGIRUOLIH :HKDYHDQHQRUPRXVBBBBBBBBBBBBDQGDQDPD]LQJBBBBBBBBBBBB 24 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD ,IZHWUXO\ZDQWWRSUHSDUHWKHPIRUWKHZRUOGRXWVLGHZHPXVWDOVRHGXFDWH WKHBBBBBBBBBBBB ,IZHZDQWRXUFKLOGUHQWRJURZLQWRVRFLDOO\DQGHPRWLRQDOO\FDSDEOH\RXQJ SHRSOHZHPXVWDVNIRUDEDODQFHGHGXFDWLRQWKDWSXWVLPSRUWDQFHRQHGXFDWLQJ ERWKWKHBBBBBBBBBBBBDQGWKHBBBBBBBBBBBB 4. Say if the following statements are true or false according to the video. Correct the false ones: :KHQDFKLOGJRHVWRVFKRROZHGRHYHU\WKLQJZHFDQWRSURWHFWWKHPQXUWXUH WKHPORYHWKHP $FKLOG¶VERG\LVYHU\IUDJLOH :HVHQGRXUFKLOGUHQWRVFKRROWRILOOWKHLUPLQGVZLWKXVHOHVVNQRZOHGJHQRW WRJLYHWKHPWKHWRROVWKH\QHHGIRUOLIH $WVFKRROWKH\JHWDWDVWHRIZKDWWKHEHVWWKLQJVDUHOLNHLQWKHZRUOGRXWVLGH WKHUH¶VIULHQGVKLSORYHVXSSRUWDQGURPDQFH &RPSDVVLRQDFFHSWDQFHDQGWROHUDQFHDUHLQERUQTXDOLWLHV (GXFDWLQJ WKH KHDUW FDQ KDSSHQ HYHU\ZKHUH DQG DQ\WLPH DW KRFNH\ SUDFWLFH GDQFHFODVVDWGD\FDPSVDQGPXVLFOHVVRQV 5. Be ready to discuss the following questions: 'LG\RXOLNHWKHYLGHR" +RZGLGWKHYLGHRPDNH\RXIHHO" :KDWLVWKHPHVVDJHRIWKHYLGHR"'R\RXDJUHHZLWKLW" +RZGRZHHGXFDWHWKHPLQG" &DQ\RXJLYHH[DPSOHVRIHGXFDWLQJWKHPLQG" +RZFDQZHHGXFDWHWKHKHDUW" &DQ\RXJLYHH[DPSOHVRIHGXFDWLQJWKHKHDUW" 6. Do we educate the mind and the heart in our educational system? Support your answer with arguments. 7. Comment on the filming techniques used in the film. What purpose do they serve? 25 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 3267:$7&+,1* 1. The video is narrated by author and poet Shane L. Koyczan. Before you watch the interview, in pairs discuss the 3 questions below with your partner. You are going to watch an interview with ShaneL. Koyczan in which he answers these questions. What does he say? Compare with your ideas. You can find the interview here: https://www.youtube.com/watch?v=0JXbinTgM2g :KDWGRHV³HGXFDWLQJWKHKHDUW´PHDQWR\RX" +RZFDQZH³HGXFDWHWKHKHDUW´" :KRHGXFDWHG\RXUKHDUW" 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the film. (https://www.youtube.com/watch?v=SOYOa4FIj-Y) 3. Write a review of the video for other viewers. 4. Write a composition titled: “It is just as important to educate the heart as the mind”. Use the vocabulary you have learned from the film and interview. 5. Make a poster to illustrate the idea of educating both the heart and mind. Find images of parent/teacher-child interaction. Analyse them from the point of what they are educating – the heart, the mind or both. Comment on your opinion. 26 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD ),/00$57,$1&+,/' Martian Child OHQJWK ± LV D $PHULFDQ FRPHG\GUDPD ILOP GLUHFWHGE\0HQQR0H\MHVDQGZULWWHQE\'DYLG*HUUROGEDVHGRQKLVQRYHOHWWH RIWKHVDPHQDPH7KHILOPVWDUV-RKQ&XVDFNDVDZULWHUZKRDGRSWVDVWUDQJH\RXQJ ER\ %REE\ &ROHPDQ ZKR EHOLHYHV KLPVHOI WR EH IURP 0DUV 7KH ILOP ZDV WKHDWULFDOO\UHOHDVHGRQ1RYHPEHUE\1HZ/LQH&LQHPD Cast -RKQ&XVDFNDVDavid Gordon – Author =DN/XGZLJDVyoung David and Dad %REE\&ROHPDQDVDennis – “Martian” $PDQGD3HHWDVHarlee – Friend and Son 6RSKLH2NRQHGRDVSophie – Foster Mom 2OLYHU3ODWWDVJeff – Agent -RDQ&XVDFNDVLiz Gordon – Sister and $QMHOLFD+XVWRQas Tina – Aunt Publisher 5LFKDUG6FKLIIDVLefkowitz – Child Services Authority 35(:$7&+,1* 1. Find information about the following: QDPHV 7LQ\ 7LP 0R]DUW $QG\ :DUKRO YRQ 7UDSS IDPLO\ :LQVWRQ &KXUFKLOO&KDLUPDQ0DR SKHQRPHQD 7KH 2PHQ /XFN\ &KDUPV ³$PDGHXV´ ³7KH 6RXQG RI 0XVLF´OHGHUKRVHQ+DUU\3RWWHU 2. Basic words and word combinations to the topic “Upbringing” (in order of appearance): DGRSWDFKLOG±ɭɫɵɧɨɜɢɬɶɭɞɨɱɟɪɢɬɶɪɟɛɺɧɤɚ EHUHDG\WRFRPPLWWRVWK±ɛɵɬɶɝɨɬɨɜɵɦɩɨɫɜɹɬɢɬɶɫɟɛɹɱɟɦɭɥ VLQJOHSDUHQW±ɨɬɟɰɦɚɬɶɨɞɢɧɨɱɤɚ NLGRIUDJH±ɪɟɛɺɧɨɤɦɚɧɶɹɤ 27 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ILQGDEDODQFHEHWZHHQVRFLDOL]LQJKLPDQGOHWWLQJKLPEHZKRKHLV±ɧɚɣɬɢɛɚɥɚɧɫ ɦɟɠɞɭɬɟɦɤɚɤɟɝɨɫɨɰɢɚɥɢɡɢɪɨɜɚɬɶɢɩɨɡɜɨɥɢɬɶɟɦɭɛɵɬɶɫɚɦɢɦɫɨɛɨɣ JLYHVEVRPHVSDFH±ɨɫɬɚɜɢɬɶɤɨɝɨɥɜɩɨɤɨɟ SURGLJ\±ɸɧɨɟɞɚɪɨɜɚɧɢɟ EUHHGDJHQLXV±ɜɨɫɩɢɬɚɬɶɝɟɧɢɹ VRFLDOVNLOOV±ɧɚɜɵɤɢɨɛɳɟɧɢɹ QDQQ\±ɧɹɧɹ VLWWHU EDE\VLWWHU ±ɫɢɞɟɥɤɚɧɹɧɹ QHZSDUHQW±ɪɨɞɢɬɟɥɶɧɨɜɟɧɶɤɨɝɨ EHFRQFHUQHG±ɜɨɥɧɨɜɚɬɶɫɹ DGMXVW±ɩɪɢɫɩɨɫɚɛɥɢɜɚɬɶɫɹɨɫɜɚɢɜɚɬɶɫɹ UHODWHWRVEZHOO±ɥɚɞɢɬɶɫɤɟɦɥ ER\ZRQGHU±ɱɭɞɨɦɚɥɶɱɢɤɜɭɧɞɟɪɤɢɧɞ WULDOSHULRG±ɢɫɩɵɬɚɬɟɥɶɧɵɣɫɪɨɤ UROHPRGHO±ɨɛɪɚɡɟɰɞɥɹɩɨɞɪɚɠɚɧɢɹ G\VIXQFWLRQDOFKLOGKRRG±ɧɟɛɥɚɝɨɩɨɥɭɱɧɨɟɬɪɭɞɧɨɟɞɟɬɫɬɜɨ ILWLQ±ɩɪɢɫɩɨɫɨɛɢɬɶɫɹɜɩɢɫɚɬɶɫɹɛɵɬɶɤɚɤɜɫɟ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian: ,ORYHWKHLGHDRI\RXDGRSWLQJDFKLOG,WKLQNLW VVREHDXWLIXOIRU\RXWRRSHQ XS\RXUKHDUWOLNHWKDW :HOO \RX NQRZ ZH KDG 0RP DQG 'DG :H KDG WZR SHRSOH DQG WKH\ KDWHG EHLQJSDUHQWV, PMXVWVD\LQJWKHUHDUHQRJXDUDQWHHV7KHUH VSOHQW\RIVLQJOH SDUHQWV $OOULJKW:HOO,GRQ WZDQWWRVHH\RXJHWKXUW,PHDQ\RXFRXOGKDYHDNLG RIUDJHRUVRPHWKLQJ±.LGRIUDJH"±<HDKZHOOWKHUHZDVVRPH79PRYLH DQGWKH\ZHUHFUD]\ :KDWDUH\RXEUHHGLQJJHQLXVHVQRZ"0R]DUWE\WKHZD\GLHGLQDKRYHODW GUXQNDQG±8QVSHFLILHGIHYHUDW 28 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD :HOO,ZDVJRLQJWRDQHZVFKRRODQG,ZDVQHUYRXVDQG,ZDQWHGSHRSOH WROLNHPHDQG\RXNQRZ,ZDVDIUDLG,ZRXOGQ WILWLQ« 4. Translate the following sentences using the words and word combinations from Point 2 above into English: əɩɪɨɫɬɨɩɨɤɚɧɟɝɨɬɨɜɩɨɫɜɹɬɢɬɶɫɟɛɹɪɟɛɺɧɤɭ ɍȾɟɧɧɢɫɚɞɭɲɚɯɭɞɨɠɧɢɤɚȼɨɡɦɨɠɧɨɢɡɧɟɝɨɜɵɪɚɫɬɟɬɝɟɧɢɣ« əɪɨɞɢɬɟɥɶɧɨɜɟɧɶɤɨɝɨ«ɦɨɣɫɵɧ«ɫɟɝɨɞɧɹɨɧɩɟɪɜɵɣɞɟɧɶɜɲɤɨɥɟ« ɢɹɨɱɟɧɶɜɨɥɧɭɸɫɶ ȿɦɭɧɭɠɧɨɜɪɟɦɹɱɬɨɛɵɨɫɜɨɢɬɶɫɹ ȼɵ ɡɧɚɟɬɟ ɞɨɤɬɨɪ ɹ ɨɱɟɧɶ ɜɨɥɧɭɸɫɶ Ɉɧ ɧɟ ɡɚɜɨɞɢɬ ɞɪɭɡɟɣ ɢ ɨɧ ɧɟ ɫɥɢɲɤɨɦɥɚɞɢɬɫɨɦɧɨɣ« Ɍɟɛɟɧɟɤɚɠɟɬɫɹɱɬɨɭɜɫɟɯɩɨɧɚɫɬɨɹɳɟɦɭɡɚɦɟɱɚɬɟɥɶɧɵɯɥɸɞɟɣɛɵɥɨ ɬɪɭɞɧɨɟɞɟɬɫɬɜɨ" 5. Study the vocabulary used in the film to describe various features of character and paraphrase the underlined words in the sentences below with them, then translate the sentences into Russian: DEDQGRQHG XQFRPPXQLFDWLYH DEXVHG JRZLWKWKHIORZ KDYHDFXULRXVPLQG KDYHDERYHDYHUDJH LQWHOOLJHQFH YXOQHUDEOH LVRODWHG ZHOODGMXVWHG VXQQ\ $VXQOXFN\DV,ZDVLQFKLOGKRRG,ZDVYHU\YHU\OXFN\DVDZULWHU6RLQVWHDG RI EHFRPLQJ DQ DEOH WR DGDSW HDVLO\ QRUPDO SHUVRQ , EHFDPH D NLQG RI D GHUDQJHGVXFFHVVIXOSHUVRQ <RXVHHKH VEHHQGHVHUWHGHPRWLRQDOO\LOOWUHDWHGKH VFODVVLILHGDV³KDUGWR SODFH´+H VQHYHUKDGDIDPLO\RIKLVRZQ 8K ZLWKGUDZQ D WHQGHQF\ WR VWHDO WKLQJV LQDELOLW\ WR IRUP SHUVRQDO DWWDFKPHQWVRUGLVWLQJXLVKEHWZHHQULJKWDQGZURQJDQGKHWKLQNVKH VIURP RXWHUVSDFH 0\SRLQWLVWKDWQRWHYHU\ERG\LVERUQWREHDQRUGLQDU\KDSS\OLWWOH*DSNLG <RX UH RQH UHOHQWOHVVO\ SRVLWLYH LQGLYLGXDO «! $QG WKDW LV ZKDW ZH VR DGPLUHDERXW\RX 29 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 7KH VRFLDO ZRUNHU VD\V KH LV XQXVXDOO\ VPDUW EXW \RX NQRZ , JXHVV LW MXVW WDNHVWLPHIRUKLPWRDGMXVW <RX NQRZ 'HQQLV LV UHDOO\ LQTXLVLWLYH DQG , WKLQN KH MXVW UHDOO\ QHHGV ! VSHFLDODWWHQWLRQ +HMXVWJRWH[SHOOHGIURPVFKRROIRUVWHDOLQJDQGKH VDYHU\ORQHO\OLWWOHJX\ $QGZKHQKH VGHIHQVHOHVVDQGVFDUHGOLNHWKDW,PHDQZKHQKHWHOOVPHKH WKLQNVKH VJRQQDIORDWDZD\ 6. Read the lines of the lyrics of two songs from the film and comment on the possible contents and atmosphere of the film: Don’t Be Shy Satellite -XVWOHW\RXUIHHOLQJVUROORQE\ 6KLQLQ OLNHDZRUNRIDUW 'RQ WZHDUIHDU +DQJLQ RQDZDOORIVWDUV 2UQRERG\ZLOONQRZ $UH\RXZKDW,WKLQN\RXDUH" <RX UHKHUH <RX UHP\VDWHOOLWH /LIW\RXUKHDG <RX UHULGLQJZLWKPHWRQLJKW $QGOHW\RXUIHHOLQJVRXWLQVWHDG 3DVVHQJHU VLGH OLJKWLQJ WKH -XVWOHW\RXUIHHOLQJVUROORQE\ VN\ <RXNQRZORYH $OZD\V WKH ILUVW VWDU WKDW ,VEHWWHUWKDQDVRQJ ,ILQG /RYHLVZKHUHDOORIXVEHORQJ <RX¶UHP\VDWHOOLWH 6RGRQ WEHVK\ <RX¶UHP\VDWHOOLWH -XVWOHW\RXUIHHOLQJVUROORQE\ <RX¶UHP\VDWHOOLWH« :$7&+,1* 1. While watching the film fill in the gaps: (SLVRGH David talks with Dennis about fitting in. Fill in the gaps in the following dialogues. Be ready to discuss later how much it is important to be yourself and whether you need to pretend: David ,GRQ WNQRZLI,HYHUWROG\RXWKLVEXWZKHQ,ZDVDNLG,XVHGWRSUHWHQG OLNH,ZDVIURPBBBBBBBBBBBB 30 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD Dennis :K\GLG\RXGRWKDW" David :HOO,ZDVJRLQJWRDQHZVFKRRODQG,ZDVQHUYRXVDQG,ZDQWHGSHRSOHWR OLNH PH DQG \RX NQRZ , ZDV DIUDLG , ZRXOGQ W BBBBBBBBBB DQG DQ\ZD\ DIWHU D ZKLOH , OHDUQHG WR EH D OLWWOH ELW PRUH OLNH HYHU\ERG\ HOVH DQG WR BBBBBBBBBBBBD OLWWOH ELW $QG \RX NQRZ ZKDW" ,W ZDVQ W VR EDG ,W UHDOO\ ZDVQ WVREDG Dennis ,VLWJRRGWREHBBBBBBBBBBBB" David 7KDW V D UHDOO\ JRRG TXHVWLRQ 8P ZKLFK LV XVXDOO\ ZKDW DGXOWV VD\ ZKHQ WKH\GRQ WKDYHWKHDQVZHU,WKLQNZKDW VLPSRUWDQWULJKWQRZWRUHPHPEHU LVWKDW\RXQHHGWROHDUQBBBBBBBBBBBB Dennis $ERXWKXPDQBBBBBBBBBBBB David ([DFWO\ULJKW,QVWHDGRI\RXNQRZ Dennis +XPDQBBBBBBBBBBBB David :KLFK\RXDOUHDG\NQRZDORWDERXWULJKW" (SLVRGH David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ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE HPDERXWDOORIWKHKXPDQVWXIIZHOLNHWRGRDQG\RXNQRZLW OOEHRYHU EHIRUH\RXNQRZLWDQGHYHU\WKLQJZLOOEHILQH2ND\GHDO" Dennis &DXVHLI, PP\VHOIWKH\ZRQ WBBBBBBBBBBBBZLWK\RX David 1R 1R QR +H\ :KDWHYHU \RX VD\ LW V JRQQD EH RND\ , ORYH \RX YHU\ YHU\PXFK$K\RXJRW\RXUBBBBBBBBBBBBWKHUH%H\RXUVHOI 2. Provide the original for the following sentences: (SLVRGH Watch David discussing the problems with Dennis with Mr. Lefkowitz – a Child Services Authority Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰə ɧɟɦɧɨɝɨ ɨɛɟɫɩɨɤɨɟɧ ɦɢɫɬɟɪ Ƚɨɪɞɨɧ Ʉɚɠɟɬɫɹ ɜɵ ɫɬɪɚɞɚɟɬɟ ɨɬ ɫɢɧɞɪɨɦɚ ɤɨɬɨɪɨɦɭ ɩɨɞɜɟɪɠɟɧɵ ɦɧɨɝɢɟ ɩɪɢɺɦɧɵɟɪɨɞɢɬɟɥɢ Ⱦɚɜɢɞ Ɉɬɲɨɤɚ" Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰȼɵ ɬɚɤ ɫɬɚɪɚɟɬɟɫɶ ɩɨɞɪɭɠɢɬɶɫɹ ɫ ɪɟɛɺɧɤɨɦ ɱɬɨ ɡɚɛɵɜɚɟɬɟ ɨɪɨɥɢ ɪɨɞɢɬɟɥɹ Ⱥ Ⱦɟɧɧɢɫɭ ɫɟɣɱɚɫ ɧɭɠɟɧ ɪɨɞɢɬɟɥɶ ɨɬɟɰ ɨɛɪɚɡɟɰɞɥɹɩɨɞɪɚɠɚɧɢɹɤɨɬɨɪɵɣɩɨɦɨɠɟɬɟɦɭɫɩɭɫɬɢɬɶɫɹ ɫɧɟɛɟɫɧɚɡɟɦɥɸɈɧɨɩɹɬɶɩɨɞɜɨɪɨɜɵɜɚɟɬȿɝɨɢɫɤɥɸɱɢɥɢ ɢɡɲɤɨɥɵ Ⱦɚɜɢɞ ©ɂɫɤɥɸɱɢɥɢª ± ɫɥɢɲɤɨɦ ɪɟɡɤɨɟ ɫɥɨɜɨ Ɇɵ ɩɪɢɲɥɢ ɤɨɛɳɟɦɭɦɧɟɧɢɸɱɬɨɷɬɚɲɤɨɥɚɞɥɹɧɟɝɨɧɟɩɨɞɯɨɞɢɬ Ɇɢɫɬɟɪ ɅɟɮɤɨɜɢɰȾɚɧɨɦɟɧɹɬɨɠɟɧɭɠɧɨɛɵɥɨɫɩɪɨɫɢɬɶ Ⱦɚɜɢɞ Ⱦɢɪɟɤɬɨɪɧɟɨɫɬɚɜɢɥɚɦɧɟɜɵɛɨɪɚəɞɨɥɠɟɧɛɵɥɩɨɡɜɨɧɢɬɶ ɜɚɦɩɪɢɦɢɬɟɦɨɢɢɡɜɢɧɟɧɢɹ Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰəɩɨɫɬɚɜɥɸɜɨɩɪɨɫɨɩɟɪɟɫɦɨɬɪɟɜɚɲɟɝɨɞɟɥɚȼɚɦɫɨɨɛɳɚɬ ɩɨɩɨɱɬɟɇɟɩɪɨɜɨɠɚɣɬɟɦɟɧɹ Ⱦɚɜɢɞ Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰ ɹ ɭɜɟɪɟɧ ɱɬɨ ɧɚ ɜɫɟɣ ɡɟɦɥɟ ɧɢɤɬɨ ɧɟ ɩɨɥɸɛɢɬȾɟɧɧɢɫɚɫɢɥɶɧɟɟɱɟɦɹ Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰəɷɬɨɡɧɚɸ (SLVRGH Watch how Dennis is being interviewed by a panel of the Child Services Committee: 32 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD ɋɨɮɢ Ʉɚɤɬɵɩɟɪɟɧɺɫɩɟɪɟɯɨɞɢɡɲɤɨɥɵɜɲɤɨɥɭ" Ⱦɟɧɧɢɫ ɋɧɚɱɚɥɚ ɦɧɟ ɛɵɥɨ ɬɪɭɞɧɨ« ɧɨ ɜɚɠɧɨ ɱɬɨ ɧɟɥɶɡɹ ɩɪɹɬɚɬɶ ɝɨɥɨɜɭ ɜ ɩɟɫɨɤ« ɢ ɝɥɚɜɧɨɟ ± ɧɢɤɨɝɞɚ ɧɢɤɨɝɞɚ ɧɢɤɨɝɞɚ ɧɢɤɨɝɞɚ ɧɢɤɨɝɞɚ ɧɟ ɫɞɚɜɚɬɶɫɹ ɇɢɤɨɝɞɚ ɧɢɤɨɝɞɚ ɧɢɤɨɝɞɚ Ɍɚɤɫɤɚɡɚɥɍɢɧɫɬɨɧɑɟɪɱɢɥɥɶɩɨɦɨɟɦɭ« Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰ ɍɢɧɫɬɨɧ ɑɟɪɱɢɥɥɶ ɛɵɥ ɨɱɟɧɶ ɭɦɧɵɦ ɱɟɥɨɜɟɤɨɦ Ⱦɟɧɧɢɫ ɤɨɝɞɚɦɵɪɚɧɶɲɟɪɚɡɝɨɜɚɪɢɜɚɥɢɬɵɫɤɚɡɚɥɱɬɨɬɵɫɞɪɭɝɨɣ ɩɥɚɧɟɬɵ Ⱦɟɧɧɢɫ ɋɆɚɪɫɚ Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰ ɇɭɞɚɫɆɚɪɫɚ Ⱦɟɧɧɢɫ Ɂɟɩɩɟɪ ɧɢɤɢ ɜɚɜɨɤ Ɍɪɚɧɫ ɮɨɛɨ ɦɟɞɢɨ ɂɧɨɝɞɚ ɦɨɠɧɨ ɩɪɢɬɜɨɪɹɬɶɫɹɚɢɧɨɝɞɚɧɟɬ ɋɨɮɢ Ɍɚɤɬɵ«ɩɪɨɫɬɨɩɪɢɬɜɨɪɹɥɫɹ" Ⱦɟɧɧɢɫ ɍɝɭȺɩɨɬɨɦɹɧɚɱɚɥɡɚɧɢɦɚɬɶɫɹɮɢɡɢɤɨɣɢɩɨɧɹɥɱɬɨɦɵ ɜɪɚɳɚɟɦɫɹ ɜɨɤɪɭɝ ɫɨɥɧɰɚ ɫɨ ɫɤɨɪɨɫɬɶɸ ɦɢɥɶ ɜ ɱɚɫ ɢɧɚɫ ɭɞɟɪɠɢɜɚɟɬ ɝɪɚɜɢɬɚɰɢɹ Ɍɚɤ ɫ ɤɚɤɨɝɨ ɩɟɪɟɩɭɝɚ ɦɧɟ ɛɵɬɶ ɦɚɪɫɢɚɧɢɧɨɦ" ə ɩɪɨɫɬɨ ɧɟ ɜɩɢɫɵɜɚɥɫɹ Ⱥ ɩɨɬɨɦ ɹɧɚɭɱɢɥɫɹɛɵɬɶɬɚɤɢɦɤɚɤɜɫɟ Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰ Ⱦɟɧɧɢɫ ɷɬɨ ɦɢɫɬɟɪ Ƚɨɪɞɨɧ« ɷɷ« ɧɚɭɱɢɥ ɬɟɛɹ ɱɬɨ ɫɟɝɨɞɧɹɧɚɦɝɨɜɨɪɢɬɶ" Ⱦɟɧɧɢɫ Ɉɧɧɚɭɱɢɥɦɟɧɹɬɨɥɶɤɨɨɞɧɨɦɭ Ɇɢɫɬɟɪ Ʌɟɮɤɨɜɢɰ ɑɟɦɭɠɟ" Ⱦɟɧɧɢɫ ȿɫɥɢɨɬɛɢɜɚɟɲɶɬɪɢɪɚɡɚɢɡɞɟɫɹɬɢɬɨɬɵɡɜɟɡɞɚȺɟɫɥɢɬɵ ɢɝɪɚɟɲɶɱɭɬɨɱɤɭɥɭɱɲɟ«ɯɨɬɶɱɭɬɨɱɤɭɬɨɬɵɫɭɩɟɪɡɜɟɡɞɚ ɂɬɟɛɟɩɨɞɧɨɫɹɬɤɨɮɟȽɨɪɹɱɢɣɤɨɮɟ 3. Say if the following statements are true or false. Correct the false ones: 'DYLG*RUGRQLVDVLQJOHPDQZKRVHJLUOIULHQGKDVMXVWOHIWKLP 'DYLG *RUGRQ XVHG WR EH D ZHLUG FKLOG ZKR LPDJLQHG KLPVHOI WR EH IURP DQRWKHUSODQHW 'HQQLVKLGHVXQGHUWKHEHGEHFDXVHKHLVDIUDLGRIPRQVWHUV 33 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 'DYLG¶VVLVWHU/L]WKLQNVSDUHQWLQJLVKDUGZRUNDVVKHKHUVHOILVDVLQJOHPRP ZLWKWKUHHFKLOGUHQ 'HQQLV¶SDUHQWVDEDQGRQHGKLPEHFDXVHKHZDVGLIILFXOW 'HQQLVKDVEHORZDYHUDJHLQWHOOLJHQFH 'HQQLVUHDOO\WKLQNVKHLVIURP0DUV 'DYLG¶VJLUOIULHQG+DUOHHLVVNHSWLFDODERXWKLPDGRSWLQJDFKLOG 'HQQLVKDVDWHQGHQF\WRVWHDOWKLQJVDQGKLWRWKHUFKLOGUHQVRKHJHWVH[SHOOHG IURPVFKRRO 'HQQLVWKLQNV0DUWLDQVZLOOFRPHWRJHWKLPEDFNZKHQKLVPLVVLRQLVRYHU 4. Be ready to discuss the following questions: :K\ GLG 'DYLG EHFRPH D VFLHQFHILFWLRQ ZULWHU LQ KLV RZQ RSLQLRQ" :KDW GR ZHNQRZDERXWKLVFKLOGKRRGDQGIDPLO\" :K\GRHV'DYLGWKLQN'HQQLVLVWKHULJKWFKLOGIRUKLPWRDGRSW" :KDWGRHV'HQQLVGRWKDWPDNHVRWKHUVWKLQNKLPZHLUG"0DNHDOLVW :K\ LV EDVHEDOO VLJQLILFDQW IRU WKH GHYHORSPHQW RI WKH UHODWLRQVKLS EHWZHHQ 'DYLGDQG'HQQLV" :KDWSUREOHPVGRHV'HQQLVIDFHZLWKDWVFKRRO" :KDWLVD0DUWLDQZLVK"+RZLVLWLPSRUWDQWIRUWKHVWRU\" :KDWLV'HQQLV¶PLVVLRQRQRXUSODQHW":K\GRHVKHGHFLGHWKDWKLVPLVVLRQLV RYHU":KDWGRHVKHPDNHDQGZKHUHGRHVKHJRDQGZK\" :KDWLV'DYLG¶VILUVWERRNDERXW"+RZDQGZK\GRHVKHFKDQJHWKHVXEMHFWRI WKHVHFRQGERRN" 5. Study the contexts in which the following synonyms of the word “strange” are used in the film. Comment on the differences in their meaning: RGGEDOO FUD]\ ZHLUG ZHLUGR QRWOLNHWKHRWKHUV RXWRIRQH¶VPLQG HFFHQWULF VWUDQJH UHWDUG 7KHUH VRQHLQHYHU\JURXSRQHRGGEDOO±ZKRQHYHUILWVLQ /L] WKLQNV , P FUD]\ \RX NQRZ" , PHDQ ZKDW LI VKH V ULJKW \RX NQRZ" :KDWLI, P:KDWLI, PQRWXSWRLW" 34 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD <HDKZHOOWKHUHZDVVRPH79PRYLHDQGWKH\ZHUHFUD]\ <RXWRXFKWKHSODWH&RPHRQ\RX UHDOHIW\<RX UHZHLUG\RX UHHFFHQWULF QRERG\XQGHUVWDQGV\RX +H\WKHUH VQRKDUPLQEHLQJDOLWWOHHFFHQWULF :KLFK RQH V \RXUV" ± 2YHU RII RQ WKH VLGH WKHUH KDQJLQJ XSVLGH GRZQ ± :HLUGR±,NQRZ ,NQRZ\RXVHHDORWRI\RXUVHOILQKLPEXW'DYLG,ZDVWKHUH<RXZHUH ZHLUGDQG\RXKDGSUREOHPVEXWWKLVNLGLVLQDZKROHRWKHUOHDJXH 7KDW VZKHQ,VWDUWHGZHDULQJP\UDLQERZFRORUHGOHJZDUPHUVHYHU\GD\ 3UHWW\PXFKVROLGLILHGP\UROHDVWKHZHLUGJLUOZKRVDWLQWKHEDFNRIFODVV GUDZLQJ6PXUIVXQWLOQLQWKJUDGH ,VQ WWKDWVWUDQJH",VQ WWKDWZHLUG",VQ WWKDWZHLUGHQRXJK" )RU VRPH UHDVRQ 'HQQLV DQG , UHDFKHG RXW LQWR WKH XQLYHUVH DQG IRXQG HDFKRWKHU:H OOQHYHUUHDOO\NQRZKRZRUZK\DQGGLVFRYHUHGWKDW,FDQ ORYHDQDOLHQDQGKHFDQORYHDFUHDWXUHDQGWKDW VZHLUGHQRXJKIRUERWKRIXV +H VDZHLUGR+HGRHVQ WKDYHDQ\IULHQGV +H VDVZHHWOLWWOHER\±<HDK±%XWXKKH VQRWOLNHWKHRWKHUV , PWKLQNLQJ,PXVWEHRXWRIP\PLQG +H\UHWDUG±<HDKZHVHH\RX 6. Agree or disagree with the following ideas expressed in the film. Give arguments to support your opinion: 3DUHQWLQJLVUHDOO\KDUG,W¶VKDUGDQG\RXQHHGDWOHDVWWZRSHRSOH±:HOO \RXNQRZZHKDG0RPDQG'DG:HKDGWZRSHRSOHDQGWKH\KDWHGEHLQJ SDUHQWV, PMXVWVD\LQJWKHUHDUHQRJXDUDQWHHV7KHUH¶VSOHQW\RIVLQJOHSDUHQWV $ NLG ZKR VLWV LQ D ER[ DOO GD\ LV D JLDQW UHG IODJ DOO ULJKW" ,W¶V OLNH WKH HTXLYDOHQWRIEX\LQJDXVHGFDUDQGLJQRULQJWKHRLOVSLOOLQWKHGULYHZD\ 7KH WKLQJ DERXW NLGV LV WKDW WKH\ NHHS FRPLQ¶ DW \RX 7KH\ UH OLNH PRVTXLWRHV VXFNLQ¶ WKH OLIH RXW RI \RX 7KH\ WDNH DZD\ \RXU OLIH \RXU SULYDF\ \RXU LGHQWLW\ ± , ZDQW WR GR VRPHWKLQJ PHDQLQJIXO \RX NQRZ" $QG,JHWDOOWKHDUJXPHQWVDJDLQVWLW,HYHQJHWWKHRQHWKDWVD\V³,GRQ¶W 35 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE NQRZLI,ZDQWWREULQJDQRWKHUNLGLQWRWKLVZRUOG´%XWKRZGR\RXDUJXH ZLWKWKHORJLFRIORYLQJRQHWKDW¶VDOUHDG\KHUH" 2QH RI WKH WKLQJV ,¶YH OHDUQHG DERXW IDQWDV\ LV WKDW LW FDQ EH D VXUYLYDO WHFKQLTXH NLQG RI D FRSLQJ PHFKDQLVP D ZD\ WR GHDO ZLWK SUREOHPV WKDW DUH ELJJHU WKDQ \RX¶UH FDSDEOH RI GHDOLQJ ZLWK 7KH VKRUW DQVZHU LV WU\ WR ILQGWKDWEDODQFHEHWZHHQVRFLDOL]LQJKLPDQGOHWWLQJKLPEHZKRKHLV6R RQWKHRQHKDQGKHOSKLPRXWDVPXFKDV,FDQDQGRQWKHRWKHUKDQGXKLI KHZDQWVWREHOLHYHKH¶VIURPDQRWKHUSODQHWZKRDP,WRDUJXH" 7KLV LVQ¶W VFLHQFH ILFWLRQ 7KLV LVQ¶W D VKRUW VWRU\ 9HU\ RIWHQ ZLWK RXU FKLOGUHQZHGRQ¶WJHWWRKDYHDVHFRQGGUDIW , WKLQN LW¶V WLPH WR JHW \RX RXW RI WKH KRXVH /LVWHQ LPDJLQDWLRQ LV D UDUH FRPPRGLW\ 'HQQLV KDV WKH VRXO RI DQ DUWLVW +H FRXOG JURZ XS WR EH DSURGLJ\OLNH<RXVDZ$PDGHXV+HFRXOGEHDOLWWOH0R]DUWLQZDLWLQJ IRUDOO\RXNQRZ 0\SRLQWLVWKDWQRWHYHU\ERG\LVERUQWREHDJRZLWKWKHIORZKDSS\OLWWOH *DSNLG 0R]DUWE\WKHZD\GLHGLQDKRYHODW6XUHZHDOOHQMR\HGKLVPXVLF EXWGLGKHHQMR\KLPVHOI" <RXNQRZ'DYLGDVIDUDV,¶PFRQFHUQHGWKH\¶UHDOOIURP0DUV$WOHDVW \RXUNLGDGPLWVLW $OOSDUHQWVIHHOOLNHWKH\¶UHWKHEOLQGOHDGLQJWKHEOLQG :KHQ,ZDVDOLWWOHER\OLNH\RX,XVHGWRWKLQNZKHQ\RXORVWVRPHERG\ WKH\ZRXOGJRXSWKHUHLQWKHVWDUVDQG\RXFDQ¶WVHHµHPDQ\PRUHEXW\RX FDQWDONWRµHPDQGWKH\FDQKHDU\RX:KHQ\RXORYHVRPHERG\LW¶VUHDOO\ KDUGZKHQ\RXFDQ WVHHµHPDQ\PRUH 6RPHWLPHVZHIRUJHWWKDWFKLOGUHQKDYHMXVWDUULYHGRQWKHHDUWK7KH\DUH DOLWWOHOLNHDOLHQVFRPLQJLQWREHLQJDVEXQGOHVRIHQHUJ\DQGSXUHSRWHQWLDO KHUH RQ VRPH NLQG RI H[SORUDWRU\ PLVVLRQ DQG WKH\¶UH MXVW WU\LQJ WR OHDUQ ZKDWLWPHDQVWREHKXPDQ 7. Comment on the filming techniques used in the film. What purpose do they serve? 36 PROBLEMATIC ISSUES OF UPBRINGING IN THE MODERN WORLD 3267:$7&+,1* 1. Think of the following aspects related to the film: 6KRXOGSDUHQWVDQGFKLOGUHQEHIULHQGV",VWKHUHDQ\GLIIHUHQFHEHWZHHQEHLQJ DSDUHQWDQGEHLQJDIULHQG":KDWLVLW" +RZ FDQ SDUHQWV PDNH WKHLU FKLOGUHQ KDSS\" :KDW VKRXOG WKH\ WHDFK WKHLU FKLOGUHQ" 6KRXOG HYHU\RQH EH WKH VDPH LQ WKH IDPLO\VFKRROJURXS RI IULHQGV HWF " 6KRXOG\RXVWRSEHLQJ\RXUVHOIWRILWLQ" :KDWFDQSDUHQWVGRWRKHOSWKHLUFKLOGUHQWRILWLQ" 6KRXOGSDUHQWVDOZD\VXQFRQGLWLRQDOO\VXSSRUWWKHLUFKLOGUHQ":LOOLWOHDGWR XQUXOLQHVVRIWKHFKLOGUHQ" 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the film. 3. Write a review of the film for other viewers. 4. Think of any Russian films related to this topic.<RXPD\KDYHVHHQVXFKILOPV DV ©Ɇɚɱɟɯɚª ©Ⱦɟɬɢ ȾɨɧɄɢɯɨɬɚª ©Ɇɨɣ ɥɸɛɢɦɵɣ ɤɥɨɭɧª :KDWVLPLODULWLHVDQGGLIIHUHQFHVLQWUHDWLQJWKLVWRSLFGR\RXVHH" 5. A. In 10 minutes in groups of 2-4 students think of the question “Why Bring a Child into this World?”+DOIWKHJURXSVVKRXOGEUDLQVWRUPDVPDQ\DUJXPHQWVLQ IDYRXURIWKLVGHFLVLRQDQGKDOIRIWKHPDJDLQVWEULQJLQJDFKLOGLQWRWKLVZRUOGLQ RUGHUWRWU\WRFRQYLQFHDVWXGHQWIURPDQRWKHUJURXSZLWKDQRSSRVLQJRSLQLRQRI WKHFDVH7KHQGLVFXVVWKHPRVWFRQYLQFLQJDUJXPHQWVDQGGHFLVLRQV B. Watch a short film titled “Why Bring a Child into this World?” commissioned by Unilever (an Anglo-Dutch multi-national consumer goods company) and directed by Oscar-winning director Errol Morris (https://www.youtube.com/watch?v=IP29OG_EkgA) and do the following tasks: :KDWDUHWKHSRVLWLYHDQGQHJDWLYHVDVSHFWVRIWKLVZRUOGZKLFKPD\EHIDFWRUV LQGHWHUPLQLQJZKHWKHUWREULQJDFKLOGLQWRWKLVZRUOGZKLFKDUHPHQWLRQHGLQ WKHILOP"$UHWKH\WKHVDPHRUGLIIHUHQWIURPZKDW\RXKDYHWKRXJKWRI" /RRNIRUDQGHQXPHUDWHDQ\YLVXDOUHSUHVHQWDWLRQVRIWKHDUJXPHQWVWKHFRXSOHV LQWKHILOPXVHGLQIDYRXURIDQGDJDLQVWEULQJLQJDFKLOGLQWRWKHZRUOG ,V WKH ILOP¶V PHVVDJH WKDW ZH VKRXOG RU VKRXOG QRW EULQJ FKLOGUHQ LQWR WKLV ZRUOG" 37 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ,VWKHPHVVDJHRSWLPLVWLFRUSHVVLPLVWLF" +RZGLGWKHILOPPDNH\RXIHHO"'LGLWPDNH\RXFKDQJH\RXUPLQG" C. How important is the fact that the film was commissioned by a multi-national company? Does it influence your opinion of the film? What do you think Project Sunlight is? Find out. What do you think of it? The response to the film has been very positive in general. However, there has been some criticism. Work in pairs (Student A or Student B). Read the YouTube Comments: A in favour of the ad and B against the ad. After reading your comment, role play a discussion about the ad between the 2 people. 6WXGHQW $ ± ,Q IDYRXU ³9HU\ 6WXGHQW % ± $JDLQVW ³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´ VXVWDLQDEOHOLIHVW\OHVDQGDUHDSRZHUIXO LQIOXHQFH RQ SDUHQWV FKDQJLQJ WKHLU EHKDYLRU 7KLV YLGHR ZDV XSORDGHG RQ 1RYDQGKDVDOUHDG\JHQHUDWHGRYHU PLOOLRQ YLHZV ± LW LV ERXQG WR EH YLUDO´ 6. Write an argumentative essay XS WR ZRUGV RQ WKH WRSLF ³,W LV EHWWHU WR DGRSWDFKLOGWKDQWREULQJDQRWKHURQHLQWRWKLVZRUOG´3URYLGH\RXUDUJXPHQWV IRU RU DJDLQVW WKLV VWDWHPHQW 8VH LGHDV DQG LQIRUPDWLRQ SURYLGHG LQ WKH IHDWXUH ILOPDQGLQWKHVKRUWILOP³:K\%ULQJD&KLOGLQWRWKLV:RUOG"´)RULQVWDQFHLQ WKHILOP'DYLGVD\V³,ZDQWWRGRVRPHWKLQJPHDQLQJIXO\RXNQRZ"$QG,JHW DOOWKHDUJXPHQWVDJDLQVWLW,HYHQJHWWKHRQHWKDWVD\V,GRQ WNQRZLI,ZDQW WREULQJDQRWKHUNLGLQWRWKLVZRUOG%XWKRZGR\RXDUJXHZLWKWKHORJLFRI ORYLQJRQHWKDW VDOUHDG\KHUH"´ 38 %5,7,6+$57 ),/0%5,7,6+3$,17,1* 7+(1$7,21$/*$//(5<&2//(&7,21 British Painting (1700-1850) OHQJWK ± LV D KLJKO\ LQIRUPDWLYH DQG ZHOORUJDQL]HGGRFXPHQWDU\PDGHE\WKH1DWLRQDO*DOOHU\7KLVYLGHRJXLGHLVULFK LQ FRQWH[WXDO DQG EDFNJURXQG LQIRUPDWLRQ WKXV KHOSLQJ WKH YLHZHUV QRW RQO\ WR XQGHUVWDQG ZK\ WKH DUWLVWV RI WKDW SHULRG ZHUH FRQVLGHUHG WR EH UHYROXWLRQDULHV EXW DOVRSURYLGLQJWKHUHDVRQVIRUVXFKDQRSLQLRQ 35(:$7&+,1* 1. Find information about the following: QDPHV$QWKRQ\YDQ'\FN9HOD]TXH]7LQWRUHWWR+DQV+ROEHLQWKH<RXQJHU &RORQHO%DQDVWUH7DUOHWRQ3HWHU3DXO5XEHQV6DUDK6LGGRQV8O\VVHV SKHQRPHQD WKH 5R\DO $FDGHP\ RI $UWV &RYHQW *DUGHQ 7KH *LQ $FW RI +XJXHQRWVDJRRG6DPDULWDQWKH*UDQG7RXU 2. Basic words and word combinations to the topic “Painting” (in order of appearance): DYDQWJDUGHDUW±ɧɚɩɪɚɜɥɟɧɢɟɜɢɫɤɭɫɫɬɜɟɜɨɫɧɨɜɟɤɨɬɨɪɨɝɨɥɟɠɢɬɨɬɤɚɡ ɨɬɬɪɚɞɢɰɢɨɧɧɨɫɬɢɢɷɤɫɩɟɪɢɦɟɧɬɵɫɧɨɜɵɦɢɨɛɪɚɡɚɦɢ WHFKQLFRORXU±ɹɪɤɢɣɠɢɜɨɣɫɨɱɧɵɣ FDWFKWKHFROOHFWLQJEXJ±ɩɪɢɫɬɪɚɫɬɢɬɶɫɹɤɤɨɥɥɟɤɰɢɨɧɢɪɨɜɚɧɢɸ SHQXOWLPDWHSDLQWLQJ±ɩɪɟɞɩɨɫɥɟɞɧɹɹɤɚɪɬɢɧɚ WKH WZR DSSURDFKHV GRQ¶W DOZD\V VLW FRPIRUWDEO\ WRJHWKHU ± ɞɜɚ ɩɨɞɯɨɞɚ ɧɟ ɜɫɟɝɞɚɯɨɪɨɲɨɫɨɱɟɬɚɸɬɫɹ WKHFRPSRVLWLRQLVIUDJPHQWHG±ɤɨɦɩɨɡɢɰɢɹɥɢɲɟɧɚɰɟɥɨɫɬɧɨɫɬɢ UHDOOLIHREVHUYDWLRQ±ɧɚɛɥɸɞɟɧɢɹɡɚɪɟɚɥɶɧɨɣɠɢɡɧɶɸ DUWSDWURQV±ɩɨɤɪɨɜɢɬɟɥɢɢɫɤɭɫɫɬɜɚ IORRGRIFRPPLVVLRQV±ɛɨɥɶɲɨɟɤɨɥɢɱɟɫɬɜɨɧɨɜɵɯɡɚɤɚɡɨɜ ODUJHVFDOHGHFRUDWLRQV±ɤɚɪɬɢɧɵɛɨɥɶɲɨɝɨɪɚɡɦɟɪɚ 39 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE VHQVXRXVVHUSHQWLQHOLQHV±ɱɭɜɫɬɜɟɧɧɵɟɢɡɜɢɜɚɸɳɢɟɫɹɥɢɧɢɢ XQDWWUDFWLYHFXUYLQJIRUPV±ɧɟɩɪɢɜɥɟɤɚɬɟɥɶɧɵɟɢɡɨɝɧɭɬɵɟɮɨɪɦɵ FRPPLVVLRQDSRUWUDLW±ɡɚɤɚɡɚɬɶɩɨɪɬɪɟɬ OLJKWLQJHIIHFWV±ɫɜɟɬɨɜɵɟɷɮɮɟɤɬɵ FDQGOHOLJKWSDLQWLQJ±ɬɢɩɠɢɜɨɩɢɫɢɩɪɢɤɨɬɨɪɨɦɫɜɟɱɚɹɜɥɹɟɬɫɹ ɟɞɢɧɫɬɜɟɧɧɵɦɢɫɬɨɱɧɢɤɨɦɨɫɜɟɳɟɧɢɹɧɚɤɚɪɬɢɧɟ PDLQVWUHDPSURGXFWLRQ±ɩɪɨɢɡɜɨɞɫɬɜɨɪɚɫɫɱɢɬɚɧɧɨɟɧɚɲɢɪɨɤɭɸɚɭɞɢɬɨɪɢɸ HPSKDVL]HKLVILQHFDOI±ɩɨɞɱɟɪɤɢɜɚɬɶɟɝɨɢɡɹɳɧɭɸɢɤɪɭ FRLO±ɢɡɜɢɜɚɬɶɫɹ EUXVKVWURNHV±ɦɚɡɤɢɤɢɫɬɢ JURXQGEUHDNLQJ WHFKQLTXH ± ɢɧɧɨɜɚɰɢɨɧɧɚɹɩɪɢɧɰɢɩɢɚɥɶɧɨ ɧɨɜɚɹ ɬɟɯɧɢɤɚ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian: $UJXDEO\ WKRXJK WKH PDLQ FKDUDFWHU LQ WKLV VFHQH LV WKH VN\ LQ SDUWLFXODU WKH FORXGVOLWXSE\WKLVWHFKQLFRORXUVXQULVH ,Q WKH SHQXOWLPDWH SDLQWLQJ ZH VHH WKH \RXQJ FRXQWHVV RQ KHU NQHHV EHJJLQJ IRUJLYHQHVVIRUZKDWVKHKDVGRQH +RJDUWK¶VZRUNIRU6W%DUWKRORPHZ¶VGLGQRWKRZHYHUZLQRYHUHYHU\RQHZKR VDZLWKHGLGQ¶WUHFHLYHDIORRGRIQHZFRPPLVVLRQVIRUVXEMHFWVRIWKLVVRUW QRU ZHUH %ULWLVK DUW SDWURQV DSSDUHQWO\ PRUH FRQYLQFHG WKDW QDWLYH SDLQWHUV ZHUHWKHULJKWFKRLFHIRUWKLVVRUWRIODUJHVFDOHGHFRUDWLRQ ,QKLV³$QDO\VLVRI%HDXW\´+RJDUWKWULHGWRGHILQHMXVWZKDWLWLVWKDWPDNHV VRPHWKLQJORRNEHDXWLIXO)RUKLPVHQVXRXVVHUSHQWLQHOLQHVZHUHDNH\IDFWRU +HVDZWKHPDVDIRUPWKDWRFFXUUHGHYHU\ZKHUHLQQDWXUHDQGLQGHHG\RXFDQ VHHWKHPLQPDQ\RIKLVSDLQWLQJV ,URQLFDOO\LWZDVSUHFLVHO\WKLVQHZUDGLFDOWHFKQLTXHWKDWZRXOGOHDGWR%ULWLVK DUWLVWVILQDOO\LPSUHVVLQJWKH)UHQFKVRPHWKLQJWKDW5H\QROGVKDGZDQWHGKLV ZKROHOLIH 40 BRITISH ART 4. Translate the following sentences using the words and word combinations from Point 2 above into English: ɇɚ ɫɚɦɨɦ ɞɟɥɟ ɤɚɪɬɢɧɚ ©Ɍɟɥɟɝɚ ɞɥɹ ɫɟɧɚª ɜ ɫɜɨɟ ɜɪɟɦɹ ɛɵɥɚ ɩɪɢɦɟɪɨɦ ɚɜɚɧɝɚɪɞɚɉɟɣɡɚɠɢɄɨɧɫɬɟɛɥɹɪɚɫɫɦɚɬɪɢɜɚɥɢɫɶɜɤɚɱɟɫɬɜɟɧɨɜɨɣɢɞɚɠɟ ɲɨɤɢɪɭɸɳɟɣɮɨɪɦɵɢɫɤɭɫɫɬɜɚ ɑɚɫɬɢɱɧɨɷɬɚɤɚɪɬɢɧɚɩɪɟɞɫɬɚɜɥɹɟɬɫɨɛɨɣɢɫɫɥɟɞɨɜɚɧɢɟɜɵɪɚɡɢɬɟɥɶɧɨɫɬɢ ɫɜɟɬɨɜɵɯ ɷɮɮɟɤɬɨɜ Ɋɚɣɬ -RVHSK :ULJKW ɢɧɬɟɪɟɫɨɜɚɥɫɹ ɪɚɡɧɨɜɢɞɧɨɫɬɶɸ ɠɢɜɨɩɢɫɢɝɞɟɫɜɟɱɚɹɜɥɹɥɚɫɶɟɞɢɧɫɬɜɟɧɧɵɦɢɫɬɨɱɧɢɤɨɦɫɜɟɬɚ Ɉɞɧɚɤɨ Ⱦɠɨɡɟɮ Ɋɚɣɬ ɧɟ ɩɪɢɧɚɞɥɟɠɚɥ ɤ ɦɚɫɫɨɜɨɦɭ ɛɪɢɬɚɧɫɤɨɦɭ ɢɫɤɭɫɫɬɜɭ ɨɧ ɩɨɫɫɨɪɢɥɫɹ ɫ ɱɥɟɧɚɦɢ Ⱥɤɚɞɟɦɢɢ ɜɫɤɨɪɟ ɩɨɫɥɟ ɬɨɝɨ ɤɚɤ ɜɫɬɭɩɢɥɜɟɟɪɹɞɵ ȿɝɨɩɨɡɚɛɵɥɚɫɤɨɩɢɪɨɜɚɧɚɫɤɧɢɝɩɨɷɬɢɤɟɬɭɜɤɨɬɨɪɵɯɪɚɫɫɤɚɡɵɜɚɥɨɫɶ ɨɬɨɦɤɚɤɜɵɝɥɹɞɟɬɶɧɟɩɪɢɧɭɠɞɟɧɧɵɦɈɧɚɬɚɤɠɟɩɨɡɜɨɥɹɟɬɩɨɞɱɟɪɤɧɭɬɶ ɢɡɹɳɧɵɟ ɢɤɪɵ ɤɨɬɨɪɵɟ ɫɱɢɬɚɥɢɫɶ ɜɚɠɧɨɣ ɱɚɫɬɶɸ ɢɞɟɚɥɚ ɦɭɠɫɤɨɣ ɤɪɚɫɨɬɵɜ;9,,,ɜɟɤɟ ɗɬɚ ɤɚɪɬɢɧɚ ɹɜɥɹɟɬɫɹ ɨɪɢɝɢɧɚɥɶɧɨɣ ɧɟ ɬɨɥɶɤɨ ɫ ɬɨɱɤɢ ɡɪɟɧɢɹ ɟɟ ɫɨɞɟɪɠɚɧɢɹ ɋɩɨɫɨɛ ɧɚɧɟɫɟɧɢɹ ɤɪɚɫɤɢ ɬɚɤɠɟ ɫɱɢɬɚɥɫɹ ɩɪɢɧɰɢɩɢɚɥɶɧɨ ɧɨɜɵɦ 5. Match the proverbs in the first line with their definitions from the second line. Provide Russian equivalents: )DPLOLDULW\EUHHGV 3UDFWLFHZKDWRQH <RXFDQ¶WPDNHDVLON FRQWHPSW SUHDFKHV SXUVHRXWRIDVRZ¶VHDU RQHVKRXOGEHUHDG\WR ,I\RXNQRZVERUVWKWRR LW¶VQRWSRVVLEOHWRFUHDWH GRZKDWKHUHFRPPHQGV ZHOOLWPD\OHDGWRODFN VWKJRRGRQWKHEDVLVRI RWKHUVWRGR VWKEDG RIUHVSHFWWRZDUGVWKHP 6. The film was made by the British National Gallery. Provide some facts about this museum. 41 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE :$7&+,1* 1. While watching the film fill in the gaps: ± 7KLVLVRQHRIWKHEHVWNQRZQSDLQWLQJVLQWKH1DWLRQDO *DOOHU\¶VFROOHFWLRQBBBBBBBBBBBBE\-RKQ&RQVWDEOH,W¶VDQBBBBBBBBBBBB VFHQH WKDW KH ILUVW H[KLELWHG LQ BBBBBBBBBBBB $ FDUW PHDQGHUV WKURXJK WKH VKDOORZZDWHUVRIWKHULYHURQLWVZD\WRJDWKHUBBBBBBBBBBBBIURPZRUNHUV ZKRDSSHDUDVBBBBBBBBBBBBGRWVLQWKHILHOGRQWKHBBBBBBBBBBBBVLGH,W¶VD KRWVXPPHU¶VGD\DQG\RXFDQBBBBBBBBBBBBWKDWWKHKHDY\VWLOODLUVRRQZLOO EHUHIUHVKHGE\UDLQDVJDWKHULQJLQWKHFORXGVRYHUKHDG0DQ\YLVLWRUVWRWKH *DOOHU\ORYHWKLVSDLQWLQJLW¶VDEHDXWLIXOBBBBBBBBBBBBYLHZRIWKH(QJOLVK BBBBBBBBBBBB ± ,WDOVRSHUKDSVIHHOVBBBBBBBBBBBBWRSHRSOHEHFDXVHVR PDQ\RIXVKDYHOLYHGZLWKWKLVSDLQWLQJLQWKHIRUPRIDSULQWRQRXUZDOOVRU RQDWHDBBBBBBBBBBBBRUGHFRUDWLYHSODWH2IFRXUVHWKLVYHU\IDPLOLDULW\KDV BBBBBBBBBBBB D FHUWDLQ GHJUHH RI FRQWHPSW LQ VRPH PLQGV WRR 7KH +D\ :DLQLVDSDLQWLQJWKDWVHHPVQRZWRBBBBBBBBBBBBWUDGLWLRQ)RUTXLWHDIHZ DUWORYHUVLWLVVDIHDQGBBBBBBBBBBBBWKHSDLQWLQJWKDWODXQFKHGDWKRXVDQG WDEOHPDWV ± %XWDVZHORRNDURXQGWKHBBBBBBBBBBBBURRPVDWWKH 1DWLRQDO*DOOHU\LW¶VFOHDUWKDWWKHZDOOVDUHQRWBBBBBBBBBBBBZLWKSDLQWLQJV RIJUDQGKLVWRULFDORUBBBBBBBBBBBBWKHPHV,QVWHDGSRUWUDLWVDQGODQGVFDSHV GRPLQDWH WKH BBBBBBBBBBBB :H VHH DQLPDOV WRR 7KLV KXJH SRUWUDLW RI WKH UDFH KRUVH :KLVWOHMDFNHW LV D SDUWLFXODUO\ BBBBBBBBBBBB H[DPSOH %ULWLVK DUW EX\HUVLQWKHWKFHQWXU\ORYHGWRRZQSLFWXUHVRIDQLPDOVDQGLIWKH\KDGWKH BBBBBBBBBBBBPHDQVZRXOGBBBBBBBBBBBBSRUWUDLWVRIWKHLUIDYRXULWHV ± /RUG5RFNLQJKDPKLUHGWKHJUHDWKRUVHSDLQWHU*HRUJH 6WXEEV WR BBBBBBBBBBBB KLV VWDOOLRQ LQ BBBBBBBBBBBB +H¶V FDSWXUHG ZLWK H[WUDRUGLQDU\ UHDOLVP KLV BBBBBBBBBBBB IODQNV VWDQGLQJ RXW BBBBBBBBBBBB WKHEDFNJURXQGOHIWGHOLEHUDWHO\SODLQ6WXEEVKDVFRQWUDVWHGDFRQWUROOHGPRYH 42 BRITISH ART ZKHUH WKH KRUVH KDV EHHQ WUDLQHG WR BBBBBBBBBBBBRQ KLV EDFN OHJV ZLWK WKH VHQVHRIZLOGQHVVLQKLVH\HVDQGIODULQJQRVWULOV ± %OHQGLQJ HOHPHQWV IURP BBBBBBBBBBBB SDLQWLQJ ZLWK SRUWUDLWXUHZDVDBBBBBBBBBBBBWKDWFRXOGZRUNIRUPDOHBBBBBBBBBBBBWRR &RORQHO%DQDVWUH7DUOHWRQIRXJKWRQWKH%ULWLVKVLGHLQWKH$PHULFDQ:DURI ,QGHSHQGHQFHDQGE\DOOBBBBBBBBBBBBZDVDBBBBBBBBBBBBDQGVRPHWLPHVD EUXWDO FRPPDQGHU ,Q 5H\QROGV¶V SRUWUDLW KRZHYHU KH DSSHDUV DV DQ BBBBBBBBBBBB RI FDOP UHVROXWLRQ LQ WKH PLGVW RI WKH VPRNH DQG FKDRV RI EDWWOH+LVERG\LVBBBBBBBBBBBBDURXQGLWVHOIDVLIKHLVUHDG\LQJKLPVHOIWR VSULQJLQWRDFWLRQIRUKLVFRXQWU\ 2. Provide the original for the following sentences: ± Ⱦɚɠɟ ɧɟɫɦɨɬɪɹ ɧɚ ɬɨ ɱɬɨ ɜɫɟ ɛɨɥɶɲɟ ɢ ɛɨɥɶɲɟ ɩɪɟɞɫɬɚɜɢɬɟɥɟɣɧɟɤɨɬɨɪɵɯɝɪɭɩɩɨɛɳɟɫɬɜɚɯɨɬɟɥɢɩɪɢɨɛɪɟɫɬɢɩɪɟɞɦɟɬɵ ɢɫɤɭɫɫɬɜɚɢɪɚɫɩɨɥɚɝɚɥɢɫɪɟɞɫɬɜɚɦɢɞɥɹɷɬɨɝɨɜɧɚɱɚɥɟ;9,,,ɜɟɤɚɩɟɪɟɞ ɦɧɨɝɢɦɢ ɛɪɢɬɚɧɫɤɢɦɢ ɯɭɞɨɠɧɢɤɚɦɢ ɜɫɟ ɟɳɟ ɫɬɨɹɥɚ ɛɨɥɶɲɚɹ ɩɪɨɛɥɟɦɚ Ɂɧɚɱɢɬɟɥɶɧɚɹ ɱɚɫɬɶ ɢɯ ɩɨɬɟɧɰɢɚɥɶɧɵɯ ɩɨɤɪɨɜɢɬɟɥɟɣ ɜ ɩɪɢɧɰɢɩɟ ɧɟ ɯɨɬɟɥɢ ɩɨɤɭɩɚɬɶ ɭ ɧɢɯ ɱɬɨɥɢɛɨ ɋɭɳɟɫɬɜɨɜɚɥɨ ɦɧɟɧɢɟ ɱɬɨ ɛɪɢɬɚɧɫɤɨɟ ɢɫɤɭɫɫɬɜɨɩɪɨɜɢɧɰɢɚɥɶɧɨɢɥɭɱɲɟɩɨɬɪɚɬɢɬɶɫɜɨɢɞɟɧɶɝɢɧɚɡɚɪɭɛɟɠɧɵɟ ɩɪɨɢɡɜɟɞɟɧɢɹ ɢɫɤɭɫɫɬɜɚ ɢɥɢ ɧɚ ɢɧɨɫɬɪɚɧɧɵɯ ɯɭɞɨɠɧɢɤɨɜ ɩɪɢɟɯɚɜɲɢɯ ɜɅɨɧɞɨɧɢɨɬɤɪɵɜɲɢɯɦɚɫɬɟɪɫɤɢɟ ± ȼɨ Ɏɪɚɧɰɢɢ ɢ ɂɬɚɥɢɢ ɫɭɳɟɫɬɜɨɜɚɥɢ ɛɨɥɶɲɢɟ ɨɛɳɟɩɪɢɡɧɚɧɧɵɟ Ⱥɤɚɞɟɦɢɢ ɩɪɟɞɥɚɝɚɜɲɢɟ ɯɭɞɨɠɧɢɤɚɦ ɮɨɪɦɚɥɶɧɨɟ ɚɤɚɞɟɦɢɱɟɫɤɨɟ ɨɛɪɚɡɨɜɚɧɢɟ Ʉɪɨɦɟ ɬɨɝɨ ɬɚɦ ɬɚɤɠɟ ɩɪɨɜɨɞɢɥɢɫɶ ɪɟɝɭɥɹɪɧɵɟ ɜɵɫɬɚɜɤɢ ɝɞɟ ɯɭɞɨɠɧɢɤɢ ɦɨɝɥɢ ɜɢɞɟɬɶ ɪɚɛɨɬɵ ɫɜɨɢɯ ɫɨɜɪɟɦɟɧɧɢɤɨɜɢɭɱɢɬɶɫɹɭɧɢɯ ± Ⱦɜɚ ɩɨɞɯɨɞɚ ɧɟ ɫɥɢɲɤɨɦ ɯɨɪɨɲɨ ɫɨɱɟɬɚɸɬɫɹ ɂɜɨɡɦɨɠɧɨɦɵɨɫɨɡɧɚɟɦɷɬɨɛɨɥɟɟɱɟɬɤɨɢɡɡɚɬɨɝɨɱɬɨɤɨɦɩɨɡɢɰɢɹɧɟ ɹɜɥɹɟɬɫɹ ɰɟɥɨɫɬɧɨɣ ȿɣ ɧɟ ɯɜɚɬɚɟɬ ɫɜɹɡɧɨɫɬɢ ɇɟɫɦɨɬɪɹ ɧɚ ɬɨ ɱɬɨ ɏɪɢɫɬɨɫ ɪɚɫɩɨɥɨɠɟɧ ɜ ɰɟɧɬɪɟ ɨɧ ɧɟ ɩɪɟɞɫɬɚɜɥɹɟɬɫɹ ɡɧɚɱɢɦɨɣ ɮɢɝɭɪɨɣ ɢɧɟɨɛɴɟɞɢɧɹɟɬɜɫɟɷɥɟɦɟɧɬɵɤɚɪɬɢɧɵɇɚɲɜɡɝɥɹɞɨɬɜɥɟɤɚɟɬɫɹɧɚɞɪɭɝɢɟ 43 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ɮɢɝɭɪɵ ɧɚɩɪɢɦɟɪ ɧɚ ɢɡɨɛɪɚɠɟɧɢɟ ɚɧɝɟɥɚ ɱɶɹ ɞɢɚɝɨɧɚɥɶɧɚɹ ɩɨɡɚ ɩɟɪɟɤɥɢɤɚɟɬɫɹɫɧɚɤɥɨɧɹɸɳɟɣɫɹɨɛɧɚɠɟɧɧɨɣɮɢɝɭɪɨɣ ± ȾɚɠɟɨɬɪɢɰɚɬɟɥɶɧɨɧɚɫɬɪɨɟɧɧɵɣȾɠɨɲɭɚɊɟɣɧɨɥɞɫ ɬɟɩɟɪɶɭɠɟɫɷɪȾɠɨɲɭɚɹɜɥɹɜɲɢɣɫɹɨɫɧɨɜɧɵɦɫɨɩɟɪɧɢɤɨɦȽɟɣɧɫɛɨɪɨɧɚ ɪɵɧɤɟ ɩɨɪɬɪɟɬɧɨɣ ɠɢɜɨɩɢɫɢ ɧɟɯɨɬɹ ɫɨɝɥɚɲɚɥɫɹ ɱɬɨ ɜɫɟ ɷɬɢ ɫɬɪɚɧɧɵɟ ɲɟɪɨɯɨɜɚɬɨɫɬɢɢɲɬɪɢɯɢɤɚɤɢɦɬɨɜɨɥɲɟɛɧɵɦɨɛɪɚɡɨɦɫɨɩɪɟɞɟɥɟɧɧɨɝɨ ɪɚɫɫɬɨɹɧɢɹɜɵɝɥɹɞɟɥɢɞɨɫɬɨɣɧɨ ± ɉɨɫɵɥ ɛɵɥ ɹɫɟɧ ɤɪɢɬɢɤɢ ɢ ɲɢɪɨɤɚɹ ɨɛɳɟɫɬɜɟɧɧɨɫɬɶ ɫɱɢɬɚɥɢɱɬɨɊɟɣɧɨɥɞɫɧɚɫɬɨɥɶɤɨɫɢɥɶɧɨɫɤɨɧɰɟɧɬɪɢɪɨɜɚɥɫɹɧɚɢɫɬɨɪɢɱɟɫɤɨɣ ɠɢɜɨɩɢɫɢ ɱɬɨ ɫɨɜɟɪɲɟɧɧɨ ɭɩɭɫɬɢɥ ɢɡ ɜɢɞɭ ɬɨɬ ɮɚɤɬ ɱɬɨ ɟɦɭ ɫɚɦɨɦɭ ɧɟ ɯɜɚɬɚɥɨɧɚɜɵɤɨɜɞɥɹɭɫɩɟɲɧɨɣɪɟɚɥɢɡɚɰɢɢɫɜɨɟɝɨɡɚɦɵɫɥɚɧɚɩɪɚɤɬɢɤɟ 3. Say if the following statements are true or false. Correct the false ones: 5H\QROGVDJUHHGZLWK+RJDUWK¶VYLHZVRQDUWDQGEHDXW\ 5H\QROGVQHYHUOHIW(QJODQGDQGJRWQRIRUPDOHGXFDWLRQ -RVKXD5H\QROGVZDQWHGDEHWWHUVRFLDOSRVLWLRQIRU%ULWLVKSDLQWHUV 7KH5R\DO$FDGHP\RI$UWVRSHQHGLWVGRRUVLQ 7KH PRVW VLJQLILFDQW IHDWXUH RI *DLQVERURXJK¶V ODWHU ZRUNV LV WKHLU GHWDLOHG FKDUDFWHU ,Q *DLQVERURXJK¶V SLFWXUH RI KLV GDXJKWHUV WKHUH LV D YHU\ VNHWFK\ LPDJH RI DSDUURWDQGDGRJ 6DUDK 6LGGRQV LPPRUWDOL]HG LQ RQH RI WKH SRUWUDLWV FUHDWHG E\ *DLQVERURXJK ZDVDQREOHZRPDQZRUNLQJLQWKH5R\DO$FDGHP\ 7XUQHUZDVHOHFWHGDVDPHPEHURI$FDGHP\ZKHQKHZDVMXVW 7XUQHU¶VPDLQJRDOVZHUHWRSOHDVHDQGFRPIRUWWKHSXEOLFZLWKWKHKHOSRIKLV SLFWXUHV 7XUQHUZDVLQIOXHQFHGE\'XWFKVHDVFDSHV Be ready to discuss the following questions :KDWZDVWKHWRSSULRULW\IRU+RJDUWK":KDWLVPHDQWE\PRGHUQPRUDOVXEMHFWV" :K\ GLG KH GHFLGH QRW RQO\ WR SDLQW EXW DOVR WR PDNH SULQWV RI KLV SDLQWLQJV ODWHURQ" 44 BRITISH ART :KDWWKUHHVHULHVRISDLQWLQJVLVWKHVSHDNHUUHIHUULQJWR WKRXJKQRWGLUHFWO\ DW±" 7KRXJKWKHQDWLRQ¶VSURVSHULW\JUHZ%ULWLVKSDLQWHUVRIWKDWWLPHVWLOOIDFHGD ELJSUREOHP:KDWZDVLW" :KDWGLIIHUHQWLDWHG%ULWLVKSDLQWHUVIURP(XURSHDQRQHV" :KDW ZDV +RJDUWK¶V FRQFHSWLRQ RI EHDXW\" :KDW VKRXOG WKH DUWLVW GUDZ LQVSLUDWLRQIURP" :KDWDFFRUGLQJWR5H\QROGVZDVVXSSRVHGWRWUDQVIRUP%ULWLVKDUW" :KDW V\PEROV FDQ EH IRXQG LQ WKH SDLQWLQJ RI 0U DQG 0UV $QGUHZV E\ 7*DLQVERURXJK" :K\ZDV*DLQVERURXJKVXSSRVHGWREHWKHPDLQULYDOIRU5H\QROGV" :KDWZDVVRUHYROXWLRQDU\DERXW&RQVWDEOH¶VDQG7XUQHU¶VZRUN" :KDWZDVVXSSRVHGWREHWKHPDMRUSDUWRIDQ\ODQGVFDSH" &RQVWDEOHEHOLHYHGWKDWDUWLVWVVKRXOGSDLQWUHDOLVWLFDOO\$UHKLVODQGVFDSHVUHDOLVWLF" :KDW ZDV XQXVXDO LQ WKH ZD\ 7XUQHU UHSUHVHQWHG ODQGVFDSHV" 3URYH ZLWK WKH H[DPSOHV 'HVFULEHWKHVWRU\EHKLQGWKHSLFWXUH³7KH)LJKWLQJ7HPHUDLUH´:KDWLVWKH UROHRIWKHPDJQLILFHQWVXQVHWVKRZQLQWKHSLFWXUH" 7KH ZD\ WKH SDLQW ZDV DSSOLHG LQ ³5DLQ 6WHDP DQG 6SHHG ± 7KH *UHDW :HVWHUQ5DLOZD\´ZDVVXSSRVHGWREHJURXQGEUHDNLQJ*LYHVRPHGHWDLOV 5. Rewatch the part devoted to the picture “Experiment on a Bird” (27:40-29:25). The picture is supposed to be philosophical in character. Can you prove it? 6. The film contains a lot of data concerning British art. Provide some facts that you found unusual or surprising. 7. The film abounds in pictures of different genres. Choose one and prepare a detailed description paying attention to its colours and composition. 45 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 3267:$7&+,1* 1. Think of the following aspects related to the film: 7RZKDWH[WHQWZDV%ULWLVKDUWLQIOXHQFHGE\DUWLVWVIURPWKH&RQWLQHQW" :RXOG\RXDJUHHZLWKWKRVHZKRFRQVLGHU-5H\QROGVDERULQJDUWLVW" 'R\RXFRQVLGHU7XUQHUDQG&RQVWDEOHUHYROXWLRQDULHV" +RJDUWKDQG5H\QROGVKDGYHU\GLIIHUHQWSRLQWVRIYLHZRQDUWEHDXW\DQG OLIH:KRVHRSLQLRQDSSHDOVWR\RXPRUH" 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the film. 3. Write a summary of the film for other viewers. 4. Complete the table with the information required. You are welcome to use the data provided by the film or any other sources you find interesting. $UWLVW *OLPSVHVRI 3HFXOLDUIHDWXUHVRI 2XWVWDQGLQJ ELRJUDSK\ WKHVW\OH SDLQWLQJV :+RJDUWK -&RQVWDEOH 7*DLQVERURXJK -5H\QROGV :7XUQHU 5. Imagine that you work in a museum and you are getting ready for the exhibition of British painters of the XVIII century. Prepare the text of a TV commercial or radio advertisement to promote it. 6. Are there any Russian painters whose subject matter, colour scheme, etc. remind you of works by Reynolds, Hogarth, Constable , Gainsborough or Turner? 46 BRITISH ART ),/0057851(5 Mr. Turner OHQJWK LVDELRJUDSKLFDOGUDPDILOPHGE\0LNH/HLJKLQ ,WFRQFHQWUDWHVRQWKHODVWTXDUWHURIOLIHRI-0:7XUQHUZKRLVVXSSRVHGWR EH RQH RI WKH JUHDWHVW DQG PRVW HFFHQWULF %ULWLVK SDLQWHUV RI DOO WLPHV ,W VKRZV WKH SDLQWHU¶V SHUVRQDO WUDJHG\ KLV QRQWUDGLWLRQDO DSSURDFK WR ZRUN DQG GDLO\ URXWLQH 7KH GLUHFWRU H[SODLQHG , IHOW WKHUH ZDV VFRSH IRU D ILOP H[DPLQLQJ WKH WHQVLRQ EHWZHHQWKLVYHU\PRUWDOIODZHGLQGLYLGXDODQGWKHHSLFZRUNWKHVSLULWXDOZD\KH KDG RI GLVWLOOLQJ WKH ZRUOG >KWWSVZZZWKHJXDUGLDQFRPILOP PD\PU WXUQHUPLNHOHLJKVWLOOLPSURYLVLQJ@ 7KH ILOP ZDV QRPLQDWHG IRU $FDGHP\ $ZDUG DQG%ULWLVK$FDGHP\)LOP$ZDUG Cast 7LPRWK\ 6SDOO DV Joseph Mallord 3DXO -HVVRQ DV William Turner KLV William Turner IDWKHU 'RURWK\ $WNLQVRQ DV Hannah Danby /HVOH\ 0DQYLOOH DV Mary Somerville KLVKRXVHNHHSHU DVFLHQWLVWDQG7XUQHU¶VIULHQG 0DULRQ %DLOH\ DV Sophia Booth KLV 0DUWLQ 6DYDJH DV Benjamin Haydon ODQGODG\ DQDUWLVWDQG7XUQHU¶VIULHQG 35(:$7&+,1* Find information about the following: •QDPHV 5HPEUDQGW 3LHWHU 3DXO 5XEHQV +HQU\ 3XUFHOO /RUG 1HOVRQ &ODXGH /RUUDLQ •P\WKRORJLFDO DQG %LEOLFDO DOOXVLRQV +\SQRV +HOLRV 7DQWɚOXV %DFFKDQDOLD SURGLJDOVRQFRUQXFRSLDJRRG6DPDULWDQ6W6HEDVWLDQ •SKHQRPHQD$QWZHUSFDWKHGUDO)ODQGHUV0LOLWLD&RPSDQ\'LGR¶V/DPHQW Basic words and word combinations to the topic “Painting” (in order of appearance): H[HFUDEOH±ɨɬɜɪɚɬɢɬɟɥɶɧɵɣɭɠɚɫɧɵɣɨɬɬɚɥɤɢɜɚɸɳɢɣ FKURPH\HOORZ±ɯɪɨɦɨɜɵɣɠɟɥɬɵɣ 47 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE EODGGHURIXOWUDPDULQH±ɩɭɡɵɪɟɤɭɥɶɬɪɚɦɚɪɢɧɨɜɨɣɤɪɚɫɤɢ SRSS\RLO±ɦɚɤɨɜɨɟɦɚɫɥɨ ɢɫɩɨɥɶɡɭɟɬɫɹɞɥɹɨɛɪɚɛɨɬɤɢɯɨɥɫɬɨɜ ,QGLDQUHG±ɠɟɥɬɨɜɚɬɨɤɪɚɫɧɵɣɩɢɝɦɟɧɬ HLJKWE\VL[VHYHQE\ILYHDQGKDOI±ɯɨɥɫɬɵɪɚɡɦɟɪɨɦɧɚ ɧɚ ɞɸɣɦɨɜ UHDG\ VL]HG DQG SULPHG ± ɨ ɯɨɥɫɬɟ ɧɭɠɧɨɝɨ ɪɚɡɦɟɪɚ ɢ ɧɚɬɹɧɭɬɵɣ ɧɚ ɩɨɞɪɚɦɧɢɤ QR[LRXVYDSRXUV±ɧɟɩɪɢɹɬɧɵɟɜɪɟɞɧɵɟɢɫɩɚɪɟɧɢɹ FUHSXVFXODU±ɧɨɱɧɨɣɫɭɦɟɪɟɱɧɵɣ ɬɚɤɠɟɩɟɪɟɧɬɭɫɤɥɵɣɧɟɹɫɧɵɣ FKHUXE±ɯɟɪɭɜɢɦ FDSDFLRXV±ɟɦɤɢɣɩɪɨɫɬɨɪɧɵɣɜɦɟɫɬɢɬɟɥɶɧɵɣ LPSHFXQLW\±ɧɭɠɞɚɛɟɡɞɟɧɟɠɶɟ FRPSDQLRQSLHFH±ɩɪɟɞɦɟɬɵɢɫɤɭɫɫɬɜɚɫɨɫɬɚɜɥɹɸɳɢɟɩɚɪɭ ZDWHUFRORXULVW±ɚɤɜɚɪɟɥɢɫɬ FDQYDVHV±ɯɨɥɫɬɵɩɨɥɨɬɧɚ PHJLOS±ɦɚɫɬɢɱɧɵɣɥɚɤ ɫɥɭɠɢɬɪɚɫɬɜɨɪɢɬɟɥɟɦɞɥɹɦɚɫɥɹɧɵɯɤɪɚɫɨɤ LPSDVWR±ɩɚɫɬɨɡɧɚɹɬɟɯɧɢɤɚ ɧɚɥɨɠɟɧɢɟɤɪɚɫɤɢɝɭɫɬɵɦɬɨɥɫɬɵɦɫɥɨɟɦ SRWHQWVXEMHFW±ɫɢɥɶɧɵɣɫɸɠɟɬ FDSWXUHWKHPRPHQW±©ɩɨɣɦɚɬɶªɦɝɧɨɜɟɧɢɟ GDJXHUUHRW\SH ± ɫɜɟɬɨɩɢɫɶ ɭɫɬɚɪɟɜɲɢɣ ɬɟɪɦɢɧ ɞɥɹ ɨɛɨɡɧɚɱɟɧɢɹ ɮɨɬɨɫɧɢɦɤɨɜɩɨɥɭɱɚɜɲɢɯɫɹɡɚɫɱɟɬɜɨɡɞɟɣɫɬɜɢɹɫɜɟɬɚɧɚɪɚɡɥɢɱɧɵɟɩɨ ɫɜɟɬɨɱɭɜɫɬɜɢɬɟɥɶɧɨɫɬɢɜɟɳɟɫɬɜɚ Translate the following sentences with the words and word combinations from Point 2 above into Russian: 0U 7XUQHU DUH ZH QRW EOHVVHG E\ WKH KHDYHQV WR ZLWQHVV VR JORULRXV DFUHSXVFXODUWLPHRIGD\" 7KHYDSRXUVLQWKLVURRPDUHPRVWQR[LRXVWRDFKLOG¶VOXQJV , DP VWUXFN E\ WKH FROXPQ RI EULJKW ZKLWH SODFHG SUHFLVHO\ RII FHQWUH KHUH DSSOLHGRYHUWKHGDUNHQHGEDFNJURXQGLPSDVWRFRQWUDVWLQJZLWKWKHVFDUOHWDQG RFKUHKXHVLQWKHXSSHUOHIWFRUQHU 48 BRITISH ART ,¶P QRW XQV\PSDWKHWLF WR \RXU LPSHFXQLW\ +D\GRQ 7KHUHIRUH , FDQ DGYDQFH \RXILIW\SRXQGV Colourman: %OXHXOWUDPDULQHLVFRPLQJIURPIDUIDUDZD\ $IJKDQLVWDQ:KDWHOVHGR\RXQHHG" Turner snr: %RWWOHRISRSS\RLOVRPH,QGLDQUHG Translate the following sentences using the words and word combinations from Point 2 above into English: ɍɦɟɧɹɟɫɬɶɝɨɬɨɜɵɣɯɨɥɫɬɭɠɟɧɚɩɨɞɪɚɦɧɢɤɟɪɚɡɦɟɪɨɦɧɚ 2) Ɇɨɹ ɫɭɩɪɭɝɚ ɨɫɨɛɟɧɧɨ ɧɟɪɚɜɧɨɞɭɲɧɚ ɤ ɭɤɪɚɫɢɜɲɢɦ ɧɚɲɭ ɝɨɫɬɢɧɭɸ ɩɚɪɧɵɦɤɚɪɬɢɧɚɦɧɚɩɢɫɚɧɧɵɦȼɚɦɢ Ɍɟɪɧɟɪ ɫɬɚɪɲɢɣ: Ɇɢɫɫɢɫ ɋɨɦɟɪɜɢɥɥɶ: ɌɚɤȼɵɯɭɞɨɠɧɢɤɆɢɫɫɢɫɋɨɦɟɪɜɢɥɶ" əɧɟɞɭɦɚɸɱɬɨɦɵɦɨɠɟɦɢɫɩɨɥɶɡɨɜɚɬɶ ɷɬɨɬɬɟɪɦɢɧɜɩɪɢɫɭɬɫɬɜɢɢɦɢɫɬɟɪɚɌɟɪɧɟɪɚ Ɍɟɪɧɟɪ: ɂɬɟɦɧɟɦɟɧɟɟɩɚɩɦɢɫɫɢɫɋɨɦɟɪɜɢɥɶ± ɨɬɥɢɱɧɵɣɚɤɜɚɪɟɥɢɫɬ ɍɦɢɪɚɸɳɢɣ ɪɟɛɟɧɨɤ ± ɷɬɨ ɥɢ ɧɟ ɫɢɥɶɧɵɣ ɫɸɠɟɬ ɞɥɹ ɤɚɪɬɢɧɵ" Ⱥ ɧɚɞ ɱɟɦȼɵɫɟɣɱɚɫɬɪɭɞɢɬɟɫɶɌɟɪɧɟɪ" əɡɚɩɟɱɚɬɥɟɥɜɟɥɢɤɢɟɜɨɞɨɩɚɞɵɇɢɚɝɚɪɵɫɷɪɆɧɟɨɞɧɚɠɞɵɞɚɠɟɭɞɚɥɨɫɶ ɩɨɣɦɚɬɶɬɚɦɪɚɞɭɝɭ Study these idiomatic phrases and set expressions, match them with their meanings from the second line and provide their Russian equivalents: DORRVH WKURZ WREHLQD FDQQRQ NHHSERG\ WREHRXW RQHVHOILQ VWHZDERXW UROOLQJ DQGVRXO E\DQGE\ DQGDERXW WKHDUPVRI VPWK URXQGWKH WRJHWKHU 0RUSKHXV GHFN DSHUVRQ WRVXUYLYH ZKRVH WREH HVSLQ DIWHUVRPH WRJRWR DFWLRQVDUH WREHEXV\ ZRUULHG DGLIILFXOW WLPH VOHHS GLIILFXOWIRU ZLWKVPWK DERXWVPWK ILQDQFLDO HYHQWXDOO\ SUHGLFWLRQRU VLWXDWLRQ FRQWUROOLQJ 49 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Find and watch the official trailers of the film. What glimpses of Turner’s personality can we observe in them? :$7&+,1* 1. While watching the film fill in the gaps: (SLVRGH ± Think of these reflections upon the nature of colour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± Watch this dialogue between Mr Turner and Mrs Booth: Turner: 0UV%RRWKZRXOG\RXEHVRNLQGDVWRORRNRXWRIWKHZLQGRZ" Mrs Booth: :KHUH":KDWDP,ORRNLQJDW" Turner: )URP WKH WLS RI \RXU QRVH WR WKH EULGJH WR WKH BBBBBBBBBBBB RI \RXU EURZ\RXSXWPHLQPLQGRID*UHHNBBBBBBBBBBBB, PIDPLOLDUZLWKRI $SKURGLWHJRGGHVVRIORYH Mrs Booth: 1R 1R RQH V HYHU VDLG WKDW DERXW P\ QRVH EHIRUH 7KLV ROG BBBBBBBBBBBB7UXWKWRWHOOP\H\HVDUHQ WVRJRRGWKHVHGD\VVRZKHQ ,GRORRNLQWKHORRNLQJJODVV,EHJODG,FDQQRWVHHVRZHOO Turner: :KHQ,BBBBBBBBBBP\VHOILQWKHORRNLQJJODVV,VHHDBBBBBBBBBBBB Mrs Booth:1RZ \RX EH BBBBBBBBBBBB IRU FRPSOLPHQWV DQG P\ ROG 0D XVHG WR VD\ WKHP WKDW ILVK IRU FRPSOLPHQWV GRQ W JHW QRQH %HVLGHV WLV ZKDW V BBBBBBBBBBBBDSHUVRQWKDWGRPDWWHU,GRQRWNQRZ\RX0U0DOODUG 50 BRITISH ART DQG , P VXUH WKHUH EH WKLQJV DERXW \RX WKDW DUHBBBBBBBBBBBB P\ XQGHUVWDQGLQJ %XW , EHOLHYH \RX WR EH D PDQ RI JUHDW BBBBBBBBBBBB DQGBBBBBBBBBBBBIHHOLQJ Turner: 0UV%RRWK\RXDUHDZRPDQRIBBBBBEHDXW\ Mrs Booth: 0U0DOODUG,DPORVWIRUZRUGV (SLVRGH ± Consider these reflections upon art: 0\ SRLQW H[DFWO\ 0U 7XUQHU EXW WKDW WLPH LV QRZ ORQJ SDVW :KHQ , H[SHULHQFH DPRGHUQBBBBBBBBBBBBVXFKDV\RXUV,DPVWUXFNE\WKHBBBBBBBBBBBBZLWKZKLFK \RX KDYH FDSWXUHG WKH PRPHQW 7DNH IRU H[DPSOH \RXU µ6ODYH 6KLS 6ODYHUV 7KURZLQJ2YHUERDUGWKH'HDGDQG'\LQJ7\SKRRQ&RPLQJ2Q E\ZKLFK,KDYH WKH JRRG BBBBBBBBBBBB WR EH JUHHWHG HYHU\ PRUQLQJ RQ P\ ZD\ LQ WR P\ BBBBBBBBBBBB EUHDNIDVW 7KH LPSDFW RI WKH BBBBBBBBBBBB EULQH LQFDUQDGLQH FRQVXPLQJ WKRVH XQIRUWXQDWH 1HJUR VODYHV QHYHU FHDVHV WR TXLFNHQ WKH EHDW RI P\ KHDUW<HWZKHQ,JD]HXSRQDZRUNRI&ODXGH,ILQGP\VHOIHQGXULQJQRWKLQJPRUH WKDQDPHUHFROOHFWLRQRISUHFLVHBBBBBBBBBBBBZKLFKBBBBBBBBBBBBLQPHQRVHQVH RIDZHZKDWVRHYHUOHWDORQHWKHVHD 2. Provide the original for the following sentences: 1) ± əɫɨɱɭɜɫɬɜɭɸɟɦɭɧɨɨɧɜɢɧɢɬɜɫɜɨɢɯɧɟɭɞɚɱɚɯɜɫɟɱɬɨ ɭɝɨɞɧɨ ɤɪɨɦɟ ɫɨɛɫɬɜɟɧɧɨɝɨ ɩɨɜɟɞɟɧɢɹ ȿɝɨ ɠɚɥɨɛɵ ɧɚ ɠɢɡɧɶ ɬɚɤɠɟ ɚɛɫɭɪɞɧɵ ɤɚɤ ɫɟɬɨɜɚɧɢɹ ɫɩɢɰɵ ɧɚ ɞɜɢɠɟɧɢɟ ɤɨɥɟɫɚ ɜ ɤɨɬɨɪɨɦ ɨɧɚ ɧɚɯɨɞɢɬɫɹ 2) ± Ȼɢɱɢ: ȿɫɥɢɛɵɨɧɛɨɥɶɲɟɩɪɢɫɥɭɲɢɜɚɥɫɹɤɠɟɥɚɧɢɹɦɩɭɛɥɢɤɢɚɧɟɤ ɫɜɨɢɦɫɬɪɚɧɧɨɜɚɬɵɦɢɞɟɹɦɷɬɨɛɵɟɝɨɫɩɚɫɥɨ Ʌɟɫɥɢ:ɌɟɦɧɟɦɟɧɟɟɦɨɣɞɨɪɨɝɨɣȻɢɱɢɱɟɦɛɨɥɶɲɟɭɧɟɝɨɥɢɱɧɵɯ ɩɪɨɛɥɟɦɬɟɦɛɨɥɶɲɟɫɬɪɚɞɚɟɬɤɚɱɟɫɬɜɨɟɝɨɪɚɛɨɬ Ȼɢɱɢ: ɂɜɫɟɠɟɨɧɭɦɟɟɬɪɢɫɨɜɚɬɶ Ʌɟɫɥɢ:Ʉɨɧɟɱɧɨɋɟɛɹɫɚɦɨɝɨ 3) ± 51 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Ɍɟɪɧɟɪ: ɉɚɩɚɥɸɛɢɬɩɪɢɤɢɞɵɜɚɬɶɫɹɩɪɨɫɬɚɤɨɦɇɨɧɚFɚɦɨɦ ɞɟɥɟɨɧɨɱɟɧɶɭɦɟɧɈɧɧɚɭɱɢɥɦɟɧɹɱɢɬɚɬɶɢɩɢɫɚɬɶ Ɇɢɫɫɢɫ ɋɨɦɟɪɜɢɥɥɶ: ɉɪɚɜɞɚ" Ɍɟɪɧɟɪ ɫɬɚɪɲɢɣ: Ɉɛɪɚɡɨɜɚɧɢɟ±ɨɱɟɧɶɜɚɠɧɚɹɜɟɳɶ Ɇɢɫɫɢɫ ɋɨɦɟɪɜɢɥɥɶ: Ɉɩɪɟɞɟɥɟɧɧɨɷɬɨɤɪɚɣɧɟɜɚɠɧɨɞɥɹɥɸɛɨɝɨɱɟɥɨɜɟɤɚ Ɍɟɪɧɟɪ: əɢɫɚɦɚɫɟɣɱɚɫɡɚɧɹɬɚɨɛɭɱɟɧɢɟɦɫɜɨɢɯɞɟɬɟɣ ɗɬɨɨɱɟɧɶɩɨɯɜɚɥɶɧɨ Ɇɢɫɫɢɫ ɋɨɦɟɪɜɢɥɥɶ: ɂɷɬɨɬɨɱɟɝɨɹɫɚɦɚɛɵɥɚɥɢɲɟɧɚəɜɫɟɝɨɥɢɲɶ Ɍɟɪɧɟɪ: ɫɚɦɨɭɱɤɚɢɡɒɨɬɥɚɧɞɢɢ Ɇɢɫɫɢɫɋɨɦɟɪɜɢɥɶȼɵɬɚɤɚɹɤɚɤɚɹɟɫɬɶɬɚɤɠɟɤɚɤɢɦɵ 4) ± ɒɢ: ȼɚɫɜɵɜɟɞɭɬɫɢɥɨɣ ɏɟɣɞɨɧ: Ⱦɚɫɞɟɥɚɣɬɟɷɬɨɍɛɟɪɢɬɟɦɟɧɹɢɡɷɬɨɝɨɫɤɨɩɢɳɚɩɨɪɬɪɟɬɢɫɬɨɜ Ȼɢɱɢ: Ⱥɱɬɨɩɥɨɯɨɝɨɜɬɨɦɱɬɨɛɵɛɵɬɶɩɨɪɬɪɟɬɢɫɬɨɦ" ɏɟɣɞɨɧ: Ⱥɱɟɦɨɧɢɜɨɡɜɵɲɚɸɬɢɫɤɭɫɫɬɜɨ" Ȼɢɱɢ: əɭɞɨɫɬɨɢɥɫɹɩɨɯɜɚɥɵȿɝɨȼɟɥɢɱɟɫɬɜɚɄɨɪɨɥɹɡɚɩɨɪɬɪɟɬɵ ɢɨɬɥɢɱɧɵɟɩɨɪɬɪɟɬɵɦɟɠɞɭɩɪɨɱɢɦɫɷɪ ɉɢɤɟɪɫɝɢɥɶ: ɏɟɣɞɨɧɫɦɟɸɡɚɦɟɬɢɬɶɱɬɨɢɦɨɢɪɚɛɨɬɵɜɢɫɹɬɜɜɟɫɬɢɛɸɥɟ ɏɟɣɞɨɧ: Ⱦɚɦɧɟɞɟɥɚɧɟɬɞɨȼɚɲɢɯɪɚɛɨɬ ɉɢɤɟɪɫɝɢɥɶ: ɉɨɤɪɚɣɧɟɣɦɟɪɟɧɚɦɨɢɯɚɜɬɨɩɨɪɬɪɟɬɚɯɧɟɨɫɟɥ ɧɚɪɢɫɨɜɚɧ 5) ± Ɋɟɫɤɢɧ: ȺɦɢɫɬɟɪɌɟɪɧɟɪɆɵɫɨɬɰɨɦɥɸɛɭɟɦɫɹɷɬɨɣ ɜɨɫɯɢɬɢɬɟɥɶɧɨɣɪɚɛɨɬɨɣɇɟɨɲɢɛɚɸɫɶɥɢɹɦɵɢɦɟɥɢ ɫɱɚɫɬɶɟɜɢɞɟɬɶɟɟɜȺɤɚɞɟɦɢɢɩɪɨɲɥɵɦɥɟɬɨɦ" Ɍɟɪɧɟɪ: ȼɟɪɧɨ Ɋɟɫɤɢɧ: Ⱦɨɥɠɟɧɫɤɚɡɚɬɶɱɬɨɩɪɢɩɨɜɬɨɪɧɨɦɩɪɨɫɦɨɬɪɟɨɧɚ ɜɩɟɱɚɬɥɹɟɬɧɢɱɭɬɶɧɟɦɟɧɶɲɟȼɨɡɦɨɠɧɨɞɚɠɟɛɨɥɶɲɟ ɇɟɬɚɤɥɢɨɬɟɰ" Ɉɬɟɰ Ɋɟɫɤɢɧɚ: ɂɦɟɧɧɨɬɚɤɄɚɤɦɧɟɩɨɦɧɢɬɫɹɨɧɜɵɡɵɜɚɥɚɛɭɪɧɵɟ 52 ɨɛɫɭɠɞɟɧɢɹɞɚɠɟɩɨɫɥɟɩɨɤɚɡɚ BRITISH ART Ɍɟɪɧɟɪ: ȿɟɧɟɤɭɩɢɥɢ Ɉɬɟɰ Ɋɟɫɤɢɧɚ:ɇɟɭɠɟɥɢ" Ɍɟɪɧɟɪ: Ⱦɚɫɷɪ Ɉɬɟɰ Ɋɟɫɤɢɧɚ:əɩɨɪɚɠɟɧ Ɋɟɫɤɢɧ: ɇɨɜɟɞɶɷɬɨɲɟɞɟɜɪ Ɍɟɪɧɟɪ: Ɍɟɤɤɟɪɟɣɨɛɪɭɝɚɥɟɟ Ɋɟɫɤɢɧ: Ʉɚɤ" Ɍɟɪɧɟɪ: Ɍɨɥɢɜɟɥɢɤɚɹɬɨɥɢɧɟɥɟɩɚɹ Ɋɟɫɤɢɧ: ɑɬɨɠɟɦɭɫɥɟɞɭɟɬɨɩɪɟɞɟɥɢɬɶɫɹ Ɍɟɪɧɟɪ: Ɉɧɰɢɧɢɱɟɧɢɨɫɬɟɪɧɚɹɡɵɤ Ɋɟɫɤɢɧ: ȼɨɰɟɧɤɟɢɫɤɭɫɫɬɜɚɰɢɧɢɡɦɭɧɟɬɦɟɫɬɚ 3. Say if the following statements are true or false. Correct the false ones. 7XUQHUVHQLRUXVHGWREHDVFKRROWHDFKHU 7XUQHU¶VIDWKHUDVNHG0UV6RPHUYLOOHWRILQGDKXJHOLRQLQWKHSLFWXUHFDOOHG ³+DQQLEDOSDVVLQJWKH$OSV´ 0UV%RRWK7XUQHU¶VODQGODG\KDGWZRGDXJKWHUV 7KH DUWLVWV RI WKH 5R\DO $FDGHP\ DUH JUDWHIXO IRU 7XUQHU¶V REVHUYDWLRQV DQG UHPDUNV $VDUHVXOWRIRQHRIKLVH[SHULPHQWV7XUQHUVXIIHUHGIURPPDODULD The TemeraireXVHGWREHH[WUHPHO\LPSRUWDQWGXULQJWKH1DSROHRQLF:DUV 7XUQHUFRQVLGHUHGLURQDQGVWHDPWREHWKHLPDJHVRIWKHIXWXUH 0U*LOORWRSWHGIRURQO\RLOSDLQWLQJVE\7XUQHUDQGZDVUHDG\WREX\WKHPIRU SRXQGV :KHQ7XUQHUJRHVWRRQHPRUHH[KLELWLRQDWWKH5R\DO$FDGHP\DQGVHHVWKH PRGHUQWUHQGVKHSHUFHLYHVWKHPYHU\SRVLWLYHO\DQGFRQVLGHUVWKHPWREHWKH QHZIRUPRIDUW 7XUQHUGLHVVXUURXQGHGE\KLVIDPLO\DQGIULHQGV 4. Be ready to discuss the following questions: $WWKHYHU\EHJLQQLQJRIWKHILOP:LOOLDP7XUQHUKDVMXVWFRPHEDFNIURPKLV MRXUQH\:KDWFRXQWU\GLGKHYLVLWDQGZKDWZHUHKLVLPSUHVVLRQV" 53 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE :KDWLQIRUPDWLRQGRZHOHDUQDERXW7XUQHU¶VIDPLO\OLIH" :KDWZDV0UV6RPHUYLOOH¶VH[SHULPHQWDERXW" :KDWKDSSHQHGWR0UV%RRWK¶VKXVEDQG" $WWKH5R\DO$FDGHP\7XUQHUPHHWVDQRWKHURXWVWDQGLQJ%ULWLVKSDLQWHU:KDW LVKLVQDPH"&DQ\RXJXHVVWKHQDPHRIWKHSDLQWLQJKHLVZRUNLQJRQ" :K\ZDV+D\GRQVRGLVDSSRLQWHGE\WKHSRVLWLRQRIKLVSDLQWLQJ" :KDWLVWKHVWRU\EHKLQGWKHSLFWXUH0U5XVNLQZDQWVWREX\" &DQ\RXILQGDQ\GLIIHUHQFHEHWZHHQWKHSLFWXUHRI³7KH)LJKWLQJ7HPHUDLUH´ DQGWKHUHDOVFHQHVKRZQLQWKHILOP" :KDWLGHDZDVULGLFXOHGGXULQJWKHWKHDWULFDOVFHQHVWDUWLQJIURP" :KDWZHUH7XUQHU¶VLPSUHVVLRQVRIWKHFDPHUD" 5. Rewatch the episode 1:05:17 – 1:06:10 showing wonderful and colourful nature. Provide the list of the shades and tints of colours that can be observed there (at least 20). 6. The film features a number of Turner’s pictures, provide the names and the Russian translations. Describe one of them from the point of view of composition, colour scheme and techniques used. The characters’ speech is very different in many ways, e.g. Turner himself uses Cockney sometimes. Provide the examples. What is the function of different accents shown in the film? 3267:$7&+,1* 1. Think of the following aspects related to the film: 1) 7XUQHU LV RIWHQ GHVFULEHG DV D JHQLXV DQG DQ HFFHQWULF 'R WKHVH WZR WKLQJV DOZD\VJRWRJHWKHU" 2) 7XUQHUUHIXVHGWRVHOOKLVSLFWXUHVWR0U*LOORWDIDPRXVPLOOLRQDLUHEHFDXVH KHZDQWHGWREHTXHDWKKLVDUWWRWKHQDWLRQ,VLWWKHULJKWGHFLVLRQIURP\RXU SRLQWRIYLHZ" 3) +RZ LPSRUWDQW LV WKH UHDO H[SHULHQFH IRU DQ\ SHUVRQ RI DUW" 6KRXOG RQH OLYH WKURXJKHYHU\WKLQJKHRUVKHSDLQWVRUZULWHVDERXW" 54 BRITISH ART 4) +D\GRQ¶VFROOHDJXHVDUHVXUHWKDWKLVSUREOHPVDUHFRQQHFWHGZLWKWKHSHFXOLDU VW\OHKHKDVFKRVHQIRUKLPVHOI6KRXOGWKHDUWLVWOLVWHQWRWKHSXEOLFRUIROORZ KLVRZQOHDG" 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the film. 3. Write a review of the film for other viewers. 4. Watch Timothy Spall’s interview where he shares his experience of playing the role of J.M.W. Turner (https://www.youtube.com/watch?v=9xf3yTAsxCw). Is there anything that surprises you? Has your impression of the film changed after watching the interview? 5. Imagine that you’re an art dealer. Choose a picture and describe all its advantages trying to persuade a potential buyer to purchase it. 6. Some people find that the works of Turner and Aivazovsky have a lot in common. Do you support this point of view? What differences can you see? 55 (19,5210(17$/3527(&7,21 ),/0%()25(7+()/22' Before the Flood OHQJWK ± LV D FROODERUDWLYH GRFXPHQWDU\ SURMHFW EHWZHHQ VRPH RI WKH PRVW UHFRJQL]HG QDPHV LQ +ROO\ZRRG LQ FRQMXQFWLRQ ZLWK1DWLRQDO*HRJUDSKLF6SDQQLQJDFRXUVHRIWKUHH\HDUVWKHILOPIROORZVDFWRU /HRQDUGR'L&DSULRDVKHH[DPLQHVWKHLPSDFWRIJOREDOZDUPLQJLQYDULRXVORFDOHV DURXQG WKH JOREH7KH ILOP GRFXPHQWV WKH VLJQLILFDQW HIIHFWV WKLV SKHQRPHQRQ KDV RQFOLPDWHFKDQJHZKLOHDOVRGLVFXVVLQJPDQNLQG¶VSRWHQWLDOWRUHYHUVHWKHP:LWK WKH JRDO RI LQVWLOOLQJ D VHQVH RI XUJHQF\ LQ LWV YLHZHUVBefore the FloodDLPV WR HQFRXUDJHWKHFRPPRQFLWL]HQVWRXVHWKHLUSRZHUWRPDNHWKHWUDQVLWLRQWRDPRUH VXVWDLQDEOHVRFLHW\IRUWKHVDNHRIWKHIXWXUHRIWKHZRUOG 35(:$7&+,1* 1. 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Basic words and word combinations to the topic “Environmental protection” (in order of appearance): SLOODJLQJWKHQDWXUDOZRUOG±ɪɚɡɝɪɚɛɥɟɧɢɟɩɪɢɪɨɞɧɵɯɛɨɝɚɬɫɬɜ GHFLPDWHWKHHFRV\VWHPIRUHYHU±ɛɟɡɜɨɡɜɪɚɬɧɨɭɧɢɱɬɨɠɢɬɶɷɤɨɫɢɫɬɟɦɭ IUDFNLQJIRUQDWXUDOJDV±ɝɢɞɪɨɪɚɡɪɵɜɫɰɟɥɶɸɞɨɛɵɱɢɩɪɢɪɨɞɧɨɝɨɝɚɡɚ RIIVKRUHGULOOLQJIRURLO±ɛɭɪɟɧɢɟɧɟɮɬɹɧɨɣɫɤɜɚɠɢɧɵɜɨɬɤɪɵɬɨɦɦɨɪɟ WDUVDQGVɛɢɬɭɦɢɧɨɡɧɵɟɩɟɫɤɢɫɥɚɧɰɵɧɟɮɬɟɧɨɫɧɵɟɩɟɫɤɢ FOLPDWHFKDQJHGHQLDOLVP±ɨɬɪɢɰɚɧɢɟɩɪɨɛɥɟɦɵɢɡɦɟɧɟɧɢɹɤɥɢɦɚɬɚ SHUPDIURVW±ɜɟɱɧɚɹɦɟɪɡɥɨɬɚ JR WR VFDOH RQ KLJK WHFK FOHDQ HQHUJ\ VROXWLRQV ± ɜɵɣɬɢ ɧɚ ɛɨɥɟɟ ɫɨɜɟɪɲɟɧɧɵɣ ɢ ɦɚɫɲɬɚɛɧɵɣ ɭɪɨɜɟɧɶ ɩɨ ɜɧɟɞɪɟɧɢɸ ɷɤɨɥɨɝɢɱɧɵɯ ɢɫɬɨɱɧɢɤɨɜɷɧɟɪɝɢɢ JHW SHUFHQW RI \RXU HOHFWULFLW\ IURP VRODU DQG ZLQG ± ɩɨɥɭɱɚɬɶ ɷɥɟɤɬɪɨɷɧɟɪɝɢɢɨɬɜɟɬɪɹɤɨɜɜɟɬɪɨɝɟɧɟɪɚɬɨɪɨɜɢɫɨɥɧɟɱɧɵɯɛɚɬɚɪɟɣ JULG±ɫɟɬɶɷɧɟɪɝɨɫɢɬɟɦɚ JODFLHUɥɟɞɧɢɤ FOLPDWHVLPXODWLRQ±ɦɨɞɟɥɢɪɨɜɚɧɢɟɤɥɢɦɚɬɚ SROHVPHOWLQJ±ɬɚɸɳɢɟɩɨɥɸɫɚ WKH PRVW DGYDQFHG SUHFLSLWDWLRQ VDWHOOLWH ± ɫɚɦɚɹ ɩɨɫɥɟɞɧɹɹ ɦɨɞɟɥɶ ɫɩɭɬɧɢɤɚɩɨɩɪɨɝɧɨɡɢɪɨɜɚɧɢɸɨɫɚɞɤɨɜ WKHIUDJLOLW\RIRXUSODQHW±ɭɹɡɜɢɦɨɫɬɶɧɚɲɟɣɩɥɚɧɟɬɵ FKRNHG E\ LQGXVWULDO SROOXWLRQ ± ɫɬɪɚɞɚɸɳɢɣ ɡɚɞɵɯɚɸɳɢɣɫɹ ɨɬ ɡɚɝɪɹɡɧɟɧɢɹɩɪɨɦɵɲɥɟɧɧɵɦɢɨɬɯɨɞɚɦɢ ERUHDOIRUHVWV±ɫɟɜɟɪɧɵɟ ɚɪɤɬɢɱɟɫɤɢɟ ɥɟɫɚ UDLQIRUHVWV±ɬɪɨɩɢɱɟɫɤɢɟɥɟɫɚɞɠɭɧɝɥɢ LQFLQHUDWHIRUHVWV±ɫɠɢɝɚɬɶɥɟɫɧɵɟɦɚɫɫɢɜɵ 57 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ZHOO DKHDG RI VFLHQWLILF SUHGLFWLRQV ± ɧɚɦɧɨɝɨ ɪɚɧɶɲɟ ɫɪɨɤɨɜ ɩɪɨɝɧɨɡɢɪɭɟɦɵɯɭɱɺɧɵɦɢ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian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ranslate the following sentences using the words and word combinations from Point 2 above into English: ɈɧɤɚɤɛɭɞɬɨɯɨɬɟɥɩɨɤɚɡɚɬɶɤɚɤɯɪɭɩɤɚɧɚɲɚɩɥɚɧɟɬɚɢɡɨɛɪɚɡɢɜɁɟɦɥɸ ɢɚɬɦɨɫɮɟɪɭɡɚɤɥɸɱɺɧɧɵɦɢɜɫɬɟɤɥɹɧɧɵɣɲɚɪ ȼɤɚɱɟɫɬɜɟɩɨɫɥɚɦɢɪɚɈɈɇɹɨɛɴɟɡɞɢɥɜɟɫɶɡɟɦɧɨɣɲɚɪɡɚɩɨɫɥɟɞɧɢɟɞɜɚ ɝɨɞɚɢɜɢɞɟɥɉɟɤɢɧɡɚɞɵɯɚɸɳɢɣɫɹɨɬɩɪɨɦɵɲɥɟɧɧɵɯɨɬɯɨɞɨɜɞɪɟɜɧɸɸ ɤɚɧɚɞɫɤɭɸ ɬɚɣɝɭ ɤɨɬɨɪɭɸ ɛɟɡɠɚɥɨɫɬɧɨ ɜɵɪɭɛɚɸɬ ɢ ɬɪɨɩɢɱɟɫɤɢɟ ɥɟɫɚ ɂɧɞɨɧɟɡɢɢɫɬɪɚɞɚɸɳɢɟɨɬɫɢɫɬɟɦɚɬɢɱɟɫɤɢɯɩɨɞɠɨɝɨɜ ɇɚ ɩɪɨɲɥɨɦ ɫɴɟɡɞɟ ɩɨɫɜɹɳɺɧɧɨɦ ɩɪɨɛɥɟɦɚɦ ɤɥɢɦɚɬɚ ɧɟɥɶɡɹ ɛɵɥɨ ɭɬɜɟɪɠɞɚɬɶɱɬɨɧɚɦɭɞɚɫɬɫɹɜɵɣɬɢɧɚɛɨɥɟɟɫɨɜɟɪɲɟɧɧɵɣɢɦɚɫɲɬɚɛɧɵɣ ɭɪɨɜɟɧɶɩɨɜɧɟɞɪɟɧɢɸɷɤɨɥɨɝɢɱɧɵɯɢɫɬɨɱɧɢɤɨɜɷɧɟɪɝɢɢ ȿɫɥɢ ɜɵ ɩɪɨɫɧɺɬɟɫɶ ɜ ɫɭɛɛɨɬɭ ɭɬɪɨɦ ɜ Ƚɟɪɦɚɧɢɢ ɬɨ ɨɛɧɚɪɭɠɢɬɟ ɱɬɨ ɩɪɨɰɟɧɬɨɜ ɩɨɬɪɟɛɥɹɟɦɨɝɨ ɜɚɦɢ ɷɥɟɤɬɪɢɱɟɫɬɜɚ ɜɵɪɚɛɚɬɵɜɚɟɬɫɹ 58 ENVIRONMENTAL PROTECTION ɫɨɥɧɟɱɧɵɦɢ ɛɚɬɚɪɟɹɦɢ ɢ ɜɟɬɪɹɤɚɦɢ ɚ ɧɟ ɷɥɟɤɬɪɨɫɬɚɧɰɢɹɦɢ ɬɚɤ ɤɚɤ ɦɢɥɥɢɨɧɚɠɢɬɟɥɟɣɩɨɞɤɥɸɱɢɥɢɫɶɤɷɤɨɥɨɝɢɱɧɨɣɷɧɟɪɝɨɫɢɫɬɟɦɟ ȼȽɪɟɧɥɚɧɞɢɢɢȺɪɤɬɢɤɟɹɛɵɥɩɨɪɚɠɺɧɬɟɦɱɬɨɞɪɟɜɧɢɟɥɟɞɧɢɤɢɢɫɱɟɡɚɸɬ ɫɨɝɪɨɦɧɨɣɫɤɨɪɨɫɬɶɸɝɨɪɚɡɞɨɛɵɫɬɪɟɟɱɟɦɫɩɪɨɝɧɨɡɢɪɨɜɚɥɢɭɱɺɧɵɟ 5. A. Match the following word combinations and set expressions with their Russian equivalents: SHUSHWUDWHDKRD[ D ɜɫɺɩɪɟɞɟɥɶɧɨɹɫɧɨ WRJHWDELOOSDVVHG E ɫɦɟɧɢɬɶɧɚɩɪɚɜɥɟɧɢɟ OHDGDVWUD\ F ɩɨɞɱɢɧɢɬɶɫɹɩɨɫɥɟɞɨɜɚɬɶ WDNHVWKDPLVV G ɨɛɧɹɬɶɫɹ ZHKDYHWRSUDFWLFHZKDWZHSUHDFK H ɫɛɢɜɚɬɶɫɬɨɥɤɭ OHW VEHUHDODERXWWKLV I ɩɪɨɜɟɫɬɢɡɚɤɨɧɨɩɪɨɟɤɬ DILJPHQWRIRQH¶VLPDJLQDWLRQ J ɧɚɲɢɫɥɨɜɚɧɟɞɨɥɠɧɵ ɪɚɫɯɨɞɢɬɶɫɹɫɞɟɥɨɦ DWLPHIUDPH K ɪɚɣɤɨɬɨɪɵɣɦɨɠɧɨɩɨɬɟɪɹɬɶ DSDUDGLVHLQSHULO L ɜɨɫɩɪɢɧɢɦɚɬɶɧɟɩɪɚɜɢɥɶɧɨ IDOOLQOLQH M ɪɟɲɚɸɳɢɣɦɨɦɟɧɬ WRKDYHDKXJ N ɭɬɨɩɢɹɧɟɨɫɭɳɟɫɬɜɢɦɵɣ ɩɪɨɟɤɬ HUXSWLQWRZDUV O ɜɪɟɦɟɧɧɵɟɪɚɦɤɢ LW VMXVWFRQVLVWHQWQHZV P ɜɨɩɪɨɫɧɚɰɢɨɧɚɥɶɧɨɣ ɛɟɡɨɩɚɫɧɨɫɬɢ SLYRWDOPRPHW Q ɫɧɚɭɤɨɣɧɟɩɨɫɩɨɪɢɲɶ WRWDNHLWRQIDLWK R ɞɚɜɚɣɬɟɫɤɚɠɟɦɩɪɹɦɨ DQXQDWWDLQDEOHGHDO S ɫɨɫɬɪɹɩɚɬɶɦɢɫɬɢɮɢɤɚɰɢɸ WKHVFLHQFHLVLQGLVSXWDEOH T ɩɟɪɟɪɚɫɬɢɜɜɨɣɧɭ DQDWLRQDOVHFXULW\LVVXH U ɷɬɨɝɨɢɫɥɟɞɨɜɚɥɨɨɠɢɞɚɬɶ WKHIDFWVDUHFU\VWDOFOHDU V ɩɪɢɧɹɬɶɧɚɜɟɪɭ UHGLUHFWRQH¶VVWHSV W ɩɥɨɞɱɶɟɝɨɬɨɜɨɨɛɪɚɠɟɧɢɹ 59 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE B. Use the expressions from point A to make up sentences and offer their Russian equivalents to your fellow students to translate them back into English. Monitor the students’ translation making corrections if necessary. 6. Use the following words and word combinations to complete the sentences below (some words are required more than once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TOPICAL ISSUES OF MODERN LIFE (YHQ QRZ PDQ PD\ EH XQZLWWLQJO\ FKDQJLQJ WKH ZRUOG V FOLPDWH WKURXJK WKH BBBBBBBBBBBBRI WKLV FLYLOL]DWLRQ «! $QG &KLQD KDV UHFHQWO\ VXUSDVVHG WKH 8QLWHG 6WDWHV DV WKH ZRUOG V QXPEHU RQH BBBBBBBBBBBB «! 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Provide the original for the following sentences: Ⱦɥɹ ɦɟɧɹ ɷɬɨ ɛɨɥɶɲɚɹ ɱɟɫɬɶ ɛɵɬɶ ɧɚɡɧɚɱɟɧɧɵɦ ɩɨɫɥɨɦ ɦɢɪɚ ɈɈɇ ɩɨ ɩɪɨɛɥɟɦɚɦɤɥɢɦɚɬɚ ɋɠɢɝɚɧɢɟ ɭɝɥɹ ɧɟɮɬɢ ɢ ɞɪɟɜɟɫɢɧɵ ɫɩɨɫɨɛɫɬɜɭɟɬ ɜɵɛɪɨɫɭ ɭɝɥɟɤɢɫɥɨɝɨ ɝɚɡɚɜɚɬɦɨɫɮɟɪɭ ɉɚɧ Ƚɢ Ɇɭɧ ɧɚɡɜɚɥ Ʌɟɨ ɚɜɬɨɪɢɬɟɬɧɵɦ ɷɤɫɩɟɪɬɨɦ ɩɨ ɜɨɩɪɨɫɚɦ ɡɚɳɢɬɵ ɨɤɪɭɠɚɸɳɟɣɫɪɟɞɵ ɈɧɩɪɨɫɬɨɚɤɬɺɪɢɲɤɨɢɡȽɨɥɥɢɜɭɞɚɫɧɭɥɟɜɵɦɛɚɝɚɠɨɦɧɚɭɱɧɵɯɡɧɚɧɢɣ Ɋɚɛɨɬɧɢɤɚɦ ɚɞɦɢɧɢɫɬɪɚɰɢɢ ɲɬɚɬɚ Ɏɥɨɪɢɞɚ ɡɚɩɪɟɬɢɥɢ ɢɫɩɨɥɶɡɨɜɚɬɶ ɫɥɨɜɨɫɨɱɟɬɚɧɢɟ©ɢɡɦɟɧɟɧɢɟɤɥɢɦɚɬɚª ɂɫɫɚɦɨɝɨɞɟɬɫɬɜɚɹɭɜɥɺɤɫɹɢɡɭɱɟɧɢɟɦɢɫɱɟɡɧɭɜɲɢɯɜɢɞɨɜɠɢɜɨɬɧɵɯ Ʌɶɜɢɧɚɹɞɨɥɹɧɚɲɟɣɷɤɨɧɨɦɢɤɢɨɫɧɨɜɚɧɚɧɚɢɫɤɨɩɚɟɦɵɯɜɢɞɚɯɬɨɩɥɢɜɚ ɗɬɨ ɭɝɨɥɶ ɧɟɮɬɶ ɢ ɩɪɢɪɨɞɧɵɣ ɝɚɡ ɇɟɮɬɹɧɨɣ ɪɵɧɨɤ ɜ ɨɫɧɨɜɧɨɦ ɨɪɢɟɧɬɢɪɨɜɚɧ ɧɚ ɫɢɫɬɟɦɭ ɬɪɚɧɫɩɨɪɬɚ ɚ ɭɝɨɥɶ ɢ ɝɚɡ ɫɜɹɡɚɧɵ ɫɷɥɟɤɬɪɢɮɢɤɚɰɢɟɣ ɷɥɟɤɬɪɨɷɧɟɪɝɟɬɢɤɨɣ ɇɚɭɲɧɢɤɢɪɚɫɩɨɥɚɝɚɸɬɫɹɫɡɚɞɢɚɝɪɨɦɤɨɫɬɶɪɟɝɭɥɢɪɭɟɬɫɹɧɚɞɦɢɤɪɨɮɨɧɨɦ Ⱦɟɥɨ ɜ ɬɨɦ ɱɬɨ ɱɟɦ ɛɨɥɶɲɟ ɹ ɜɧɢɤɚɸ ɜ ɷɬɭ ɩɪɨɛɥɟɦɭ ɢ ɜ ɩɪɢɱɢɧɵ ɩɨɪɨɞɢɜɲɢɟ ɟɺ ɬɟɦ ɫɢɥɶɧɟɟ ɹ ɨɫɨɡɧɚɸ ɧɚɫɤɨɥɶɤɨ ɩɨɜɟɪɯɧɨɫɬɧɵ ɦɨɢ ɩɨɡɧɚɧɢɹ ±Ɍɨɥɳɢɧɚɥɶɞɚɡɞɟɫɶɭɦɟɧɶɲɚɟɬɫɹ"±Ɉɧɬɚɟɬɞɨɜɨɥɶɧɨɛɵɫɬɪɨ Ⱥɪɤɬɢɤɚɹɜɥɹɟɬɫɹɱɟɦɬɨɜɪɨɞɟɤɨɧɞɢɰɢɨɧɟɪɚɞɥɹɫɟɜɟɪɧɨɝɨɩɨɥɭɲɚɪɢɹ ɡɟɦɥɢ Ɂɞɟɫɶɩɨɩɭɥɹɰɢɹɧɚɪɜɚɥɨɜɫɬɚɛɢɥɶɧɚɹɜɞɪɭɝɢɯɪɚɣɨɧɚɯɨɧɚɭɦɟɧɶɲɚɟɬɫɹ 63 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ɉɨɱɟɦɭ ɷɬɭ ɩɪɨɛɥɟɦɭ ɩɨɫɬɨɹɧɧɨ ɢɝɧɨɪɢɪɭɸɬ ɭɩɭɫɤɚɸɬ ɢɡ ɜɢɞɭ " ɋɟɣɱɚɫ ɩɨɜɵɲɟɧɢɟ ɬɟɦɩɟɪɚɬɭɪɵ ɧɚ ɩɚɪɭ ɝɪɚɞɭɫɨɜ ɧɟ ɩɨɤɚɠɟɬɫɹ ɤɚɬɚɫɬɪɨɮɢɱɟɫɤɢɦ Ɇɵɜɫɟɞɨɥɠɧɵɡɧɚɟɬɟɥɢɞɨɧɟɫɬɢɞɨɫɨɡɧɚɧɢɹɚɦɟɪɢɤɚɧɰɟɜɜɚɠɧɨɫɬɶ ɩɪɨɛɥɟɦɵɡɚɳɢɬɵɨɤɪɭɠɚɸɳɟɣɫɪɟɞɵ ɆɚɣɚɦɢɇɨɜɵɣɈɪɥɟɚɧȻɨɫɬɨɧɢɅɨɧɝȻɢɱɜɄɚɥɢɮɨɪɧɢɢɦɨɝɭɬɛɵɬɶ ɨɛɪɟɱɟɧɵ ɩɚɫɬɶ ɠɟɪɬɜɚɦɢ ɩɨɫɬɨɹɧɧɨ ɩɨɞɧɢɦɚɸɳɟɝɨɫɹ ɭɪɨɜɧɹ ɦɨɪɹ ɘɠɧɭɸɎɥɨɪɢɞɭɦɨɠɟɬɫɦɵɬɶɩɪɢɥɢɜɧɨɣɜɨɥɧɨɣ Ʉɨɝɞɚ ɬɵ ɩɵɬɚɟɲɶɫɹ ɧɚɣɬɢ ɦɟɫɬɚ ɧɚɢɛɨɥɟɟ ɭɹɡɜɢɦɵɟ ɫ ɬɨɱɤɢ ɡɪɟɧɢɹ ɡɚɬɨɩɥɟɧɢɹ ɧɚɜɨɞɧɟɧɢɹ ɨɫɨɛɟɧɧɨ ɜ ɋɒȺ ɫɬɚɧɨɜɢɬɫɹ ɹɫɧɨ ɱɬɨ Ɏɥɨɪɢɞɚɡɚɧɢɦɚɟɬɤɥɸɱɟɜɨɟɦɟɫɬɨ Ȼɨɥɶɲɚɹ ɱɚɫɬɶ ȼɚɲɟɣ ɩɪɟɞɜɵɛɨɪɧɨɣ ɤɚɦɩɚɧɢɢ ɛɵɥɚ ɩɨɫɜɹɳɟɧɚ ɨɛɴɹɫɧɟɧɢɸɬɨɝɨɱɟɦɦɵɡɞɟɫɶ ɜɨɎɥɨɪɢɞɟ ɪɢɫɤɭɟɦ ɍ ɧɚɫ ɧɟɬ ɧɢ ɨɫɧɨɜɚɧɢɣ ɧɢ ɜɪɟɦɟɧɢ ɨɫɩɚɪɢɜɚɬɶ ɩɪɨɛɥɟɦɭ ɢɡɦɟɧɟɧɢɹ ɤɥɢɦɚɬɚ ȼɨɜɪɟɦɹɩɪɢɥɢɜɚɜɚɦɦɨɠɟɬɩɨɧɚɞɨɛɢɬɶɫɹɤɚɧɨɷ 3. Say if the following statements are true or false. Correct the false ones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¶VRSLQLRQHYHQPRUHSHRSOHZLOOEHDEOH WRVHHVQRZLQWKHIXWXUH 7KHFDUERQWD[FDQEHWUHDWHGDVthe silver bullet IRUFOLPDWHFKDQJH *UHHQODQGIRUWKHILUVWWLPHVXGGHQO\LQVWHDGRIEHFRPLQJDFRROHUEHFRPHV DVHOIKHDWHUEHFDXVHWKHLFHFDQQRORQJHUUHIOHFWEDFN 'HQPDUNWRGD\SURGXFHVRYHUSHUFHQWRILWVHOHFWULFLW\QHHGVIURPZLQG 7KH3HQWDJRQUHIHUVIORRGLQJWRDQDWLRQDOVHFXULW\LVVXH 'U 3LHUV 6HOOHUV IURP 1$6$ QHYHU VDZ ZLWK KLV RZQ H\H KRZ WKLQ WKH ZRUOG VDWPRVSKHUHLVWLQ\OLWWOHRQLRQVNLQDURXQGWKHHDUWK 3RSH )UDQFLV¶V HQF\FOLFDO RQ WKH HQYLURQPHQW SURYHV WKDW WKLQJV DUH QRZ UHDFKLQJDEUHDNLQJSRLQW 4.Be ready to discuss the following questions: :KDWLVWKHQDPHRIWKHSLFWXUHWKDWXVHGWRKDQJRYHUDERYH/HR¶VFULE":KDWLV GHSLFWHGLQ+LHURQ\PXV%RVFK¶VSDLQWLQJ":K\GRHVLWVGHVFULSWLRQIUDPHWKHILOP" 7U\ DQG GHILQH WKH WHUPV ³JOREDO ZDUPLQJ´ DQG ³JUHHQKRXVH HIIHFW´ 'HWHFW GLIIHUHQFHVEHWZHHQWKHVHSKHQRPHQD 1DPHWKHPDMRUHFRORJLFDOLVVXHVWKDWDUHWDFNOHGLQWKHSURMHFW :KDWFRXQWULHVVXIIHUIURPHFRORJLFDOGLVDVWHUV":K\"$UHWKHVHSUREOHPVYLWDO IRU5XVVLD" :KDW SUHYHQWV HFRPLQGHG VFLHQWLVWV DQG HQYLURQPHQWDOLVWV IURP ILJKWLQJ WKH JOREDOZDUPLQJFDXVHVDQGUHVXOWV" :KDWRUJDQL]DWLRQVKHOSSURWHFWWKH(DUWK¶VHQYLURQPHQW":KDWZD\" 65 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE +RZGRHV3RSH)UDQFLV¶VHQF\FOLFDOFRQWULEXWHWRFRPEDWLQJJOREDOZDUPLQJ" :KDWPHDVXUHVFDQDQDYHUDJHFLWL]HQWDNHWRSURWHFWKLVHQYLURQPHQW" :K\ LV LW WLPH ³WR GHFODUH QR PRUH WDON QR PRUH H[FXVHV QR PRUH WHQ\HDU VWXGLHV´" :KDW LUUHYHUVLEOH FRQVHTXHQFHV FDQ IXUWKHUGHOD\LQ VWRSSLQJ JOREDO ZDUPLQJ FDXVH" 5. A. Concentrate on these sentences as you hear them in the film. Translate them from English into Russian: ,WKLQNLWVRKDVWRGRZLWKOREE\LQJDQGLQGXVWU\DQG,DOZD\VVD\RQHWKLQJ /HR,VDLGXKWKHRFHDQLVQRW5HSXEOLFDQDQGLW VQRW'HPRFUDWDOOLWNQRZV KRZWRGRLVULVH *OREDOZDUPLQJLVWKHJUHDWHVWKRD[HYHUSHUSHWUDWHGRQWKH$PHULFDQSHRSOH :HFDQ WJHWDFOLPDWHELOOSDVVHGWKURXJKRXU&RQJUHVVEHFDXVHLW VFRQWUROOHG E\IRVVLOIXHOIXQGHGFOLPDWHFKDQJHGHQLHUVZKRDUHEORFNLQJDQ\ELOOVWKDW ZRXOGDWWHPSWWRGHDOZLWKWKLVSUREOHP /LNHRFHDQVUDLQIRUHVWVDEVRUEFDUERQIURPRXUDWPRVSKHUH 0RVW LPSRUWDQWO\ FRZV SURGXFH PHWKDQH DQG PHWKDQH LV D SRZHUIXO JUHHQKRXVHJDV7KHDWPRVSKHUHKDVPXFKPRUH&2LQLWEXWPHWKDQHLVIDU PRUHLPSDFWIXO %DWWHULHVDUHFULWLFDOWRWKHVXVWDLQDEOHHQHUJ\IXWXUH :KDWWKHFDUERQWD[GRHVLVLWQXGJHVWKHPLQWKHGLUHFWLRQRIGRLQJWKHULJKWWKLQJ 'XULQJWKHFDPSDLJQ3UHVLGHQW2EDPDGLGQ WZDQQDVD\WKHZRUGcarbon tax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ive Russian equivalents to the following colloquial expressions. Try and find the episodes in the film they are used in. Search for more colloquialisms in the movie. %DGDVV WXQH RXW ZDFN\ URRPLHV %XW LW DOO NLQGD VHHPV EH\RQG RXU FRQWUROJHHNSLVVHGNQRFNWKHZKROHV\VWHPGRZQ:RZ+RO\FUDS,JHWWKDW 7KDW VLW"1LFHWRVHH\RXEXGG\JRQQDZDQQD:DONPHWKURXJKDFDUERQ WD[6ROHPPHJHWWKLVVWUDLJKW+RZ\RXGRLQJPDQ"+H\PDQ*RRGWRVHH \D<RXGRLQJDOULJKW"$OULJKW& PRQ<RX YHJRWWDZRUU\DERXWLW1RSH 6. A. Give Russian equivalents to the following speech patterns: +H VDOZD\VEHHQWKLVVRUWRI=HOLJRIWKHFRXQWHUFXOWXUHDV,OLNHWRFDOOKLP $QGLI\RXORRNDWWKHVHSDQHOVORQJHQRXJK, WKH\VWDUWWRWHOODVWRU\ +HVDLGWKDWDVIDUDVWKH3DULVFRQIHUHQFHLVFRQFHUQHGKHIHOWLWZDVDVWHS LQWKHULJKWGLUHFWLRQEXWFHUWDLQO\QRWHQRXJK 7KHSUREOHPLVWKHRFHDQFDQ WGRLWVMREIDVWHQRXJKZLWKWKLVDEVXUGUDWHRI FDUERQGLR[LGHHPLVVLRQV $QGSHRSOHOLNHPHZHDUHULFKHQRXJKWRZLWKVWDQGWKHILUVWKLWRIFOLPDWHFKDQJH 67 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ,I\RXFDQSXWWKDWLQWKHPRYLHWKDWZRXOGEHXQEHOLHYDEOH+RZDERXWWKLV, GDUH\RX :HGRQ WKDYHWKHOLEHUW\RUWKHWLPHWRGHEDWHFOLPDWHFKDQJH 7KLQJVKDYHWDNHQDPDVVLYHWXUQIRUWKHZRUVW. «WKHPRUHPRQH\ZHIXQQHOLQWRWKHPWKHPRUHZHLQYHVWLQWRWKHPDQG XOWLPDWHO\LWZLOOVROYHWKDWSUREOHP 7KHPRUH WKDWWKHUHFDQEHVRUWRISRSXODUXSULVLQJDJDLQVWWKDW, WKHEHWWHU 6R WKHVRRQHU ZHFDQWDNHDFWLRQ, WKHOHVV KDUPZLOOUHVXOW 6R \RX FRXOG EH LQ D UHPRWH YLOODJH DQG KDYH VRODU SDQHOV WKDW FKDUJH D EDWWHU\SDFN«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ake up sentences (or find more examples) containing the speech patterns from section A. C. Make up dialogues or short stories using as many patterns as possible and perform them in class. 7. Revise your active vocabulary and fill the gaps with the following words and word combinations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ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE $QG,WKLQNWKDWRQFHSHRSOHFRPHRXWRIWKHIRJRIBBBBBBBBBBBB ,VWLOOWKLQNDORWDERXWWKDWBBBBBBBBBBBBWKDWXVHGWRKDQJRYHUDERYHP\FULE %RVFKBBBBBBBBBBBBDYLHZRIRXU(DUWKRQWKHWKLUGGD\RIFUHDWLRQ 6WLOOZHFDQVHHVLJQVWKDWWKLQJVDUHQRZUHDFKLQJDEUHDNLQJBBBBBBBBBBBB $IWHU HYHU\WKLQJ , YH VHHQ LW V EHFRPH SUHWW\ REYLRXV WKDW ZH UH QR ORQJHU OLYLQJLQWKDWILUVWXQVSRLOHGBBBBBBBBBBBBRI(GHQ 1RZ LI WKLV ZDV D PRYLH ZH FRXOG ZULWH WKH HQGLQJ RI WKLV VFULSW DQG ZH FRXOGILJXUHDZD\RXWRIWKLVBBBBBBBBBBBB /RRN BBBBBBBBBBBB DQG UHDOL]H WKDW ZH KDG WKH PHDQV RI VWRSSLQJ WKLV GHYDVWDWLRQEXWVLPSO\BBBBBBBBBBBBWKHSROLWLFDOZLOOWRGRVR $PDVVLYHFKDQJHLVBBBBBBBBBBBBULJKWQRZ ,W ZLOO PHDQ DEVROXWHO\ QRWKLQJ LI \RX UHWXUQ WR \RXU FRXQWULHV DQG BBBBBBBBBBBBWRSXVKEH\RQGWKHSURPLVHVRIWKLVKLVWRULFDJUHHPHQW 3267:$7&+,1* 1. Think of the following aspects related to the film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³EHFRPHFKHDSHUDQGFKHDSHUDQGFKHDSHU´" <RX KDYH VHHQ D ORW RI HFRPLQGHG DFWLYLVWV LQ WKH PRYLH 0DNH UHIHUHQFH DQG ILQGPRUHVWRULHVDERXWFRQVHUYDWLRQSURMHFWVFRQGXFWHGE\UHVHDUFKHUVWUDYHOOHUV ZULWHUVDQGRWKHUSHRSOHZKRIHHOFRQFHUQDERXWHQYLURQPHQWDOSURWHFWLRQ 2. Find viewers’ comments and reviews of the film. Compare them to your own perception of the movie. 70 ENVIRONMENTAL PROTECTION 3. Write a 150-word summary of the film. Use words and word combinations from the exercises and glossary if possible. 4. What types of pollution are mentioned in the film? Are there any more ways to pollute the environment? Give examples. 5. What ecological issues are topical for your region/ city? How can they be resolved? 6. Conduct a survey among your fellow students and friends on several environmental issues (question at least 20 people) present your findings in the table given below and report them in class. 3RLQWVRIYLHZ 6WURQJO\ $JUHH 8QGHFLGHG 'LVDJUHH 6WURQJO\ DJUHH 7KHHIIHFWVRIJOREDO GLVDJUHH ZDUPLQJDUHEHLQJ H[DJJHUDWHG 3ROOXWLQJFRPSDQLHV VKRXOGEHWD[HG &DUVVKRXOGEHEDQQHG IURPFLW\FHQWUHV 'RJVVKRXOGEHNHSW DZD\IURPVKRSV 7KHJRYHUQPHQWVKRXOG LQWURGXFHHIIHFWLYH SURJUDPVRIUHF\FOLQJ 71 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ),/0(5,1%52&.29,&+ Erin Brockovich OHQJWK ± LV D $PHULFDQELRJUDSKLFDO ILOPGLUHFWHG E\6WHYHQ 6RGHUEHUJKDQG ZULWWHQ E\6XVDQQDK *UDQW 7KH ILOP LV D GUDPDWL]DWLRQ RI WKH WUXH VWRU\ RI(ULQ %URFNRYLFK SRUWUD\HG E\-XOLD 5REHUWV ZKR IRXJKW DJDLQVW WKH HQHUJ\ FRUSRUDWLRQ3DFLILF *DV DQG (OHFWULF &RPSDQ\ 3* ( 7KH ILOP ZDV D ER[ RIILFH VXFFHVV DQG FULWLFDO UHDFWLRQ ZDV SRVLWLYH -XOLD 5REHUWV ZRQ WKH$FDGHP\ $ZDUG%$)7$*ROGHQ *OREH $ZDUG6FUHHQ $FWRUV *XLOG $ZDUG DQG YDULRXV FULWLFV DZDUGV IRU %HVW $FWUHVV (DUO\ LQ WKH ILOP WKH UHDO (ULQ %URFNRYLFKKDVDFDPHRDSSHDUDQFHDVDZDLWUHVVQDPHG-XOLD Cast -XOLD5REHUWVDVErin Brockovich $OEHUW)LQQH\DVEdward L. Masry 3HWHU&R\RWHDVKurt Potter $DURQ(FNKDUWDVGeorge &KHUU\-RQHVDVPamela Duncan 0DUJ+HOJHQEHUJHUDVDonna Jensen &RQFKDWD)HUUHOODVBrenda 7UDFH\:DOWHUDVCharles Embry 35(:$7&+,1* 1. Find information about the following QDPHV(ULQ%URFNRYLFKWKH3DFLILF*DVDQG(OHFWULF&RPSDQ\ 3* ( SODFHV+LQNOH\ &DOLIRUQLD 8&/$:LFKLWD SKHQRPHQD7KH7KUHH0LOH,VODQGDFFLGHQWELOOLRQ 2. Basic words and word combinations to the topic “Water Pollution” (in order of appearance): FKURPLXPFKURPH±ɯɪɨɦ ɯɢɦɢɱɟɫɤɢɣɷɥɟɦɟɧɬ FKURPLXP±ɬɪɟɯɜɚɥɟɧɬɧɵɣɯɪɨɦ FKURPLXPKH[DYDOHQWFKURPLXP±ɲɟɫɬɢɜɚɥɟɧɬɧɵɣɯɪɨɦ OHJDO OLPLW IRU KH[DYDOHQW FKURPLXP ± ɪɚɡɪɟɲɟɧɧɨɟ ɫɨɞɟɪɠɚɧɢɟɲɟɫɬɢɜɚɥɟɧɬɧɨɝɨɯɪɨɦɚ EHQLJQ±ɞɨɛɪɨɤɚɱɟɫɬɜɟɧɧɵɣɛɟɡɜɪɟɞɧɵɣ 72 ɞɨɩɭɫɬɢɦɨɟ ENVIRONMENTAL PROTECTION FDUFLQRJHQLF ± ɤɚɧɰɟɪɨɝɟɧɧɵɣ ɫɩɨɫɨɛɫɬɜɭɸɳɢɣ ɜɨɡɧɢɤɧɨɜɟɧɢɸ ɪɚɤɨɜɵɯ ɨɩɭɯɨɥɟɣ UXVWLQKLELWRU±ɚɧɬɢɤɨɪɪɨɡɢɣɧɨɟɫɪɟɞɫɬɜɨ XWLOLW\ SODQW ± ɤɨɦɦɭɧɚɥɶɧɨɟ ɩɪɟɞɩɪɢɹɬɢɟ ɨɛɟɫɩɟɱɢɜɚɸɳɟɟ ɧɚɫɟɥɟɧɢɟ ɜɨɞɨɣɷɥɟɤɬɪɢɱɟɫɬɜɨɦɝɚɡɨɦɢɞɪɭɝɢɦɢɬɨɜɚɪɚɦɢɢɭɫɥɭɝɚɦɢɩɟɪɜɨɣɧɟɨɛɯɨɞɢɦɨɫɬɢ FRUURVLRQ±ɤɨɪɪɨɡɢɹ :DWHU%RDUG±ɨɬɞɟɥɜɨɞɨɫɧɚɛɠɟɧɢɹɭɩɪɚɜɥɟɧɢɟɩɨɜɨɞɧɵɦɪɟɫɭɪɫɚɦ JURXQGZDWHUPRQLWRULQJ±ɤɨɧɬɪɨɥɶɤɚɱɟɫɬɜɚɝɪɭɧɬɨɜɨɣɜɨɞɵ PRQLWRULQJZHOOWHVWZHOO±ɞɨɡɢɦɟɬɪɢɱɟɫɤɢɣ ɤɨɧɬɪɨɥɶɧɵɣ ɤɨɥɨɞɟɰ WR[LFRORJLVW±ɬɨɤɫɢɤɨɥɨɝ KH[DYDOHQW FKURPLXP H[SRVXUH H[SRVXUH WR KH[DYDOHQW FKURPLXP ± ɜɨɡɞɟɣɫɬɜɢɟɲɟɫɬɢɜɚɥɟɧɬɧɨɝɨɯɪɨɦɚ FRROLQJWRZHU±ɝɪɚɞɢɪɧɹɛɚɲɟɧɧɵɣɨɯɥɚɞɢɬɟɥɶ DQWLFRUURVLYH±ɚɧɬɢɤɨɪɪɨɡɢɣɧɵɣɚɝɟɧɬ VHHSLQWRWKHJURXQG±ɩɪɨɫɚɱɢɜɚɬɶɫɹɜɡɟɦɥɸ OLYHRQWKHSOXPH±ɠɢɬɶɜɡɨɧɟɡɚɝɪɹɡɧɟɧɢɹɧɚɡɚɪɚɠɟɧɧɨɣɬɟɪɪɢɬɨɪɢɢ KROGLQJSRQG±ɜɨɞɨɫɛɨɪɧɢɤɧɚɤɨɩɢɬɟɥɶɨɬɫɬɨɣɧɵɣɩɪɭɞ JURXQGZDWHUFRQWDPLQDWLRQ±ɡɚɝɪɹɡɧɟɧɢɟɝɪɭɧɬɨɜɵɯɜɨɞ 3. Translate the following sentences with the words and word combinations from Point 2 above: :KDW V LW XVHG IRU" $ UXVW LQKLELWRU 6HH WKH XWLOLW\ SODQWV UXQ WKHVH SLVWRQ HQJLQHVWRFRPSUHVVWKHJDVWKHHQJLQHVJHWKRW\RXJRWWDUXQZDWHUWKURXJK WKHPFKURPLXP VLQWKHZDWHUWRSUHYHQWFRUURVLRQ /RRNDWWKHVHUHDGLQJVIRU&KULVW VVDNH3* ( VRZQWHFKQLFLDQVGRFXPHQWHG WR[LF OHYHOV RI KH[DYDOHQW FKURPLXP LQ WKRVH WHVW ZHOOV RQ QXPHURXV RFFDVLRQV 7KH\XVHGWKHKH[FKURPHKHUHLQWKHVHFRROLQJWRZHUVDVDQDQWLFRUURVLYH 7KHQWKH\GXPSHGWKHH[FHVVZDWHUKHUHLQWKHVHVL[SRQGV 73 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 7KHUHZDVDORWRIGXOOVWXIIYDFDWLRQVFKHGXOHVWKHOLNH%XWWKHQWKHUHZHUH DIHZPHPRVDERXWWKHKROGLQJSRQGV7KHZDWHULQWKHP7KH\KDGUHDGLQJV IURPWHVWZHOOVVWXIIOLNHWKDW ,QWHUQDO 3* ( GRFXPHQWV DOO DERXW WKH FRQWDPLQDWLRQ 7KH RQH , OLNH EHVW VD\VDQG, PSDUDSKUDVLQJKHUHEXWLWVD\V\HVWKHZDWHU VSRLVRQRXVEXWLW G EHEHWWHUIRUDOOLQYROYHGLIWKLVPDWWHUZDVQ WGLVFXVVHGZLWKWKHQHLJKERUV 4. Translate the following sentences using the words and word combinations from Point 2 above: ȿɫɬɶɨɛɵɱɧɵɣɯɪɨɦɨɱɟɧɶɩɨɥɟɡɧɵɣɞɥɹɱɟɥɨɜɟɤɚȿɫɬɶɯɪɨɦɤɨɬɨɪɵɣ ɞɨɜɨɥɶɧɨɛɟɡɜɪɟɞɧɵɣɚɟɳɟɟɫɬɶɯɪɨɦɲɟɫɬɢɜɚɥɟɧɬɧɵɣɯɪɨɦɤɨɬɨɪɵɣ ɜɡɚɜɢɫɢɦɨɫɬɢɨɬɤɨɥɢɱɟɫɬɜɚɦɨɠɟɬɛɵɬɶɨɱɟɧɶɜɪɟɞɧɵɦ Ɉɧɯɨɬɟɥɱɬɨɛɵɬɵɡɧɚɥɚɱɬɨɞɨɩɭɫɬɢɦɨɟɫɨɞɟɪɠɚɧɢɟɲɟɫɬɢɜɚɥɟɧɬɧɨɝɨ ɯɪɨɦɚɫɨɫɬɚɜɥɹɟɬɱɚɫɬɟɣɧɚɦɢɥɥɢɨɧ SSP əɩɨɝɨɜɨɪɢɥɚɫɬɨɤɫɢɤɨɥɨɝɨɦɈɧɞɚɥɦɧɟɫɩɢɫɨɤɡɚɛɨɥɟɜɚɧɢɣ ɩɪɨɛɥɟɦ ɤɨɬɨɪɵɟ ɦɨɝɭɬ ɜɨɡɧɢɤɧɭɬɶ ɜ ɪɟɡɭɥɶɬɚɬɟ ɜɨɡɞɟɣɫɬɜɢɹ ɲɟɫɬɢɜɚɥɟɧɬɧɨɝɨ ɯɪɨɦɚɂɜɫɟɱɟɦɜɵɫɬɪɚɞɚɟɬɟɟɫɬɶɜɷɬɨɦɫɩɢɫɤɟ ȺɧɧɚɛɟɥɶȾɷɧɢɷɥɡɉɪɨɠɢɜɚɟɬɧɚɡɚɪɚɠɟɧɧɨɣɬɟɪɪɢɬɨɪɢɢɫɫɚɦɨɝɨɪɨɠɞɟɧɢɹ ȼ ɨɬɞɟɥɟ ɜɨɞɨɫɧɚɛɠɟɧɢɹ ɹ ɧɚɲɥɚ ɞɨɤɭɦɟɧɬ ɝɨɞɚ ɜ ɤɨɬɨɪɨɦ ɟɫɬɶ ɞɚɧɧɵɟɨɬɨɤɫɢɱɧɨɫɬɢɜɨɞɵɜɞɨɡɢɦɟɬɪɢɱɟɫɤɨɦɤɨɥɨɞɰɟ 5. Study these legal terms and (a) match them with their definitions, (b) use them to complete the sentences below: DSODLQWLII DGHPXU WREHOLDEOH SXQLWLYH WRILOHDVXLW ELQGLQJ GDPDJHV WRVXH DUELWUDWLRQ DUHDOHVWDWH VWDWXWHRI FDVH OLPLWDWLRQV MXU\WULDO DFDXVHRI DFWLRQ IRUD ODZVXLW (a) UHIXVDORUGLVDJUHHPHQW WR PDNH D OHJDO FODLP DJDLQVW VRPHRQH XVXDOO\ WR JHW PRQH\ IURP WKHP EHFDXVHWKH\KDYHGRQHVRPHWKLQJEDGWR\RX 74 ENVIRONMENTAL PROTECTION D OHJDO SURFHHGLQJ LQ ZKLFK D JURXS RI SHRSOH XVXDOO\ HLWKHU PDNHV D GHFLVLRQZKHWKHUVRPHRQHLVJXLOW\RULQQRFHQWRUPDNHVILQGLQJRIIDFW PRQHWDU\ FRPSHQVDWLRQ DZDUGHG WR DQ LQMXUHG SDUW\ WKDW JRHV EH\RQG WKDW ZKLFKLVQHFHVVDU\WRFRPSHQVDWHWKHLQGLYLGXDOIRUORVVHVDQGWKDWLVLQWHQGHG WRSXQLVKWKHZURQJGRHU WKH IDFW RU FRPELQDWLRQ RI IDFWV WKDW JLYHV D SHUVRQ WKH ULJKW WR VHHN MXGLFLDO UHGUHVVRUUHOLHIDJDLQVWDQRWKHUWKHOHJDOWKHRU\IRUPLQJWKHEDVLVRIDODZVXLW D OHJDO PDWWHU FRQFHUQLQJ SURSHUW\ ODQG DQG WKH EXLOGLQJV RQ LW WKDW ZLOO EH GHFLGHGLQDFRXUW WR EH OHJDOO\ UHVSRQVLEOH IRU FDXVLQJ GDPDJH RU LQMXU\ VR \RX KDYH WR SD\ VRPHWKLQJRUEHSXQLVKHG D IRUP RI DOWHUQDWLYH GLVSXWH UHVROXWLRQ LW ZRUNV RXW D GHDO WKURXJK DQ LQGHSHQGHQWWKLUGSDUW\ERG\ZKRVHGHFLVLRQLVILQDODQGFDQQRWEHGLVSXWHG RUDSSHDOHGWKHSDUWLHVDUHERXQGWRVDWLVI\DQ\DZDUGGHWHUPLQHGE\WKHDUELWUDWRU VRPHRQHZKREULQJVDOHJDOFDVHDJDLQVWVRPHRQHHOVHLQDFRXUWRIODZ WKHWLPHOLPLWLPSRVHGE\ODZLQZKLFKDODZVXLWRUFULPLQDOFDQEHILOHG (b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±%HFDXVHWKH\NQRZWKHHYLGHQFHZH GRKDYH7KH\NQRZWKH\ UHJRQQDORVHBBBBBBBBBBBB 75 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 3HRSOH OLVWHQ SOHDVHWKH SRLQW ZH ZDQW WR DGGUHVV WRQLJKW LV JHWWLQJ HYHU\RQHWRDJUHHWKDWJRLQJBBBBBBBBBBBBLVSUHIHUDEOHWRDWULDOWKDWFRXOG JRRQIRUWHQ\HDUVEHIRUH\RXVHHDQ\PRQH\ 7KHQ 3* ( ZLOO VXEPLW BBBBBBBBBBBB ± D OLVW RI UHDVRQV DWWDFNLQJ HDFK FRPSODLQWFODLPLQJWKDWHDFKBBBBBBBBBBBBKDVQRPHULW :HOOORRN,KDYHWRRSHQDILOHBBBBBBBBBBBBWKLQJ3URERQR 6. Match the following medical terms with their equivalents: ɥɢɦɮɨɦɚɏɨɞɠɤɢɧɚ D OXPS ɪɟɦɢɫɫɢɹ E ERQHGHWHULRUDWLRQ ɨɩɭɯɨɥɶ ZRUGV F WXPRU ɩɟɱɟɧɨɱɧɚɹɧɟɞɨɫɬɚɬɨɱɧɨɫɬɶ G F\VW ɭɯɭɞɲɟɧɢɟɫɨɫɬɨɹɧɢɹɤɨɫɬɟɣ H ZU\QHFN ɤɢɫɬɚ I ILEURXVG\VSODVLD ɢɦɦɭɧɨɞɟɮɢɰɢɬ J UHPLVVLRQ ɝɪɚɧɭɥɟɦɚɬɨɡɧɵɣɷɧɬɟɪɢɬ ɛɨɥɟɡɧɶɄɪɨɧɚ K +RGJNLQ VGLVHDVH ɜɟɪɬɢɲɟɣɤɚɤɪɢɜɨɲɟɹ L LPPXQHGHILFLHQF\ ɮɢɛɪɨɡɧɚɹɞɢɫɩɥɚɡɢɹ M OLYHUIDLOXUH N &URKQ VGLVHDVH :$7&+,1* 1. While watching the film fill in the gaps: (SLVRGH Watch two episodes where Erin and Ed Masry argue over and reflect upon the case. Later be ready to explain Ed's doubts, indignation and hesitation, on the one hand, and Erin's perseverance, on the other hand: Mr. Masry:7KHRQO\UHDVRQ3* (LVHYHQWDONLQJWRXVLVEHFDXVHWKLVLVDTXLHW BBBBBBBBBBBBGLVSXWH:HDGGBBBBBBBBBBBBDQGVXGGHQO\ZH UH LQWKHPLGGOHRIDWR[LFWRUW±ZLWKDVWDWXWHSUREOHP±DJDLQVW BBBBBBBBBBBB1RWKDQN\RX 76 ENVIRONMENTAL PROTECTION Erin: 2NKHUH VZKDW, OOGR, OOJRWRBBBBBBBBBBBBWZRRIWKHQLFHVW SHRSOH\RXFRXOGHYHUKHOSWRPHHWZKRHYHU\VLQJOHGD\ZDWFKWKHLU OLWWOHJLUO$QQDEHOILJKWBBBBBBBBBBBBDJDLQVWBBBBBBBBBBBB$QG , OOWHOOWKHPWKDWZHFDQ WKHOSWKHPEHFDXVH\RXGRQ WZDQQDZRUN WKDWKDUG Mr. Masry::RUNKDUG"/HWPHWHOO\RXVRPHWKLQJ±, YHZRUNHGDOOP\OLIH , YHEXLOWDILUPDQGPDQDJHGBBBBBBBBBWKURXJKBBBBBBBBBBBB LQMXQFWLRQVDQGHYLFWLRQV,KDYHVXUYLYHGDTXDGUXSOHE\SDVV FDQFHUEHLQJERUQZLWKRQHBBBBBBBBBBDQGKDYLQJBBBBBBBBBB ,KDYHSHUVRQDOO\PDQDJHGWRVDYHBBBBBBBBBBBBRYHU\HDUV JHWWLQJVRPHFOLHQWVWHQWLPHVWKDW'RQ WWHOOPH,GRQ WZRUNKDUG 'RQ WWHOOPH,KDYHQ WWKHULJKWWRVWRSBBBBBBBBDQGBBBBBBB! Mr. Masry: 7KLVLVDZKROHGLIIHUHQWEDOOJDPH(ULQ$PXFKBBBBBBBBBB! Mr. Masry: 2NKHUH VWKHGHDOLIDQGRQO\LI\RXILQGPHBBBBBBBBBBBBWR Erin: BBBBBBBBBBBB, OOGRLW, OOWDNHLWRQ <RX UHGRLQJWKHULJKWWKLQJ0U0DVU\ Mr. Masry: <HDK\HDK5HPLQGPHRIWKDWZKHQ, PILOLQJIRUBBBBBBBBBBBB (SLVRGH Mr. Masry:, GRQ W NQRZ LI ZH FDQ SXOO LW RII 7KLV LV D BBBBBBBBBBBB FDVH :H UH XSWRBBBBBBBBBBBB:H YHWDNHQBBBBBBBBBBBB3UREDEO\ KXQGUHGVPRUHRXWWKHUHPRYHGDZD\:HKDYHWRILQGWKHP,W V WDNLQJ WLPH BBBBBBBBBBBB PRQH\ V JRLQJ RXW QRWKLQJ V FRPLQJ LQ , PJRLQJWRWDNHWKHVHFRQGPRUWJDJHRQWKHKRXVH Erin: 6R" Mr. Masry: ,KDYHWRWHOO\RX, YHEHHQPDNLQJBBBBBBBBBBBBZLWKRWKHUILUPV %LJJHUILUPVWRBBBBBBBBBBBBVRPHRIWKHBBBBBBBBBBBB7KH\DOO VDLG 1R 7KH\VD\ZHGRQ WKDYHLW! Mr. Masry:3* (BBBBBBBBBBBBLVFODLPLQJWKH\KDGQRZD\RINQRZLQJZKDW ZDVJRLQJRQLQ+LQNOH\ 77 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Erin: 2KWKH\NQHZ7KH\KDGWRNQRZ Mr. Masry:6KRZPHWKHGRFXPHQWWKDWSURYHVLW7KHQWKH\GLGQ WNQRZ$QG Erin: LIWKH\GLGQ WNQRZZHFDQ WKLWWKHPZLWKBBBBBBBBBBBB 6RZKDWGRZHGRQRZ" Mr. Masry: /HW VDVVXPHWKHUHDUHGRFXPHQWVBBBBBBBBBBBB3* (+LQNOH\ ZLWK 3* ( &RUSRUDWH DQG WKH\ NQRZ WKHVH GRFXPHQWV H[LVW :H WDNH RXUIRXUKXQGUHGRUVRSODLQWLIIVDQGHYHU\WKLQJ\RXGXJXSDQGZH ILOHDODZVXLWWRBBBBBBBBBBBBVHHLIWKH\BBBBBBBBBBBBDQ\ UHDVRQDEOHBBBBBBBBBBBBRUMXVWWKURZPRUHSDSHUDWXV! Mr. Masry:7KH3* ( OOVXEPLWDGHPXU!$QGLIWKHBBBBBBBBBBBBDJUHHV ZLWKWKHPKH OOBBBBBBBBBBBBRXUFDVH3* (ZLOOKDYHQRUHDVRQ WRVHWWOH$QGLW VDOORYHU 2. Provide the original for the following sentences. (SLVRGH Watch the scene showing Ed Masry and Erin negotiating the terms with a PG&E representative: Ɇ-ɪ Ɏɨɣɥ: ɑɬɨɛɵɩɨɫɬɚɜɢɬɶɬɨɱɤɭɜɷɬɨɦɞɟɥɟ3* (ɩɪɟɞɥɚɝɚɟɬȾɠɟɧɫɨɧɚɦ ɡɚɢɯɞɨɦ Ɇ-ɪ Ɇɟɡɪɢ: " Ɇ-ɪ Ɏɨɣɥ:ɉɨ ɦɟɪɤɚɦ ɰɟɧ ɧɚ ɡɟɦɥɸ ɜ ɏɢɧɤɥɢ Ɇɪ Ɇɟɡɪɢ ɦɵ ɩɨɥɚɝɚɟɦ ɷɬɨ ɛɨɥɟɟɱɟɦɫɩɪɚɜɟɞɥɢɜɚɹɰɟɧɚ Ɇ-ɪ Ɇɟɡɪɢ:ɇɭɚɩɨɦɟɪɤɚɦɪɚɫɯɨɞɨɜɧɚɥɟɱɟɧɢɟ"ɋɭɦɦɵɜɟɞɜɚɥɢ ɯɜɚɬɢɬɷɬɨɣɫɟɦɶɟɱɬɨɛɵɪɚɫɩɥɚɬɢɬɶɫɹɫɜɪɚɱɚɦɢ Ɇ-ɪ Ɏɨɣɥ:Ⱦɚɧɟɩɨɜɟɡɥɨɢɦɧɭɜɩɥɚɧɟɡɞɨɪɨɜɶɹɢɹɢɦɫɨɱɭɜɫɬɜɭɸɇɨ 3* (ɡɞɟɫɶɫɨɜɫɟɦɧɟɩɪɢɱɟɦ Ɇ-ɪ Ɇɟɡɪɢ:ȼɵɲɭɬɢɬɟɞɚ"ȼɡɝɥɹɧɢɬɟɧɚɷɬɢɩɨɤɚɡɚɧɢɹ ɞɚɧɧɵɟ ȼɚɲɢ ɬɟɯɧɢɱɟɫɤɢɟɫɩɟɰɢɚɥɢɫɬɵɧɟɪɚɡɮɢɤɫɢɪɨɜɚɥɢɧɚɥɢɱɢɟ ɨɩɚɫɧɨɝɨɭɪɨɜɧɹɲɟɫɬɢɜɚɥɟɧɬɧɨɝɨɯɪɨɦɚɜɤɨɥɨɞɰɚɯȼɫɟɱɟɦ ɫɬɪɚɞɚɸɬȾɠɟɧɫɨɧɵɷɬɨɛɨɥɟɡɧɢɫɜɹɡɚɧɧɵɟɫɜɨɡɞɟɣɫɬɜɢɟɦ ɲɟɫɬɢɜɚɥɟɧɬɧɨɝɨɯɪɨɦɚɚɢɦɟɧɧɨ 78 ENVIRONMENTAL PROTECTION ɗɪɢɧ: ɤɢɫɬɚ ɝɪɭɞɢ ɪɚɤ ɦɚɬɤɢ ɥɢɦɮɨɦɚ ɏɨɞɠɤɢɧɚ ɢɦɦɭɧɨɞɟɮɢɰɢɬ ɚɫɬɦɚɯɪɨɧɢɱɟɫɤɢɟɧɨɫɨɜɵɟɤɪɨɜɨɬɟɱɟɧɢɹ Ɇ-ɪ Ɏɨɣɥ: ɗɬɢɩɪɨɛɥɟɦɵɦɨɝɥɢɛɵɬɶɜɵɡɜɚɧɵɱɟɦɭɝɨɞɧɨɧɟɩɪɚɜɢɥɶɧɨɟ ɩɢɬɚɧɢɟɧɚɫɥɟɞɫɬɜɟɧɧɨɫɬɶɛɟɫɩɨɪɹɞɨɱɧɵɣɨɛɪɚɡɠɢɡɧɢɗɬɨ ɧɚɲɟɩɨɫɥɟɞɧɟɟɩɪɟɞɥɨɠɟɧɢɟɢɨɧɨɛɨɥɟɟɱɟɦɳɟɞɪɨɟ Ɇ-ɪ Ɇɟɡɪɢ:Ɇɢɧɭɬɤɭəɞɭɦɚɥȼɵɩɪɢɲɥɢɫɸɞɚɱɬɨɛɵɜɟɫɬɢɩɟɪɟɝɨɜɨɪɵ Ɇ-ɪ Ɏɨɣɥ: ɷɬɨɜɫɟɱɬɨɹɭɩɨɥɧɨɦɨɱɟɧɩɪɟɞɥɨɠɢɬɶ Ɇ-ɪ Ɇɟɡɪɢ: əɩɟɪɟɞɚɦɜɚɲɟɩɪɟɞɥɨɠɟɧɢɟɦɨɢɦɤɥɢɟɧɬɚɦɧɨɫɨɦɧɟɜɚɸɫɶ ɱɬɨɨɧɢɟɝɨɩɪɢɦɭɬ Ɇ-ɪ Ɏɨɣɥ:ɆɪɆɟɡɪɢɩɪɟɠɞɟɱɟɦɤɢɞɚɬɶɫɹɜɛɨɣ ɪɚɡɜɨɪɚɱɢɜɚɬɶ ɤɚɦɩɚɧɢɸ ɜɫɩɨɦɧɢɥɢɛɵɫɤɟɦɢɦɟɟɬɟɞɟɥɨɍɤɨɪɩɨɪɚɰɢɢ 3* (ɦɢɥɥɢɚɪɞɨɜɞɨɥɥɚɪɨɜ Ɇ-ɪ Ɇɟɡɪɢ:ɦɢɥɥɢɚɪɞɨɜ"Ⱥɹɢɧɟɡɧɚɥɱɬɨɬɚɤɦɧɨɝɨ (SLVRGH Watch Ed and Erin discussing the coming arbitration: Ɇ-ɪ Ɇɟɡɪɢ:Ɉɧɢɩɪɢɩɟɪɬɵɤɫɬɟɧɤɟɗɪɢɧȼɵɫɥɵɲɢɬɟɱɬɨɹɝɨɜɨɪɸ"Ɉɧɢ ɩɪɢɩɟɪɬɵɤɫɬɟɧɤɟɢɨɧɢɩɪɢɡɧɚɸɬɷɬɨɍɫɥɨɜɢɹɚɪɛɢɬɪɚɠɚ ɤɨɬɨɪɵɟɨɧɢɩɪɢɫɥɚɥɢɞɥɹɠɢɬɟɥɟɣɏɢɧɤɥɢɷɬɨɤɢɬɚɣɫɤɚɹɝɪɚɦɨɬɚ ɗɪɢɧ: əɡɧɚɸəɪɚɡɝɨɜɚɪɢɜɚɥɚɫɌɟɞɨɦȺɉɚɦɟɥɚȾɭɧɤɚɧɞɚɠɟɧɟ ɠɟɥɚɟɬɨɬɜɟɱɚɬɶɧɚɬɟɥɟɮɨɧɧɵɟɡɜɨɧɤɢ Ɇ-ɪ Ɇɟɡɪɢ: ɉɚɦɟɥɚ ɜɡɛɟɫɢɥɚ ɢɯ ɜɫɟɯ ɬɟɦ ɩɢɫɶɦɨɦ ɤɨɬɨɪɨɟ ɨɧɚ ɨɩɭɛɥɢɤɨɜɚɥɚ ɜɩɪɟɫɫɟɈɧɚɧɚɡɜɚɥɚɧɚɫɜɨɪɚɦɢȺɨɧɢɜɫɟɷɬɨɫɥɭɲɚɸɬȾɟɥɨ ɜɨɬɜɨɬɪɚɡɜɚɥɢɬɫɹɗɪɢɧȼɫɟɜɨɬɜɨɬɩɨɣɞɟɬɩɪɚɯɨɦ ɗɪɢɧ: ɉɨɱɟɦɭ" Ɇ-ɪ Ɇɟɡɪɢ:ɉɨɬɨɦɭɱɬɨɩɪɟɠɞɟɱɟɦɦɵɜɨɨɛɳɟɩɨɣɞɟɦɜɚɪɛɢɬɪɚɠɦɵ ɗɪɢɧ: ɞɨɥɠɧɵɡɚɪɭɱɢɬɶɫɹɫɨɝɥɚɫɢɟɦɢɫɬɰɨɜ ɋɤɨɥɶɤɢɯ" Ɇ-ɪ Ɇɟɡɪɢ: Ɉɛɵɱɧɨɬɪɟɛɭɟɬɫɹɨɤɨɥɨ3* (ɧɚɫɬɚɢɜɚɸɬɧɚɂɧɵɦɢ ɫɥɨɜɚɦɢɜɫɟɯȼɵɩɨɧɢɦɚɟɬɟɱɬɨɷɬɨɫɟɪɶɟɡɧɨ 79 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ɗɪɢɧ: ɂɱɬɨɠɟɗɞ"əɧɟɫɟɪɶɟɡɧɚ" Ɇ-ɪ Ɇɟɡɪɢ:ȼɵɱɟɪɟɫɱɭɪɷɦɨɰɢɨɧɚɥɶɧɵȼɵɩɨɪɵɜɢɫɬɵȼɵɝɨɜɨɪɢɬɟɜɫɟ ɱɬɨɩɪɢɯɨɞɢɬȼɚɦɜɝɨɥɨɜɭȼɵɨɬɧɨɫɢɬɟɫɶɤɷɬɨɦɭɤɚɤɤ ɥɢɱɧɨɦɭ ɗɪɢɧ: ɞɟɥɭɚɨɧɨɧɟɥɢɱɧɨɟ ɇɟɥɢɱɧɨɟ"ɗɬɨɦɨɹɪɚɛɨɬɚɆɨɣɩɨɬȼɪɟɦɹɤɨɬɨɪɨɟɹ ɨɬɪɵɜɚɸ ɨɬɫɜɨɢɯɞɟɬɟɣȿɫɥɢɷɬɨɧɟɥɢɱɧɨɟɞɟɥɨɬɨɱɬɨ ɷɬɨɬɨɝɞɚ" 3. Say if the following statements are true or false. Correct the false ones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e ready to discuss the following questions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he speech of the main character abounds in slang, colloquial and obscene words. Do you think it was a conscious decision of the scriptwriter and the director to make Erin speak like that? What effect is achieved thanks to it? Write down some examples of slang and colloquial words and phrases. 6. There is a popular belief that most Americans are personally responsible for the environment and it is up to them to keep this sphere of life under control. Does the film illustrate this statement? What other features of American lifestyle can you find in the film? 81 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 7. Comment on the filming techniques used in the film. What purpose do they serve? 3267:$7&+,1* 1. Think of the following aspects related to the film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ind viewers’ comments and reviews on the film. Compare them to your own perception of the film. 3. Write a review of the film for other viewers. 4. Western (American and European) film industry has produced quite a big number of films raising a wide range of environmental issues. $PRQJ VXFK ILOPVWKHUHDUHGRFXPHQWDULHV $Q,QFRQYHQLHQW7UXWK +RPH /RVW 5LYHUV HWF IHDWXUH ILOPV $ &LYLO $FWLRQ $YDWDU ,FH HWF DQG HYHQ DQLPDWHG FDUWRRQV 6WRU\ RI 6WXII :$//( Think of some Russian films related to the topic. Why do you think films about the environment are so few and the topic itself is rather unpopular in Russian cinematography? 82 ENVIRONMENTAL PROTECTION 5. Watch the interview with Erin Brockovich, environmentalist that inspired a movie about her (https://ltclip.com/video/_IM4xqp-K_c/erin-brockovich-2000erin-brockovish-ellis-interview.html). Has your impression of the film changed after watching the interview? 6. Write an argumentative essay XS WR ZRUGV RQ WKH WRSLF ³(QYLURQPHQWDO SURWHFWLRQ LV VRPHWKLQJ ZH DUH SHUVRQDOO\ UHVSRQVLEOH IRU´ 3URYLGH \RXU DUJXPHQWVIRURUDJDLQVWWKLVVWDWHPHQW8VHLGHDVDQGLQIRUPDWLRQSURYLGHGLQWKH IHDWXUHILOP 83 02'(51&,1(0$ ),/07+(:25/'2)),/00$.,1* 7KH GRFXPHQWDULHV SUHVHQWHG LQ WKLV SDUW WDNH D ORRN DW KRZ ILOPV DUH PDGH ZKRGRHVZKDWRQDILOPSURGXFWLRQDQGKRZVRPHRIWKHPRVWLQIOXHQWLDOSHRSOHDUH LQYROYHGLQWKHPDNLQJRIDILOP Video 1. The producer’s role OHQJWK ± ) KWWSVZZZIXWXUHOHDUQFRPFRXUVHVEXVLQHVVRIILOPVWHSV Video 2. What does their job entail? OHQJWK ± KWWSVZZZIXWXUHOHDUQFRPFRXUVHVH[SORUHILOPPDNLQJVWHSV 2OOLH 0DGGHQ SURGXFHU RI 7RQ\*ULVRQLVFUHHQZULWHU ‘6SRRNVWKH*UHDWHU*RRG¶ %ULDQ7XIDQRGLUHFWRURISKRWRJUDSK\ &ODUH 0DF&OHDQ SRVWSURGXFWLRQ 'DQQ\+DPEURRNVRXQGGHVLJQHUHGLWRU VXSHUYLVRU -XVWLQH:ULJKWHGLWRU (PLO\0RUJDQSURGXFHU 6LPRQ%RZOHVSURGXFWLRQGHVLJQHU 35(:$7&+,1* 1. 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Basic words and word combinations to the topic “Cinema and Filmmaking” (in order of appearance): ORFDWLRQ±©ɧɚɬɭɪɚªɤɢɧɨɧɚɬɭɪɚɫɴɺɦɨɱɧɚɹɩɥɨɳɚɞɤɚɧɚɨɬɤɪɵɬɨɦɜɨɡɞɭɯɟ WRUDLVHILQDQFHIRU±ɩɪɢɜɥɟɤɚɬɶɢɧɜɟɫɬɢɰɢɢ 84 MODERN CINEMA FRVWRIWKHILOP±ɡɚɬɪɚɬɵɧɚɫɨɡɞɚɧɢɟɮɢɥɶɦɚ SURGXFWLRQGHVLJQHU±ɯɭɞɨɠɧɢɤɩɨɫɬɚɧɨɜɳɢɤ ORFDWLRQPDQDJHPHQW±ɩɨɞɛɨɪɦɟɫɬɚɞɥɹɫɴɺɦɨɤɧɚ©ɧɚɬɭɪɟª VKRRWWKHILOPWRILOP±ɫɧɢɦɚɬɶɮɢɥɶɦ ILOPXQLW±ɫɴɺɦɨɱɧɚɹɝɪɭɩɩɚ SUHSURGXFWLRQ±ɩɨɞɝɨɬɨɜɤɚɤɫɴɺɦɤɚɦɮɢɥɶɦɚɩɪɟɞɫɴɺɦɨɱɧɵɣɩɟɪɢɨɞ EH XQGHU D ORW RI EXGJHWDU\ DQG WLPH SUHVVXUH ± ɧɚɯɨɞɢɬɶɫɹ ɜ ɫɬɪɨɝɢɯ ɛɸɞɠɟɬɧɵɯɢɜɪɟɦɟɧɧɵɯɪɚɦɤɚɯ VWXQW±ɬɪɸɤ VFULSW±ɫɰɟɧɚɪɢɣ VHW±ɫɴɺɦɨɱɧɚɹɩɥɨɳɚɞɤɚ SURSVSHRSOH±ɛɭɬɚɮɨɪɵ GLUHFWRURISKRWRJUDSK\±ɝɥɚɜɧɵɣɨɩɟɪɚɬɨɪ SRVWSURGXFWLRQVXSHUYLVRU±ɪɭɤɨɜɨɞɢɬɟɥɶɩɨɫɥɟɫɴɺɦɨɱɧɨɝɨɩɟɪɢɨɞɚ FDVWPHPEHU±ɚɤɬɺɪ D KHOLFRSWHU VKRRW±ɤɚɞɪɫɞɟɥɚɧɧɵɣɫɜɟɪɬɨɥɺɬɚɫɜɵɫɨɬɵ EURDGFDVWHU±ɜɟɳɚɬɟɥɶɧɚɹɤɨɦɩɚɧɢɹ PXVLF VFRUH±ɦɭɡɵɤɚɤɮɢɥɶɦɭ DHULDOVKRW±ɤɚɞɪɫɧɹɬɵɣɫɜɟɪɯɭɫɜɵɫɨɬɵ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian: ,W VDQLQFUHGLEO\FRPSOLFDWHGSURFHVVRIILJXULQJRXWZKHUHDQGZKHQDQGKRZ \RX UHJRLQJWRVKRRWWKHILOP ,WZDVDOVRDILOPWKDWZDVXQGHUDORWRIEXGJHWDU\DQGWLPHSUHVVXUHEHFDXVH ZHKDGDORWRIDFWLRQDORWRIGLIIHUHQWORFDWLRQVIRXUGLIIHUHQWFRXQWULHVWRVKRRWLQ $VDSURGXFHU,WKLQNWKHEHVWZD\WRDFKLHYHWKDWLVWREHULJKWDWWKHFHQWUHRI WKLQJVWKHUHHYHU\GD\DQGUHDOO\NQRZZKDW VJRLQJRQ 7KHQZHQRUPDOO\DUHQRWLQYROYHGGXULQJWKHVKRRW 85 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE /RQGRQ LV DOPRVW OLNH DQRWKHU FDVW PHPEHU IRU WKH ILOP DQG ZH UH YHU\ YHU\ OXFN\ WKDW LQ SRVWSURGXFWLRQ ZH ILQDOO\ JRW WKH DSSURYDO WR GR D KHOLFRSWHU VKRRW 4. Translate the following sentences using the words and word combinations from Point 2 above into English: ȼ ɤɚɱɟɫɬɜɟ ɯɭɞɨɠɧɢɤɚɩɨɫɬɚɧɨɜɳɢɤɚ ɹ ɨɱɟɧɶ ɬɟɫɧɨ ɪɚɛɨɬɚɸ ɫɪɟɠɢɫɫɺɪɨɦɫɩɪɨɞɸɫɟɪɚɦɢɢɫɨɜɫɟɣɧɚɲɟɣɨɝɪɨɦɧɨɣɤɨɦɚɧɞɨɣ ȼɦɨɟɣɤɨɦɚɧɞɟɢɤɨɧɫɬɪɭɤɬɨɪɵɢɛɭɬɚɮɨɪɵɢɨɬɞɟɥɤɨɦɛɢɧɢɪɨɜɚɧɧɵɯ ɫɴɺɦɨɤ ɢ ɨɬɞɟɥ ɫɩɟɰɷɮɮɟɤɬɨɜ ɤɨɬɨɪɵɣ ɨɬɜɟɱɚɟɬ ɡɚ ɜɫɟ ɤɨɦɩɶɸɬɟɪɧɵɟ ɱɭɞɟɫɚ ɂ ɜɨɬ ɡɞɟɫɶ ɤɚɤ ɪɚɡ ɜɫɺ ɡɚɜɢɫɢɬ ɨɬ ɫɩɟɰɢɚɥɢɫɬɨɜ ɩɨɫɥɟɫɴɺɦɨɱɧɨɝɨ ɩɟɪɢɨɞɚɬɨɟɫɬɶɨɬɪɚɛɨɬɵɡɜɭɤɨɪɟɠɢɫɫɺɪɚɨɬɦɭɡɵɤɢɨɬɫɩɟɰɷɮɮɟɤɬɨɜ Ʌɨɧɞɨɧ ɫɬɚɥ ɨɩɪɟɞɟɥɺɧɧɨ ɟɳɺ ɨɞɧɢɦ ɚɤɬɺɪɨɦ ɷɬɢ ɩɪɟɤɪɚɫɧɵɟ ɤɚɞɪɵ Ʌɨɧɞɨɧɚɫɧɹɬɵɟɫɜɟɪɯɭɩɪɨɫɬɨɩɨɬɪɹɫɚɸɳɢ ɑɬɨɛɵ ɩɪɢɞɚɬɶ ɮɢɥɶɦɭ ɨɳɭɳɟɧɢɟ ɟɳɺ ɛɨɥɟɟ ɦɚɫɲɬɚɛɧɨɝɨ ɪɚɡɦɚɯɚ ɦɵ ɫɧɢɦɚɥɢɧɚɤɪɵɲɟɇɚɰɢɨɧɚɥɶɧɨɝɨɬɟɚɬɪɚɢɷɬɨɛɵɥɨɧɟɜɟɪɨɹɬɧɨ 5. Study the following idiomatic expressions and use them to paraphrase the underlined words in the sentences below: IURPVFUDWFK PDNHRXUGD\V RQDQDGKRFEDVLV WURXEOHVKRRW PDUJLQIRUHUURU EULQJVRPHERG\RQERDUG 7KHVHDUHVRPHRIWKHWKLQJVWKDW\RXKDYHWRGHDOZLWKVSRQWDQHRXVO\DV\RX UH ILOPLQJ ,WPHDQVWKDWWKHUH VYHU\OLWWOHRSSRUWXQLW\WRPDNHDPLVWDNH $QG LW ZDV YLWDO , IHOW WKDW , ZDV WKHUH WR KHOS PDNH VXUH HYHU\WKLQJ ZDV UXQQLQJVPRRWKO\DQGHYHU\RQHZDVZRUNLQJZHOOVRWKDWZHFRXOGNHHSVKRRWLQJ DOOWKHPDWHULDOVFKHGXOHGIRUHDFKGD\ 'HVLJQLQJDVHWIURPWKHYHU\EHJLQQLQJLVH[FLWLQJ 3RVWSURGXFWLRQVXSHUYLVRULVLQYROYHGVRPHWLPHVDWWKHEHJLQQLQJRIDVKRRW DFWXDOO\ SULRU WR D VKRRW WR VFKHGXOH WKH ILOP IRU LWV SRVW SURGXFWLRQ SURFHVV ZKLFKLVDIWHUWKHILOPLVILQLVKHGVKRRWLQJ 86 MODERN CINEMA $QG RXU UROH LV WR HQVXUH WKH ILOP VWD\V RQ VFKHGXOH DV EHVW LW FDQ VWD\ RQ EXGJHW DV EHVW LW FDQ 2UJDQLVH VROYH WKH SUREOHPV DQG PDQDJH DOO WKH SHRSOH ZLWKLQWKHSRVWSURGXFWLRQSURFHVV 6. Search for one of your favourite films on the Internet Movie Database (IMDb) and do the following: )LQGRXWWKHQDPHVRIVRPHRIWKHSHRSOHZLWKNH\UROHVLQWKHFUHZVXFKDV SURGXFWLRQGHVLJQHUGLUHFWRURISKRWRJUDSK\RUVRXQGGHVLJQHU 3LFNVRPHRQHWRFOLFNRQDQGILQGRXWRWKHUILOPVRQZKLFKWKH\KDYHZRUNHG :KDWGR\RXQRWLFHDERXWWKHLUFDUHHUV"'RWKH\DOZD\VZRUNRQWKHVDPHNLQG RIILOP RU D UDQJHRIGLIIHUHQWJHQUHV" $UH WKHUH DQ\RWKHU QDPHV ZKLFKNHHS FRPLQJXSDORQJVLGHWKHP" :$7&+,1* 1. While watching the videos fill in the gaps: Video 1. The producer’s role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ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE :H DVVHVV WKH BBBBBBBBBBBB RI SRVW SURGXFWLRQ WR PDNH VXUH WKHUH V HQRXJKPRQH\WKHUH$QGWKDW VORRNLQJDWTXRWHVIURPWKHBBBBBBBBBBBBDQG PDNLQJVXUHLW VDOOULJKW7KHQZHQRUPDOO\DUHBBBBBBBBGXULQJWKHVKRRW Video 2. What does their job entail? ,WKLQNLW VLPSRUWDQWWR±IRUPHDQ\ZD\±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± WKH ILUVW DVVHPEO\±EHFDXVHLW VJRWHYHU\WKLQJFKXFNHGLQWKHUH 2. Provide the original for the following sentences: Video 1. The producer’s role ȿɳɺɧɚɫɚɦɨɣɪɚɧɧɟɣɫɬɚɞɢɢɩɪɢɜɥɟɱɟɧɢɹɢɧɜɟɫɬɢɰɢɣɞɥɹɫɴɟɦɨɤ ɦɵɨɰɟɧɢɥɢɪɟɚɥɶɧɭɸɫɢɬɭɚɰɢɸɧɚɪɵɧɤɟɨɬɧɨɫɢɬɟɥɶɧɨɡɚɬɪɚɬɧɚɮɢɥɶɦ ɇɟɜɟɪɨɹɬɧɨ ɫɥɨɠɧɵɣ ɩɪɨɰɟɫɫ ± ɨɩɪɟɞɟɥɢɬɶ ɝɞɟ ɤɨɝɞɚ ɢ ɤɚɤ ɜɵ ɛɭɞɟɬɟɫɧɢɦɚɬɶɮɢɥɶɦ ȿɫɬɶ ɦɧɨɝɨ ɪɚɡɧɵɯ ɬɢɩɨɜ ɩɪɨɞɸɫɟɪɨɜ Ʉɬɨɬɨ ɥɸɛɢɬ ɩɪɢɫɭɬɫɬɜɨɜɚɬɶɧɚɫɴɺɦɨɱɧɨɣɩɥɨɳɚɞɤɟɤɬɨɬɨɬɟɪɩɟɬɶɧɟɦɨɠɟɬ Ɇɨɹɡɚɞɚɱɚɩɪɟɜɪɚɬɢɬɶɷɬɨɜɪɟɚɥɶɧɨɫɬɶɱɢɬɚɹɫɰɟɧɚɪɢɣɥɺɠɚɧɚ ɫɩɢɧɟ ɜ ɩɚɪɤɟ ɢ ɱɢɬɚɹ ɷɬɨɬ ɡɚɯɜɚɬɵɜɚɸɳɢɣ ɛɨɟɜɢɤ ɤɨɬɨɪɵɣ ɩɨɡɠɟ ɱɟɬɵɪɟɦɟɫɹɰɚɫɩɭɫɬɹɨɛɪɟɬɺɬɩɥɨɬɶ 88 MODERN CINEMA Ⱥ ɬɚɤɠɟ ɜɫɺ ɱɬɨ ɹ ɞɟɥɚɸ ɜɥɢɹɟɬ ɧɚ ɜɫɟ ɨɬɞɟɥɵ ɤɚɫɚɟɬɫɹ ɥɢ ɷɬɨ ɤɨɫɬɸɦɟɪɨɜɝɪɢɦɚɢɥɢɩɪɢɱɺɫɨɤɝɥɚɜɧɨɝɨɨɩɟɪɚɬɨɪɚ 3. Say if the following statements are true or false. Correct the false ones: Video 1. The producer’s role 7KH SURFHVV RI ILJXULQJ RXW ZKHUH ZKHQ DQG KRZ \RX UH JRLQJ WR VKRRW WKH ILOPLVWKHVDPHHYHU\WLPH 7KHUHDUHDORWRIGLIIHUHQWNLQGVRISURGXFHUVEXWDOORIWKHPKDWHEHLQJRQVHW $V D SURGXFHU WKH EHVW ZD\ WR QRW KDYLQJ WR SOD\ FDWFK XS ZKHQ D SUREOHP DULVHV LV WR EH ULJKW DW WKH FHQWUH RI WKLQJV WKHUH HYHU\ GD\ DQG UHDOO\ NQRZ ZKDW VJRLQJRQ 3RVWSURGXFWLRQVWDUWVRQWKHILUVWGD\DIWHUWKHVKRRW Video 2. What does their job entail? ,W LV LPSRUWDQW IRU 7RQ\ *ULVRQL WR VHH WKH ZKROH ILOP LQ KLV KHDG ZKHQ KH¶V ZULWLQJ 7KHILQLVKHGILOPLVDOZD\VWKHVDPHDVWKHLPDJLQHGRQH 7KHSURGXFHU¶VMRELVRQO\WRILQGILQDQFHIRUWKHILOP 7KH'23LVUHVSRQVLEOHIRUWUDQVIHUULQJWKHVFULSWRQWRWKHVFUHHQ 7KHILUVWYHUVLRQRIWKHILOPLVDOZD\VWRRVKRUWDQGQHHGVDGGLQJWKLQJVWRLW 4. Be ready to discuss the following questions: :KRGR\RXWKLQNSOD\VWKHPRVWLPSRUWDQWSDUWLQPDNLQJDILOPDQGZK\" ,VLWQHFHVVDU\IRUWKHSURGXFHUWREHDOZD\VSUHVHQWRQVHW" :KDWSUREOHPVFDQDULVHGXULQJWKHILOPLQJSURFHVVIRUWKHSURGXFHUWRVROYH" ,VWKHSRVWSURGXFWLRQVXSHUYLVRUUHVSRQVLEOHIRUDQ\WKLQJWKDWKDSSHQVGXULQJ WKHVKRRWLQJ" ,VWKHILOPWKDWWKHILOPPDNHUVLPDJLQHDOZD\VWKHVDPHDIWHULWLVVKRW":K\LV WKDWVR" ([SODLQZKDW7RQ\*ULVRQLPHDQVE\VD\LQJWKDWDILOPLV³DVRFLDODFW´ :KDWGRHV(PLO\0RUJDQPHDQZKHQVKHVD\VWKDWDSURGXFHUFDQEH³DPLOOLRQ GLIIHUHQWWKLQJV´" 89 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 5. Match the jobs of the people from Video 1 (The producer’s role) with what they say about their duties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atch Video 2 (What does their job entail?) once again and sum up what the following people say about their responsibilities in making a film: 7RQ\*ULVRQLVFUHHQZULWHU (PLO\0RUJDQSURGXFHU %ULDQ7XIDQRGLUHFWRURISKRWRJUDSK\ 'DQQ\+DPEURRNVRXQGGHVLJQHUHGLWRU -XVWLQH:ULJKWHGLWRU 7. Each element needs to be provided by the corresponding department, for example the props by the props department. Try and match the elements from the script with the following departments: 90 MODERN CINEMA (OHPHQW 'HSDUWPHQW 0DLQ FKDUDFWHU MXPSLQJ WKURXJK D ORFDWLRQVGHSDUWPHQW WKHZLQGRZ 6SHFLDOEUHDNDZD\JODVV E SURSVGHSDUWPHQW 'LQHUVLQWKHUHVWDXUDQW F JULSGHSDUWPHQW 5RDGFORVXUHIRUFDUVFUHHFKLQJRII G DUWGHSDUWPHQW 'ULQNVLQWKHEDU H H[WUDVDJHQF\ 0DLQFKDUDFWHU¶VVXLW I VSHFLDOHIIHFWV :HW GRZQUDLQ HIIHFW RQ WKH J VWXQWGHSDUWPHQW SDYHPHQW RU PRUH OLNHO\ LW ZDV MXVWUDLQLQJ &DPHUD PRXQWHG RQ WKH ERQQHW RI K ZDUGUREHGHSDUWPHQW WKHFDU 3267:$7&+,1* 1. Think of the following aspects related to the videos: :K\GR\RXWKLQNSHRSOHOLNHZDWFKLQJILOPV"7KLQNRIWKHIXQFWLRQVRIILOPV LQWKHPRGHUQVRFLHW\ ,VLWZRUWKVSHQGLQJVRPXFKHIIRUWRIVRPDQ\SHRSOHWRPDNHILOPV" 'R \RX WKLQN D ILOP KDV WR EH H[SHQVLYH WR PDNH WR EHFRPH D EORFNEXVWHU" :K\" 'R ILOPV KDYH D IXWXUH RU ZLOO WKH\ EH UHSODFHG E\ VRPH QHZ IRUP RI WHFKQRORJ\ZKLFKLVHDVLHUDQGFKHDSHUIRUSURGXFWLRQ" 2. Find viewers’ comments and reviews of the film discussed in the interviews “Spooks: The Greater Good” (https://www.imdb.com/title/tt3321300/; https://www.rottentomatoes.com/m/spooks_the_greater_good ). Is this genre your cup of tea? Would you like to see it after reading the comments? Do you usually read comments to choose a film to watch? Do you ever write any comments yourself? Why (not)? 91 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 3. Write a 150-word summary of the videos 1 and 2 combined. Use words and word combinations from the exercises and glossary if possible. 4. Not all films have big budgets but it is possible to give a low-budget film the scale it needs to compare with other studio films in the spy genre. Watch the interview with the team of the film “Spooks” (“Making your film look like more than it costs” (length – 03:23) https://www.futurelearn.com/courses/business-offilm/1/steps/49508) and answer the following questions: :KDWFKDOOHQJHVZHUHWKHUHIRUWKLVILOPWRIHHOOLNHDYHU\ELJILOP" :KDW VROXWLRQV DQG WHFKQLTXHV ZHUH XVHG DQG E\ ZKDW GHSDUWPHQWV" 0DNH D OLVWRIWKHPDQGH[SODLQKRZWKH\ZRUNHG :K\LVDILOPOLNHDMLJVDZSX]]OH" 5. The world of filmmaking is full of pretence and imagination. Sometimes it is not what you see or hear. Look at the list of sounds we can hear in films. The sound of what do you think they are in reality? Try and guess then watch the video (“The magic of making sound” (length – 06:32) https://www.youtube.com/watch?v=UO3N_PRIgX0&feature=youtu.be) and say how these sounds can be made by Foley artists (Who are they, by the way?): GRJSDZV FUDFNLQJLFH ELUGZLQJV UDLQKLWWLQJDKDW IRRWVWHSVRQVQRZ ZLQG WKXQGHUVWRUP DERDWJRLQJWKURXJKZDYHV KRUVHKRRIV VDLOV ZDONLQJRQOHDYHV 6. Find what some of the famous people in the filmmaking world say about their jobs. It is similar to what you heard in the interviews studied in this section? The job of a teacher is very often compared to that of a (film) director. Do you agree with that? Why (not)? What other jobs from the filmmaking can you compare the job of a teacher with and why? Give your reasons. 92 MODERN CINEMA ),/07+(,5),1(67 Their Finest OHQJWK ± LV D %ULWLVK ILOP EDVHG RQ /LVVD (YDQV¶ QRYHO³7KHLU)LQHVW+RXUDQGD+DOI´6HWDPLGVWWKH%OLW]LQ/RQGRQLWWHOOVDVWRU\ RI&DWULQ&ROHDFRS\ZULWHUKLUHGE\WKH0LQLVWU\RI,QIRUPDWLRQ )LOP'LYLVLRQ WR EULQJ D PXFKQHHGHG IHPLQLQLW\ SHUVSHFWLYH WR WKHLU VFULSWV 3DUWQHUHG DORQJVLGH IHOORZVFUHHQZULWHU%XFNOH\DQGHFFHQWULFDFWRU$PEURVH+LOOLDUGWKHWULRVHWRIIWR PDNHDILOPWKDWZLOOZDUPWKHKHDUWVRIWKHQDWLRQ Cast 6DP&ODIOLQDVTom Buckley 5LFKDUG(*UDQWDVRoger Swain *HPPD$UWHUWRQDVCatrin Cole 3DXO5LWWHUDVRaymond Parfitt %LOO1LJK\DVAmbrose Hilliard -DFN+XVWRQDVEllis Cole 5DFKHO6WLUOLQJDVPhyl Moore +HOHQ0F&URU\DVSophie Smith 35(:$7&+,1* 1. Find information about the following: QDPHV-RKQ&OHPHQWV5REHUW'RQDW&DU\*UDQW(UURO)O\QQ SODFHV%ORRPVEXU\ 0LQLVWU\RI,QIRUPDWLRQ (EEZ9DOH:KLWHKDOO 0LQLVWU\ RI:DU 'XQNLUN'HYRQ SKHQRPHQDFHOOXORLG7HFKQLFRORU%OLW]6SLWILUH6WXND5$)UDWLRQLQJUDWLRQ FDUG 2. Basic words and word combinations to the topic “Cinema” (in order of appearance): FDSWXUH WKH SXEOLF LPDJLQDWLRQ DQG WUXVW ±ɡɚɜɨɟɜɚɬɶ ɢɧɬɟɪɟɫ ɢ ɞɨɜɟɪɢɟ ɩɭɛɥɢɤɢ LQVSLUHDQDWLRQ±ɜɨɨɞɭɲɟɜɢɬɶɧɚɰɢɸ FXOWLYDWH D PRUH FRQYLQFLQJ IHPDOH DQJOH ± ɫɨɡɞɚɬɶ ɛɨɥɟɟ ɭɛɟɞɢɬɟɥɶɧɵɣ ɠɟɧɫɤɢɣɨɛɪɚɡ RXWSXW±ɤɢɧɨɩɪɨɞɭɤɰɢɹ FLQHPDJRHU±ɤɢɧɨɡɪɢɬɟɥɶɤɢɧɨɦɚɧ 93 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE LQIRUPDWLRQDO±ɢɧɮɨɪɦɚɰɢɨɧɧɵɣ ɚɝɢɬɚɰɢɨɧɧɵɣ ɪɨɥɢɤ WKHPDLQVXSSRUWIHDWXUH±ɨɫɧɨɜɧɨɣɞɨɩɨɥɧɢɬɟɥɶɧɵɣɮɢɥɶɦ VKRRWLQJVFULSW±ɪɚɛɨɱɢɣɫɰɟɧɚɪɢɣ VFUHHQWLPH±ɷɤɪɚɧɧɨɟɜɪɟɦɹɩɪɨɞɨɥɠɢɬɟɥɶɧɨɫɬɶɮɢɥɶɦɚɫɟɚɧɫɚ ILOPVWRFN±ɤɢɧɨɩɥɟɧɤɚ FDSWLRQ±ɬɢɬɪɧɚɞɩɢɫɶɧɚɷɤɪɚɧɟ DJHQWɚɝɟɧɬ PRUDOHVDSSLQJ±ɞɟɦɨɪɚɥɢɡɭɸɳɢɣ WRLGHQWLI\ZLWKDFKDUDFWHU±ɨɬɨɠɞɟɫɬɜɥɹɬɶɫɟɛɹɫɩɟɪɫɨɧɚɠɟɦ WKHFDPHUDORYHVKLPKHU±ɨɧɨɧɚɮɨɬɨɝɟɧɢɱɧɵ DWDNHɞɭɛɥɶ VFUHHQWHVW±ɩɪɨɛɚɧɚɪɨɥɶɤɢɧɨɩɪɨɛɚ YRLFHRYHU±ɝɨɥɨɫɡɚɤɚɞɪɨɦ WUHDWDILOPIRUFRORXUɩɟɪɟɪɚɛɨɬɚɬɶɮɢɥɶɦɜɰɜɟɬɟ VWXGLRVKRRW±ɫɬɭɞɢɣɧɚɹɫɴɟɦɤɚ 3. Translate the following sentences with the words and word combinations from Point 2 above into Russian: <RX¶OOILQGDSDJHRIVFULSWHTXDWHVWRDPLQXWHRIVFUHHQWLPHRUURXJKO\ \DUGVRIFHOOXORLGRULWZRXOGLIGLUHFWRUVGLGQ¶WVTXDQGHUWKHILOPVWRFNDVLILW ZHUHODYDWRU\SDSHU ,W¶VMXVWWKDWWKHFDSWLRQDWWKHHQG¶VJRLQJWREH³+H¶VQRWOLVWHQLQJEXWWKH HQHP\PLJKWEH´,W¶VDMRNHIRUZRPHQZKRWKLQNWKHLUKXVEDQGVQHYHUSD\ DWWHQWLRQ6RLI\RXVWDUWDQVZHULQJKHUWKHFDSWLRQZRQ¶WPDNHVHQVH ,I ZH ZDQW $PHULFD WR OLVWHQ ZH PXVW JLYH WKHP VRPHRQH WR OLVWHQ WR DFKDUDFWHUZLWKZKRPWKH\FDQUHDOO\LGHQWLI\ :HVWULS/XQGEHFN¶VGLDORJXHGRZQWRHVVHQWLDOVDQGXVHDYRLFHRYHU :KHQWKHILOP¶VEHHQWUHDWHGIRUFRORXULW¶VJRLQJWRORRNPDUYHORXV 4. Translate the following sentences using the words and word combinations from Point 2 above into English: 94 ϵϰ MODERN CINEMA ɑɬɨɛɵ ɡɚɜɨɟɜɚɬɶ ɢɧɬɟɪɟɫ ɢ ɞɨɜɟɪɢɟ ɩɭɛɥɢɤɢ ɧɚɦ ɧɭɠɧɨ ɧɟɱɬɨ ɛɨɥɶɲɟɟ ɱɟɦ ɬɨɥɫɬɹɤɢɩɨɥɢɰɟɣɫɤɢɟ ɤɨɬɨɪɵɟ ɤɭɛɚɪɟɦ ɩɚɞɚɸɬ ɫ ɥɟɫɬɧɢɰ ɇɚɦ ɧɭɠɧɚɢɫɬɨɪɢɹɤɨɬɨɪɚɹɜɨɨɞɭɲɟɜɢɬɧɚɰɢɸ Ɍɟɩɟɪɶ ɨ ɪɚɛɨɬɟ ɇɚɦ ɧɟɨɛɯɨɞɢɦɨ ɫɨɡɞɚɬɶ ɛɨɥɟɟ ɭɛɟɞɢɬɟɥɶɧɵɣ ɠɟɧɫɤɢɣ ɨɛɪɚɡ ɜ ɧɚɲɟɣ ɤɢɧɨɩɪɨɞɭɤɰɢɢ Ɇɪ Ȼɚɤɥɢ ɛɵɥ ɧɚɡɧɚɱɟɧ ɜ ɨɬɞɟɥ ɫɩɟɰɢɚɥɶɧɵɦɫɨɜɟɬɧɢɤɨɦɈɧɫɱɢɬɚɟɬɱɬɨȼɵ±ɬɨɬɤɬɨɧɚɦɧɭɠɟɧ ȼɵ ɯɨɞɢɬɟ ɜ ɤɢɧɨ" ± Ⱦɚ ± Ɍɨɝɞɚ ȼɵ ɡɧɚɤɨɦɵ ɫ ɢɧɮɨɪɦɚɰɢɨɧɧɵɦɢ ɪɨɥɢɤɚɦɢɆɵɜɫɬɚɜɥɹɟɦɢɯɦɟɠɞɭɞɨɩɨɥɧɢɬɟɥɶɧɵɦɮɢɥɶɦɨɦɢɨɫɧɨɜɧɨɣ ɤɚɪɬɢɧɨɣ Ɍɨɝɞɚ ɡɪɢɬɟɥɢ ɪɚɞɢ ɱɶɟɝɨ ɛɥɚɝɚ ɜɫɟ ɷɬɨ ɞɟɥɚɟɬɫɹ ɧɟ ɦɨɝɭɬ ɜɫɬɚɬɶɢɭɣɬɢ Ɂɧɚɟɲɶ ɟɫɥɢ ɛɵ ɬɵ ɭɞɟɥɹɥ ɫɜɨɢ ɤɥɢɟɧɬɚɦ ɯɨɬɹ ɛɵ ɩɨɥɨɜɢɧɭ ɬɨɝɨ ɜɧɢɦɚɧɢɹɤɨɬɨɪɨɟɬɵɭɞɟɥɹɟɲɶɷɬɨɣɝɢɟɧɟɬɵɛɵɛɵɥɫɬɨɹɳɢɦɚɝɟɧɬɨɦ Ⱦɜɚɞɰɚɬɶ ɬɪɢ ɞɭɛɥɹ Ɇɵ ɩɪɟɤɪɚɬɢɥɢ ɫɴɟɦɤɢ ɬɨɥɶɤɨ ɩɨɬɨɦɭ ɱɬɨ ɭ ɧɚɫ ɡɚɤɨɧɱɢɥɚɫɶ ɩɥɟɧɤɚ ± ȿɝɨ ɬɪɟɛɭɟɬ ȼɨɟɧɧɨɟ ɦɢɧɢɫɬɟɪɫɬɜɨ ȿɝɨ ɬɪɟɛɭɸɬ ɤɢɧɨɩɪɨɤɚɬɱɢɤɢ±ɂɧɢɤɬɨɧɟɞɨɞɭɦɚɥɫɹɭɫɬɪɨɢɬɶɟɦɭɤɢɧɨɩɪɨɛɵ" 5. Study these idioms and use them to paraphrase the underlined words in the sentences below: OHDYHDEDG SXWIRRGRQ KDYHJHW WDVWH LQ WKHWDEOH ZLQGRIVPWK RIIWKHLUIHHW LQ NQRFNVPE VWLFNRQH¶VRDU VPE¶V PRXWK SDFNDSXQFK QRWPXFKWR ZULWHKRPH NHHSVPERQ SXWILUHLQ NHHSVPWKXQGHU WKHERRNV ZUDSV VPE¶VEHOO\ DERXW <RX¶UHVRPXFKEHWWHUWKDQDOOWKHUHVWRIWKHP±$OOWKHUHVWRIWKHPPDQDJH WRSURYLGHIRUWKHLUIDPLOLHV ,IXOO\XQGHUVWDQGWKHQDWLRQDOLPSRUWDQFHRIZKDWZH¶UHVKRRWLQJDQG REYLRXVO\WKHUH¶VQRTXHVWLRQRIGLOXWLQJWKHPHVVDJH,MXVWZRQGHULILW PLJKWQ¶WKDYHDOLWWOHPRUHLPSDFWLI0U%URZQZHUHWRH[SUHVVDOLWWOHPRUH ϵϱ 95 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE <RXWHOOKHUQRWKLQJXQGHUVWDQG"2UZH¶OOKDYHHYHU\JRYHUQPHQWGHSDUWPHQW DQGKLVZLIHFXWWLQJLQ 6RZKDWG¶\RXWKLQN"±8KWKHIDWKHUPDNHVDEDGLPSUHVVLRQ 0LQLVWU\RI:DU7UDQVSRUWKDYHIRXQGRXWDERXW\RXUSURSRVHGILOPLFVFHQDULR 2KQRRQHWROGPHWKHUHZDVDPHHWLQJ±1RZH¶YHEHHQUDWKHUWU\LQJWRNHHS WKLVVHFUHWIRUWKHSUHVHQW 'XQNLUNWKHELJJHVWUHWUHDWLQPLOLWDU\KLVWRU\RUWKHPLUDFOHWKDWERRVWHGRXU PRUDOH , GR QRW VKDUH P\ EURWKHU¶V VHQWLPHQWDO DWWDFKPHQWV DQG , ZLOO QRW NHHS XQSURILWDEOHFOLHQWVRQWKHSD\UROO %UDQQLJDQLVRQHLQDPLOOLRQDQG,¶PQRWKLQJVSHFLDOMXVWDQHYHU\GD\VRUWRI EORNH $PHULFDQSLFWXUHJRHUVOLNHWREHRYHUZKHOPHG 6. Read the lines of the lyrics to a song from the film and comment on the possible contents and atmosphere of the film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ϵϲ MODERN CINEMA 7. Look at the British Propaganda Posters from World War Two. Group them according to the message sent to the public. Which ones do you find most/least effective. Find examples of Soviet Propaganda Posters relating to the Great Patriotic War. In which way are they similar to/different from the British ones? :$7&+,1* 1. While watching the film fill in the gaps: (SLVRGH Tom Buckley tells Catrin about a newspaper story which might form the basis for their film. Fill in the gaps in the following sentences related to this conversation. Buckley: :KHQ,¶PQRWEXV\VSHFLDODGYLVLQJ,ZRUNIRUDPDQFDOOHG*DEULHO %DNHU5HPHPEHUKLP"7KHBBBBBBBBBBBB Catrin: +H¶VDBBBBBBBBBBBB Buckley: 'HVSHUDWHWRPDNHDILOPWKDWZLOOBBBBBBBBBBBB'XQNLUN7KH HYDFXDWLRQRIWURRSVBBBBBBBBBBBBE\WKH*HUPDQDGYDQFH6HYHQ KXQGUHGBBBBBBBBBBBBDQGWKH5R\DO1DY\RQDPLVVLRQWR BBBBBBBBBBBBBBBBBBBBBBBBWRRNWKHLUIDWKHU¶VFRFNOHERDWRYHU WRMRLQWKHBBBBBBBBBBBBFDPHEDFNZLWKDBBBBBBBBBBBB,W¶V HYHU\WKLQJWKH0LQLVWU\DUHDIWHU Catrin: BBBBBBBBBBBBDQGBBBBBBBBBBBB Buckley: %HIRUH WKH\ JLYH LW WKH BBBBBBBBBBBB WKH\ ZDQW VRPHRQH WR JR GRZQ WKHUHWRWDONWRWKHJLUOV8QOHVV\RXUDUWLVWZRXOGBBBBBBBBBBBB «6RZKDWGR\RXWKLQN"$GD\BBBBBBBBBBBB$QG\RXQHYHUNQRZ LIWKHUH¶VDILOPDWWKHHQGRILWWKHUHPLJKWEHDBBBBBBBBBBBBLQLWIRU \RX:H¶OOQHHGVRPHRQHWRZULWHBBBBBBBBBBBB Catrin: BBBBBBBBBBBB" Buckley: BBBBBBBBBBBB:RPHQ¶VGLDORJXH (SLVRGH Watch the scene in which Ambrose Hilliard and his agent, Sammy Smith, discuss the role intended for Mr Hilliard in Baker’s film and 97 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE fill in the gaps in the sentences below. Be ready to discuss his reaction and the underlying reasons for it. Mr Smith: 6RUU\ZHKDYHJXHVWVVWD\LQJIULHQGVIURPBBBBBBBBBBBB7KLQJV DUHYHU\EDGLQ(XURSH Mr Hilliard: ,W¶V QRW H[DFWO\ BBBBBBBBBBBB KHUH LI \RX KDGQ¶W QRWLFHG <RX FDQ¶W ILQGDBBBBBBBBBBBBLQ6RKRVLQFH,WDO\MRLQHGWKHZDU7KH\ZHUHDOO URXQGHGXSDVVRFDOOHGBBBBBBBBBBBB&KULVWDGHDGVKHHS Mr Smith: 1RWVWULFWO\BBBBBBBBBBBBEXW&HUEHUXVFDQ¶WOLYHRQBBBBBBBBBBBBDQG BBBBBBBBBBBB 6RSKLH¶V JRLQJ WR ERLO LW XS DQG PDNH KLP VRPH BBBBBBBBBBBB OXFN\ IHOORZ 6R %DNHU¶V BBBBBBBBBBBB IRU WKH 'XQNLUNILOP<RXUHDGLW" Mr Hilliard: ,W BBBBBBBBBB UDWKHU EHWWHU WKDQ RQH PLJKW KDYH H[SHFWHG -RKQQLH¶V HVFDSHIURPWKHVWHHOWKUXVWRIWKH*HUPDQBBBBBBBBBBB7KHUHVFXHRI BBBBBBBBBBB ZDV YHU\ JRRG « 8QFOH )UDQN" ³$ BBBBBBBBBBBB RI D PDQ´6DPP\³6L[WLHV«/RRNVROGHU´ Mr Smith: BBBBBBBBB DUH QRW WR EH VQHHUHG DW $PEURVH *UDYLWDV ([SHULHQFH BBBBBBBBBBBB:HDOOKDYHDSDUWWRSOD\LQBBBBBBBBBBBB Mr Hilliard:1RWWKLVSDUW,W¶VDBBBBBBBBBBBB+H¶VGHDGEHIRUHWKHHQGRIDFW WKUHH«7KHZDU7KHZDU'DPQWKHEORRG\ZDU7KHZDUKDV BBBBBBBBBBBBDQGZH¶UHOHIWZLWKWKHUDQFLGFXUGV 2. Provide the original for the following sentences: (SLVRGH Watch Catrin and Buckley discuss his career in scriptwriting: Ȼɚɤɥɢ Ʉɚɤȼɵɞɭɦɚɟɬɟɩɨɱɟɦɭɥɸɞɢɥɸɛɹɬɤɢɧɨ"ɉɨɬɨɦɭɱɬɨɫɸɠɟɬ± ɷɬɨɫɬɪɭɤɬɭɪɚɗɬɨɢɮɨɪɦɚɢɰɟɥɶɢɫɨɞɟɪɠɚɧɢɟɂɞɚɠɟɟɫɥɢ ɞɟɥɚɢɞɭɬɧɟɜɚɠɧɨɷɬɨɜɫɟɪɚɜɧɨɱɚɫɬɶɡɚɦɵɫɥɚɩɨɧɢɦɚɟɬɟ ȼɷɬɨɦɬɨɠɟɟɫɬɶɫɦɵɫɥȼɨɬɥɢɱɢɟɨɬɠɢɡɧɢ Ʉɷɬɪɢɧ ȼɵɦɚɥɨɜɨɱɬɨɜɟɪɢɬɟɧɟɬɚɤɥɢ" Ȼɚɤɥɢ əɜɟɪɢɥɱɬɨɷɬɨɛɭɞɟɬɯɨɪɨɲɢɣɮɢɥɶɦ Ʉɷɬɪɢɧ Ʉɚɤȼɵɩɨɩɚɥɢɜɫɰɟɧɚɪɢɫɬɵ" 98 MODERN CINEMA Ȼɚɤɥɢ ɉɚɪɮɢɬɈɧɩɢɫɚɥɤɨɦɟɞɢɢɞɥɹȻɟɣɤɟɪɚəɫɨɛɢɪɚɥɡɚɛɚɜɧɵɟ ɢɫɬɨɪɢɢɤɨɬɨɪɵɟɫɥɵɲɚɥɧɚɭɥɢɰɚɯɢɩɪɨɞɚɜɚɥɢɯɟɦɭɜɩɚɛɟ ɩɟɧɧɢɡɚɯɨɯɦɭ Ʉɷɬɪɢɧ Ɏɢɥɫɱɢɬɚɟɬɱɬɨȼɵɜɩɚɛɟɢɪɨɞɢɥɢɫɶ Ȼɚɤɥɢ əɧɟɫɨɦɧɟɧɧɨɩɪɨɜɨɞɢɥɬɚɦɦɧɨɝɨɜɪɟɦɟɧɢɜɞɟɬɫɬɜɟɆɨɣ ɨɬɟɰɜɨɟɜɚɥɜɩɟɪɜɭɸȾɟɥɨɜɬɨɦɦɢɫɫɢɫɄɨɭɥɱɬɨɢɡɬɟɯɤɬɨ ɨɬɩɪɚɜɥɹɟɬɫɹɧɚɜɨɣɧɭɧɟɤɨɬɨɪɵɟɧɟɜɨɡɜɪɚɳɚɸɬɫɹɜɨɜɫɟ ɧɟɤɨɬɨɪɵɟɜɨɡɜɪɚɳɚɸɬɫɹɝɟɪɨɹɦɢɚɧɟɤɨɬɨɪɵɟɜɨɡɜɪɚɳɚɸɬɫɹ ɩɶɹɧɢɰɚɦɢɢɥɢɯɨɞɟɹɦɢəɩɪɟɞɩɨɱɢɬɚɥɞɟɪɠɚɬɶɫɹɨɬɧɟɝɨ ɩɨɞɚɥɶɲɟ Ʉɷɬɪɢɧ ȼɩɚɛɚɯ Ȼɚɤɥɢ ɂɥɢ ɜ ɤɢɧɨ ȼ ɤɢɧɨ ɦɧɟ ɧɪɚɜɢɥɨɫɶ ɛɨɥɶɲɟ ɂ ɯɨɬɶ ɢɧɨɝɞɚ ɧɭɠɧɨ ɫɧɹɬɶɬɚɤɨɣɮɢɥɶɦɤɨɬɨɪɵɣɫɬɨɢɬɩɨɥɭɬɨɪɚɱɚɫɨɜɱɶɟɣɬɨɠɢɡɧɢ (SLVRGH Watch the scene in which Mr Hilliard tries to persuade Catrin not to give up scriptwriting: Ɇ-ɪ ɏɢɥɥɢɚɪɞ ɉɪɨɫɬɢɬɟɡɚɨɛɦɚɧɆɧɟɩɨɤɚɡɚɥɨɫɶɱɬɨȼɚɲɚɯɨɡɹɣɤɚɧɟ ɢɡɬɟɯɤɬɨɩɪɢɜɟɬɫɬɜɭɟɬɩɨɫɟɬɢɬɟɥɟɣɦɭɠɫɤɨɝɨɩɨɥɚȿɫɥɢ ɱɟɫɬɧɨɡɚɩɨɫɥɟɞɧɢɟɧɟɫɤɨɥɶɤɨɧɟɞɟɥɶɨɧɚɩɟɪɜɵɣ ɱɟɥɨɜɟɤɤɨɬɨɪɵɣɦɟɧɹɧɟɭɡɧɚɥ Ɉɧɚɧɟɨɞɨɛɪɹɟɬɤɢɧɨɗɬɨɝɪɟɯ Ʉɷɬɪɢɧ Ɇ-ɪ ɏɢɥɥɢɚɪɞ ɏɚ«Ʉɚɤɚɹ«Ʉɚɤɚɹɩɪɟɥɟɫɬɶ Ʉɷɬɪɢɧ ɗɬɨɨɬɊɨɭɡɢɅɢɥɢɈɬɧɚɫɬɨɹɳɢɯɊɨɭɡɢɅɢɥɢɈɧɢ ɩɨɞɚɥɢɫɶɜɚɜɢɚɰɢɨɧɧɨɬɟɯɧɢɱɟɫɤɭɸɫɥɭɠɛɭɊɨɭɡ ɪɟɲɢɥɚɱɬɨɪɚɡɭɠɨɧɚɫɦɨɝɥɚɩɨɱɢɧɢɬɶɜɢɧɬɜɤɢɧɨɬɨ ɫɦɨɠɟɬɧɚɭɱɢɬɶɫɹɱɢɧɢɬɶɦɨɬɨɪɵɢɜɠɢɡɧɢɈɧɢɬɟɩɟɪɶ ɨɛɟɦɟɯɚɧɢɤɢ Ɇ-ɪ ɏɢɥɥɢɚɪɞ Ȼɟɣɤɟɪɡɚɞɭɦɚɥɧɨɜɵɣɮɢɥɶɦɉɪɨɨɬɪɹɞɨɩɨɜɟɳɟɧɢɹɏɨɱɟɬ ɱɬɨɛ ɹ ɜ ɧɟɦ ɢɝɪɚɥ Ⱦɨɜɟɪɢɥ ɦɧɟ ɫɚɦɨɦɭ ɪɚɡɪɚɛɨɬɚɬɶ ɪɨɥɶ Ʉɚɤȼɚɦɫɤɚɠɟɦɨɬɨɲɟɞɲɢɣɨɬɞɟɥɜɨɪɞɨɦɭɲɧɢɤ"Ɉɧɩɨɤɚ ɧɟɢɫɩɪɚɜɢɥɫɹɢɩɨɬɨɦɭɩɪɨɫɬɨɧɟɨɰɟɧɢɦɞɥɹɫɩɚɫɚɬɟɥɶɧɵɯ 99 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE ɨɩɟɪɚɰɢɣ ± ɜɟɞɶ ɨɧ ɡɧɚɟɬ ɜɫɟ ɯɨɞɵ ɢ ɜɵɯɨɞɵ ȼɨɬ ɬɨɥɶɤɨ ɫɩɥɨɯɢɦ ɫɰɟɧɚɪɢɫɬɨɦ« ɉɨɷɬɨɦɭ ɹ ɯɨɬɟɥ ɫɩɪɨɫɢɬɶ ɧɟ ɫɨɝɥɚɫɢɬɟɫɶɥɢȼɵɩɪɢɥɨɠɢɬɶɫɜɨɣɬɚɥɚɧɬ« Ʉɷɬɪɢɧ Ɇ-ɪ ɏɢɥɥɢɚɪɞ əɛɨɥɶɲɟɧɟɪɚɛɨɬɚɸɜɤɢɧɨɉɪɨɫɬɢɬɟɹɩɪɨɫɬɨɧɟɦɨɝɭ ȼɚɦ« ȼɚɦ ɩɟɧɚ ɜ ɝɥɚɡɚ ɩɨɩɚɞɟɬ« ȼɨɬ« Ɇɨɟɝɨ ɚɝɟɧɬɚ ɇɚɦ ɫȼɚɦɢ ɜɵɩɚɥ ɲɚɧɫ ɬɨɥɶɤɨ ɩɨɬɨɦɭ ɱɬɨ ɦɨɥɨɞɵɟ ɦɭɠɱɢɧɵ ɭɯɨɞɹɬ ɢɥɢ ɩɨɝɢɛɚɸɬ ɇɨ ɨɬɤɚɡɚɬɶɫɹ ɨɬ ɷɬɨɝɨ ɲɚɧɫɚ ɞɚɠɟ ɩɟɪɟɠɢɜ ɬɚɤɭɸ ɭɠɚɫɧɭɸ ɩɨɬɟɪɸ ɨɡɧɚɱɚɥɨ ɛɵ ɩɪɢɡɧɚɬɶ ɝɨɫɩɨɞɫɬɜɨɫɦɟɪɬɢɧɚɞɠɢɡɧɶɸȼɵɭɠɟɜɢɞɟɥɢ«ɧɚɲɮɢɥɶɦ" Ɉɛɹɡɚɬɟɥɶɧɨ ɩɨɫɦɨɬɪɢɬɟ Ɉɧ ɨɱɟɧɶ ɯɨɪɨɲ ə ɜ ɧɟɦ ɩɪɨɫɬɨ ɛɟɫɩɨɞɨɛɟɧɂȼɵɬɨɠɟ 3. Say if the following statements are true or false. Correct the false ones: &DWULQ¶V ILUVW HQFRXQWHU ZLWK 0U +LOOLDUG UHVXOWHG LQ KHU EHLQJ EDQLVKHG IURP WKHVHW &DWULQ DQG %XFNOH\ JRW RQ ZHOO IURP WKH YHU\ VWDUW DQG QHYHU GLVDJUHHG RQ D VLQJOHDVSHFWRIWKHVFULSW %XFNOH\ZDVQ¶WFDOOHGXSEHFDXVHRIKLVSRRUKHDOWK &DUO /XQGEHFN ZDV D SURPLVLQJ \RXQJ $PHULFDQ DFWRU FKRVHQ RYHU RWKHU FDQGLGDWHVIRUWKHUROHRQWKHEDVLVRIKLVVFUHHQWHVW 2QHRI0U%DNHU¶VJUDQGVRQVZDVNLOOHGLQDFWLRQ &DWULQDQG(OOLVQHYHUJRWPDUULHGVKHUDQDZD\ZLWKKLPIURP:DOHVDQGWKHQ MXVWERXJKWDULQJWRNHHSXSDSSHDUDQFHV (OOLV&ROHZDVNLOOHGZKHQDERPEKLWWKHLUKRXVHGXULQJRQHRIWKHDLUUDLGV %XFNOH\ZURWHWKHHQGLQJZKLFKZDVDKXJHVXFFHVV $IWHUWKHDFFLGHQWLQWKHVWXGLRZKHQWKHILOPKXQJE\DWKUHDG&DWULQFDPHXS ZLWKDEULOOLDQWLGHDVXJJHVWLQJWKDW5RVHPLJKWIUHHWKHSURSHOOHU 5RVHDQG/LO\WKHUHDOWZLQVLVWHUVGHFLGHGWREHFRPHDFWUHVVHV 4. Be ready to discuss the following questions: :K\ZDV&DWULQLQYLWHGWRZRUNIRUWKH)LOP'LYLVLRQ" 100 MODERN CINEMA :K\ GLG &DWULQ FRQFHDO WKH IDFW WKDW WKH WZLQ VLVWHUV KDGQ¶W UHDFKHG 'XQNLUN DQGLQYHQWDVWRU\LQVWHDG" &RPPHQW RQ WKH SURFHVV RI VFULSWZULWLQJ WKH EUDLQVWRUPLQJ +RZ GR &DWULQ %XFNOH\ DQG 3DUILWW ZRUN RXW WKH VWRU\" :K\ DUH VRPH LGHDV DFFHSWHG DQG RWKHUV±GLVFDUGHG" :K\GLG%XFNOH\GLVOLNH3K\O0RRUH":KDWGLGKHFDOOKHU":DVWKHIHHOLQJ PXWXDO" :K\GLGWKH6HFUHWDU\RI:DULQVLVWRQLQWURGXFLQJDQ$PHULFDQFKDUDFWHULQWR WKHILOP" :KDWZDV+LOOLDUG¶VVWDUUROH"+RZGLGKHIHHOZKHQSHRSOHUHFRJQL]HGKLPRU DVNHGWRLPSHUVRQDWHKLVFKDUDFWHU" :K\GLG+LOOLDUGZKHQDVNHGWRLGHQWLI\KLVDJHQW6DPP\6PLWKWKLQNWKDWLW ZDVQ¶WKLP"+RZGLGWKHQXUVHDFFRXQWIRUWKHFRQIXVLRQ" +RZGLG6RSKLH6PLWKGHDOZLWKKHUFOLHQW0U+LOOLDUG"+RZGLGKHUDSSURDFK GLIIHUIURPWKDWRIKHUEURWKHU" +RZGLG&DWULQPDQDJHWRSHUVXDGH0U+LOOLDUGWRFRDFK&DUO/XQGEHFNWKH $PHULFDQFKDSIRUWKHUROHRI%UDQQLJDQ" +RZGLGWKHILOPJRGRZQZLWKWKHSXEOLF":KDWNLQGRIDXGLHQFHGRZHVHH LQWKHFLQHPD"+RZGRWKH\UHDFWWRGLIIHUHQWVFHQHVLQWKHILOP" 5. Put the scenes from the film in the chronological order: &DWULQDQG3DUILWWVWDUWZRUNRQWKHQHZILOP 6RSKLH6PLWKWDNHVRYHUWKHDJHQF\DIWHUKHUEURWKHU¶VWUDJLFGHDWK &DWULQLVFDXJKWLQDQDLUUDLGDQGVHHVDORWRIFDVXDOWLHVZKLFKWXUQRXWWREH ZLQGRZGXPPLHVH[FHSWRQH %XFNOH\ FRPHV DFURVV D QHZVSDSHU FDUWRRQ ZKLFK LV YHU\ ZHOOZULWWHQ DQG ZLWW\ 7KHDFFLGHQWDWWKHVWXGLRNLOOV%XFNOH\DQGSXWV0U+LOOLDUGLQSODVWHU (OOLVJHWVDFRPPLVVLRQWRGRFXPHQWERPEGDPDJHLQWKHSURYLQFHV 0U6ZDLQOHDUQVWKDW/LO\DQG5RVH6WDUOLQJQHYHUUHDFKHG'XQNLUNEHFDXVHRI HQJLQHIDLOXUH 101 ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE 0U+LOOLDUGUHIXVHVSRLQWEODQNWRSOD\8QFOH)UDQN &DWULQILQGVRXWWKDW(OOLVLVXQIDLWKIXOWRKHU 6RSKLH6PLWKVXJJHVWVWKDW+LOOLDUGVKRXOGPRYHWRKHUSODFHWREHSURSHUO\ FDUHGIRUDIWHUWKHDFFLGHQW 6. The film is full of funny bits. Comment on the means the film-makers employ to achieve the humorous effect. Which comic scene/scenes did you enjoy most of all? 7. Comment on the filming techniques used in the film. What purpose do they serve? 3267:$7&+,1* 1. Think of the following aspects related to the film: 3URSDJDQGD ,Q WKH ILOP LW VHUYHG WR ERRVW WKH PRUDOH RI WKH %ULWLVK DQG SHUVXDGHWKH$PHULFDQVWRMRLQWKHZDU+RZHYHULWPD\EHXVHGWRVRPHRQH¶V GHWULPHQW &DQ \RX FRPH XS ZLWK H[DPSOHV ZKHQ SURSDJDQGD ZDV GLUHFWHG DJDLQVWVRPHRQHRUVRPHWKLQJ" ,QWHUIHUHQFH RI QRQVSHFLDOLVWV WKH JRYHUQPHQW ORFDO DXWKRULWLHV HWF LQ WKH ILOPPDNLQJSURFHVV+RZFDQLWDIIHFWWKHRXWSXW" 6WDUGRP 6RPHWLPHV SRSXODU DFWRUV EHFRPH YLUWXDOO\ XQEHDUDEOH DUURJDQW PRRG\ ERVV\ GRZQULJKW UXGH ± ZKLOH GHDOLQJ ZLWK WKHLU FROOHDJXHV DQG SHRSOH LQ JHQHUDO 'R \RX WKLQN WKHLU VWDWXV JLYHV WKHP VXFK D ULJKW" :KDW PLJKWEHWKHFRQVHTXHQFHVRIVXFKEHKDYLRU" 'XULQJ WKH 6HFRQG :RUOG :DU ZRPHQ EHFDPH HYHQ PRUH LQGHSHQGHQW DQG VHOIUHOLDQW $V 3K\O 0RRUH SXWV LW LQ WKH ILOP ³<RX NQRZ D ORW RI PHQ DUH VFDUHGZHZRQ¶WJREDFNLQWRRXUER[HVZKHQWKLVLVDOORYHU´:KDWGRHVVKH PHDQE\³RXUER[HV´":HUHPHQ¶VIHDUVMXVWLILHG" 0HQ KDYH DOZD\V EHHQ UHJDUGHG DV EUHDGZLQQHUV DQG KHDGV RI WKHLU IDPLOLHV 7KHIDFWWKDWLWZDV&DWULQDQGQRWKH>(OOLV@ZKRSDLGWKHUHQWDQGSXWIRRGRQ WKHWDEOHEHFDPHRQHRIWKHUHDVRQVIRUWKHLUHVWUDQJHPHQWDQGVHSDUDWLRQ'R \RXWKLQNPHQVWLOOIHHOXVHOHVVDQGLQIHULRULIWKHLUZLYHVDUHPRUHVXFFHVVIXO 102 MODERN CINEMA LQ WKHLU FDUHHUV" 'R PRQH\ PDWWHUV VWLOO KDYH D WROO RQ IDPLO\ VWDELOLW\" :K\ZK\QRW" 2. Find viewers’ comments and reviews of the film Compare them to your own perception of the film. 3. Write a review of the film for other viewers. 4. Watch the interviews from ‘Their Finest’ premiere (https://www.heyuguys.com/finest-premiere-interviews-gemma-arterton-bill-nighy) and jot down what the actors, the crew and the author of the book say about the film and their work. What did they find most challenging/fascinating/funny, etc.? 5. Imagine that you’ve just seen the premiere (which in fact you have). Roleplay a dialogue between a reporter and cinemagoers sharing their impressions of the film. 6. Think about Soviet/Russian films dealing with the same problem, i.e. boosting the morale of the public/soldiers. What morale-boosting methods were used during the Great Patriotic War? How effective were they? 103 Учебное издание ПРАКТИКА РЕЧИ: ALL EYES ON THE SCREEN! TOPICAL ISSUES OF MODERN LIFE Учебное пособие Редактор Дубовец В. В. Оформление обложки Удовенко В. Г. Компьютерная верстка Дорожкина О. Н., Потрахов И. А. Московский педагогический государственный университет (МПГУ). 119991, Москва, ул. Малая Пироговская, д. 1, стр. 1. Управление издательской деятельности и инновационного проектирования (УИД и ИП) МПГУ. 119571, Москва, пр-т Вернадского, д. 88, оф. 446, тел. (499) 730-38-61, e-mail: [email protected]. Отпечатано в отделе оперативной полиграфии УИД и ИП МПГУ. Подписано в печать 12.07.2019. Формат 60х90/16. Бум. офсетная. Печать цифровая. Усл. печ. л. 6,25. Тираж 500 экз. Заказ 960.